Jones shot to the top of the charts in 2002 with this warm, sleepy ballad, and it still holds up nearly 20 years later. Her vocals are velvety smooth, and the piano production is equally as relaxing. The result? A down-tempo track that feels like the first five minutes in a hot bubble bath.

Sleep affects learning and development in humans and other animals, but the role of sleep in developmental learning has never been examined. Here we show the effects of night-sleep on song development in the zebra finch by recording and analysing the entire song ontogeny. During periods of rapid learning we observed a pronounced deterioration in song structure after night-sleep. The song regained structure after intense morning singing. Daily improvement in similarity to the tutored song occurred during the late phase of this morning recovery; little further improvement occurred thereafter. Furthermore, birds that showed stronger post-sleep deterioration during development achieved a better final imitation. The effect diminished with age. Our experiments showed that these oscillations were not a result of sleep inertia or lack of practice, indicating the possible involvement of an active process, perhaps neural song-replay during sleep. We suggest that these oscillations correspond to competing demands of plasticity and consolidation during learning, creating repeated opportunities to reshape previously learned motor skills.


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Our most popular song on Spotify has long been \u201CSleep is For the Weak\u201D; a strange fact, given that we intentionally buried it near the end of an album with a boatload of better songs: \u201CPolka Never Dies\u201D, \u201CPoutine\u201D and \u201CTurbo Island\u201D are all much better. We know full well what\u2019s going on here: legions of weirdos and misfits who drink and smoke too much and who often wear Adidas trackpants unironically are sitting on their broken down cars in parking lots in places like Rzesz\u00F3w and Nowy S\u0105cz, sipping cans of Zubr (pronounced: \u201Cgrkblff\u201D) and blissing out as this song sits on repeat.

\\\"Zajebi\u015Bcie, Kurwa!\u201D - the song\u2019s chorus confuses North American listeners, but basically it\u2019s a garbled Polish curse, featuring a word I still use constantly, the swiss-army-swear kurwa, which has a glorious double meaning of both \u201Cwhore\u201D and \u201Cfuck\u201D. It\u2019s such a beautiful word, try it sometime when you\u2019re really frustrated: koooo\u2014rrrrrroool that rrrrrrr\u2014\u2014 VAH. YEAH!

Chuck in a world-historic flood in southern Poland, cans of beer and bottles of slivovitz and vodka endlessly rolling around in the van, an arsehole Polish tour manager who couldn\u2019t even speak Polish and who demanded to sit in said van taking up valuable sleeping space, and you have a recipe for five young alcoholics to basically poison themselves nearly to death on no sleep. As we piled into the van at 5am each morning\u2026 or one night even directly after the show\u2026 we repeated our mantra: \u201CSleep is for the weak\u201D.

But SIFTW would never have happened were it not for what happened at the end of the tour: an opening slot for Goran Bregovic. The rhythm of this song, its intro and its feel, are directly lifted from Bregovic. The concert at the Stare Misto festival was formative: watching Bregovic, we realized just what sort of power trad-folk can have when the young people of a given culture truly appreciate it. We returned to our home continent completely dead-set on bringing this kind of energy to young adults. As I wrote at the time: \u201CLet's just say that if I ever have to sit on a fucking lawn-chair at some Canadian folk festival again and listen to some brain-dead weirdo covering Joni Mitchell on a harp, I'm going to think about the Stare Misto festival. And then I am going to kill myself.\u201D

I\u2019m proud of these lyrics, they really capture the sense of desperation and adventure here. Push, climb, keep doing it, keep drinking, no sleep, play another show, drink some more, no sleep, spend so much time in the van that your skin loses three shades and when you find yourself waking up in a wheat field in the Ukraine having pissed the last night away with Seamus; greet the sun, squint at it, have another shot of whatever the hell is in that bottle, get back in the van. Kurwa.

1. Source separation in the case of live tutoring; 2. Observations on sleep; 3. Segmentation into syllables; 4. Computing syllable features; 5. Smoothing of duration histograms; 6. Clustering syllables and tracing the evolution of clusters; 7. Estimating vocal changes across timescales; 8. Similarity measurements. (PDF 97 kb)

1. Analysis of vocal changes triggered in adult birds; 2. Observations on sleep; 3. Analysis of sleep effect on syllable duration; 4. Comparison between birds trained from day 43 versus day 60; 5. Analysis of the causality chain between post-sleep deterioration and eventual similarity to the song model. (PDF 73 kb)

"Talking in Your Sleep" is a song written by Roger Cook and Bobby Wood. The first recorded version of the song[2] is by the band Marmalade, produced by Cook's longtime collaborator Roger Greenaway; Marmalade's version was also released as single in 1978 but failed to chart.

"Talking in Your Sleep" was most successful when recorded by American country music artist Crystal Gayle. It was released in January 1978 as the first single from the album When I Dream. The song became a hit on both the country and pop charts in 1978. It peaked at number one on the US Country chart for two weeks,[3] number eighteen on the US Pop chart and number three at the US Adult Contemporary chart.

In 1977, Gayle achieved international crossover Pop success for the first time with her No. 1 hit "Don't It Make My Brown Eyes Blue". Following the song's success, Gayle was recording more Pop and Adult Contemporary-styled Country tunes. This song is one of the first examples of this. "Talking in Your Sleep" was released in early 1978, and was a hit mid-year. The song proved an instant follow-up for Gayle on the Pop charts, being she hadn't had another Top 40 Pop hit since "Don't It Make My Brown Eyes Blue" the previous year.

"Talking in Your Sleep" was released on Gayle's major-selling album from that year called When I Dream. Following "Talking in Your Sleep"'s success as a crossover smash, Gayle only achieved one more Top 40 Pop hit as a solo artist, which came the next year with the song, "Half the Way". She also reached the Top Ten in 1982 with the hit single "You and I" a duet with Eddie Rabbitt.

Insomnia is a problem for millions of people plus children and babies often have trouble sleeping. Now instead of counting sheep or taking medications getting a good night's sleep could be as simple as playing one very special song.

For centuries mothers have been singing their babies to sleep. Now new research proves what parents have instinctively known for a long time. "Music, my friends, is a much better, much healthier way to restore the sleep back to normal," explains Internist Svetlana Kogan. The sleep expert says one song in particular has been scientifically proven to promote sleep for babies, and adults too. She says, "They measured their heart rate, the activity in the brain and everything seems to have been subdued."

The eight minute song called "Weightless" was designed by the English group Marconi Union to replicate a heartbeat. "We are constantly stimulating throughout the day so by the time the evening comes around, it's very difficult for our nervous system to chill," Dr. Kogan says.

But with the song experts say your heart rate can gradually come to match that of the beat and as it slows blood pressure falls. With no repeating melody your brain can completely switch off. One study found that the song reduced the overall anxiety of female listeners by 65 percent.

"Sleep" is a song written by Earl Burtnett and Adam Geibel (under the pseudonym Earl Lebieg) in 1923. The song's melody is based on a motif from "Visions of Sleep", a 1903 composition by Geibel.[1] The song was released by Fred Waring's Pennsylvanians in 1923, becoming the band's first hit and their signature theme. The song was also the theme for the television musical variety show The Fred Waring Show. The lyrics for the song were written by Waring's brother, Tom, who sang on the recording as well.[2]

Stay smoke-free. Stay sober. Stay off sofas, upholstered chairs, and recliners for sleep. Keep your healthy baby lightly dressed, on his back, and near you for sleep. And, of course, keep breastfeeding.

All those scary warnings are about only the first four months. Beyond that? Even the researchers behind the bedsharing cautions agree that by about four months bedsharing by any responsible, nonsmoking adult is as safe as having your baby sleep separately in a bassinet or crib. (11) 2351a5e196

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