This website documents soundfonts created by Polyphone user NitroShoe.
As a soundfont enthusiast, I find developing my own soundfonts quite a pastime. By borrowing samples from your favorite sources, you're mastering the art of soundfont production, and it's certainly worth publishing your final work online. As such, soundfont creation is my hobby, and it's so much fun.
More information on how I came to make my own soundfonts is in the Background section below. Read it—you won't regret it!
I created my Polyphone account back in 2020, just to be able to download and use some of the soundfonts I came across on the Polyphone website. Some time later, I started publishing soundfonts of my own. My first soundfont was HyperSound (now called HyperSound Classic), released on February 10, 2025. The soundfont has been re-uploaded since. I've also created a few other soundfonts, namely Super Small 'Font, and NitroFont, Roland SC-55 Soundfont, SoniFont, and Sound Blaster: Restoration Project.
This website was created on August 14, 2025, just to make my soundfonts more popular.
You can visit pages dedicated to each of my soundfonts for detailed descriptions and download links. Most of my soundfonts are available on the Polyphone website. However, since downloading from Polyphone requires having logged in, some of my soundfonts (my older ones in the likeness of HyperSound being exceptions to this) also have dedicated GitHub repositories, which effectively serve as mirrors. However, I've found out that downloading soundfonts from GitHub is a tad slower than from Polyphone.
All soundfonts were tested with AIMP's BassMIDI integration, and no issues were found so far.
All of my soundfonts, with the exception of NitroFont, are released under Creative Commons Attribution 4.0 International (NitroFont is instead released under Creative Commons Attribution - ShareAlike 4.0 International). You have full freedom over my soundfonts, meaning you're free to use them both personally and commercially, re-distribute them onto other websites, and derive them, the only restriction being the need to mention me (or the soundfont you used) as a means of saying thank you. This is called attribution, and is good karma. In case of NitroFont, however, you must also make sure that, if you make a derivative and want to publish it, it mustn't be available under a more restrictive license.