Nipsey Hussle What It Feels Like Download

What does it feel like to be part of the rich history of The Forward?

Lynn: Ooh! It\u2019s just an honor it almost gives me the shivers. Not everyone\u2019s relatives read the Forward around the table like mine (and many others\u2019) did, but it is an indelible part of American Jewish history, the history of immigration and socialism, so much more. Also, it feels like a way to honor my mom (z\u201Dl), who was one of the great advice givers of her time.

\uD83C\uDF99\uFE0FIn 1992 I went on a road trip all across Colorado with my parents, and we had one cassette tape for the trip: They Might Be Giants\u2019 Apollo 18. Each song brings me back to buying tiny worry dolls in Vail and exploring Mesa Verde. One of the most unique pieces on this album is the collection of 21 micro-songs, Fingertips. Each song is only a few seconds long and feels like the introduction to an entire universe sprouted from John Flansburgh and John Linnell\u2019s brains. I never thought very hard about these songs, they are just completely weird and enjoyable\u2014kind of a shock to the brain. But on Strong Songs, Kirk Hamilton picked each song apart, finding genius in the structure and note of every second of every song. I don\u2019t think you have to have nostalgic connection to these songs to find them fascinating. Kirk is able to point out the chords and their inspiration from other pieces of music, the roles each of the Johns played in making the vocals snap into place, and the journey the entire piece takes you on when listened to beginning to end, from comfortable beginning, to chaotic climax in the middle, to the sad, winded down ending. I learned so much about song construction I feel like I\u2019m a different consumer of music, and my love for these songs has gone beyond simply remembering a vacation with my family. I\u2019m reminded of the subtle, wacky genius of They Might Be Giants, and the reason Fingertips is one of my favorite pieces of audio ever created. And perhaps why nobody has been able to replicate it.

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\uD83C\uDF99\uFE0FHave you ever listened to a podcast and wanted to dance to it? Not because of the music, but because it\u2019s so melodic and lyrical that it makes you want to move your whole body? Have You Heard George\u2019s Podcast? has an episode, Who Hurt R&B, dedicated to the path R&B has taken in our culture, from serving as a way to communicate love to one to communicate rage and pain since the 1970s. It\u2019s full of great tracks, but George uses poetry to weave it together and trace R&B hits to the story of Black mental health, aiming to pin down when we went from Sunshine Anderson singing Heard It All Before to Dr. Dre\u2019s Bitches Ain\u2019t Shit. The whole thing feels like a song or love letter that\u2019s full of torment and fury.

\uD83C\uDF99\uFE0FIt shook the whole world when Nipsey Hussle was murdered in front of his Marathon clothing store in South Central Los Angeles. 30 for 30 and The Undefeated have produced a four-part series, The King of Crenshaw, that sets to explain why Nipsey\u2019s life and death meant so much to people particularly in the sports and music communities. He was more than just a rapper to them\u2014he was a symbol of the principles he stood for, his commitment to his community, and his dedication to social justice. This series collects stories from Nipsey\u2019s family, culture writers, musicians and sports figures who looked to Nipsey for motivation, who listened to his songs to prepare for games and also as a blueprint for their own lives. The story of Nipsey almost feels like a fable, his death the most tragic kind of story ever written. The series is his story but also the story of Black Americans and their hardships and heroes, and how to make sense from a death that seems senseless. Bonus: Amira Rose Davis of Burn It All Down makes an appearance, which is always a sign that you\u2019re getting the sharpest sports takes.

\uD83C\uDF99\uFE0FI recently was connected with Susie Singer Carter, and meeting her is like getting a jolt of fun and positivity. She\u2019s the creator of I Love Lucifer, a fiction show about two B movie stars battling movie monsters by day, and real monsters by night. It\u2019s funny, dark, and twisted, and feels like a comedy/horror movie for your ears.

Look, the only reason I survive 'cause a nigga is special, first

You get successful, then it get stressful, thirst

Niggas gon' test you, see what your texture's worth

Diamonds and pipes, one of 'em pressure bursts

Street nigga, still I get checks, in spurts

I'm from peach but before I get pressed, I murk

Better days pray for but expectin' worse

At this level, bullshit, I'm just less concerned

Cruisin' in th 6, lookin' at the proceeds of rap music on my wrist

Drop another mixtape, my shit boomin' out this bitch

Young malcolm, I'm th leader of this movement out this bitch, look

And this is what it feels like (feels like)

Reach a level, make you question, is it real life?

All the weed good, all the pussy real tight

And the only rule, keep your dollar bills right

And this is what it feels like (feels like, feels like)

And this is what it feels like (feels like, feels like, as it fuckin' should)

And this is what it feels like (feels like, feels like, feels so fuckin' good)

And this is what it feels like (feels like, feels like)

And this is what it feels like (feels like, feels like, feels so fuckin' good)

And this is what it feels like (feels like, feels like)

What it feels like

Nipsey Hussle sounds like that West West yo, with a laid back flow that is in a strange way very intense at the same time. He's not going to spit rapid fire, word play that dazzles your mind but he delivers stories and slickness that kind of grabs you and forces you to take note. It's unique because he's not just telling street stories, but he's, well, he's just telling you how it is. The bravado that goes hand in hand with hip hop feels that much more genuine with Hussle, being able to do that with an impeccable flow and crispness, now that's what gets you. 17dc91bb1f