Bio
Bio
Nika Sandler is an artist working with photography, AI, and text.
Nika Sandler is an artist working with photography, AI, and text.
She studied at the Docdocdoc School of Modern Photography on Feodora Kaplan’s course.
She studied at the Docdocdoc School of Modern Photography on Feodora Kaplan’s course.
Her practice explores the boundaries between human and non-human perception, focusing on the gaze, gender, pleasure, and the aesthetics of the creepy and the disgusting. Through photography and AI-based image-making, she investigates fragile, liminal states where bodies, matter, and technology intersect.
Her practice explores the boundaries between human and non-human perception, focusing on the gaze, gender, pleasure, and the aesthetics of the creepy and the disgusting. Through photography and AI-based image-making, she investigates fragile, liminal states where bodies, matter, and technology intersect.
Her work has been published in i-D, Dazed, PhotoVogue, Harper’s BAZAAR, Libération, Unthinking Photography, Der Greif, Phroom Platform, Musée Magazine, Konbini, Fisheye Magazine, Photomonitor, The Calvert Journal, Público, Float Magazine, Lenscratch, F-STOP Magazine, Metal Magazine, L’Oeil de la Photographie, BROAD, PhMuseum, Bird in Flight, FK Magazine, Bad to the Bone, Grandmama’s Print, among others. Her NFTs have been featured on international platforms including art.army, Uncontaminated, and Arttaca.
Her work has been published in i-D, Dazed, PhotoVogue, Harper’s BAZAAR, Libération, Unthinking Photography, Der Greif, Phroom Platform, Musée Magazine, Konbini, Fisheye Magazine, Photomonitor, The Calvert Journal, Público, Float Magazine, Lenscratch, F-STOP Magazine, Metal Magazine, L’Oeil de la Photographie, BROAD, PhMuseum, Bird in Flight, FK Magazine, Bad to the Bone, Grandmama’s Print, among others. Her NFTs have been featured on international platforms including art.army, Uncontaminated, and Arttaca.
In 2023, she was the winner of the Small File Photo Festival organized by The Photographers’ Gallery. In 2025, her work was included in the doctoral dissertation “The Image at the End of the World: Communities of Practice Redefining Technology on a Damaged Earth” by Marloes de Valk (London South Bank University). In 2026, she was selected for Artpil’s 30 Under 30 Women Photographers.
In 2023, she was the winner of the Small File Photo Festival organized by The Photographers’ Gallery. In 2025, her work was included in the doctoral dissertation “The Image at the End of the World: Communities of Practice Redefining Technology on a Damaged Earth” by Marloes de Valk (London South Bank University). In 2026, she was selected for Artpil’s 30 Under 30 Women Photographers.