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Across my architectural education, my work has explored how thoughtful design can foster community, connection, and contemplation.

In my final year, I developed a retrofit-led proposal to transform the City of Doncaster Archives into a vibrant hub centred on food, learning, and environmental care. I also designed a bathhouse in Hiroshima inspired by In Praise of Shadows by Jun’ichirō Tanizaki, embracing shadow, texture, and stillness to create a contemplative sanctuary shaped by the aesthetics of ma, wabi-sabi, and shizen.

Both projects, though distinct in context, are united by a sensitivity to atmosphere, user experience, and the shaping of light, nature, and space.

This approach builds on my earlier years. In second year, I worked across a range of scales, from a sculptural pavilion and a youth community centre to a 20-dwelling intergenerational residency, where I focused on how design can combat social isolation and support age-friendly living.

In first year, I designed a timber walkway with shifting volumes that accentuated sensory perception as users moved through a hilly landscape, as well as a house for an artist, arborist, and their autistic children, carefully considering sensory needs in relation to space and material.

Prior to studying architecture, I completed a Foundation Diploma in Art and Design at Central Saint Martins, UAL, developing my research skills and craftsmanship.

I made a large-scale installation for my final project, an early exploration of space, interaction, and narrative that continues to inform my architectural thinking.

The image carousels below feature key images across these projects. I hope you enjoy!

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