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In hindsight, this discussion was underpinned by two assumptions. Firstly, that the boundary between actor and role, container and contained, should be fully blurred, that the two should become one and the same. Secondly, that audiences may interpret theatrical representations as microcosms for entire communities with this having the dangerous potential to underplay the heterogeneity, even the humanity, of marginalised groups. These unsaid principles seemed to reflect 21st-century tastes for naturalistic acting and non-allegorical characterisation.

Week 4 was devised and led by AJTF Mathilde Daussy-Renaudin, who took us for the first time in Krasis history to the University's History of Science Museum. Mathilde is a collaborative doctoral award holder working between the HoSM and University College London. Her work investigates the relationship between science and religion embodied in astrolabes, and considers the categorisation and display of these objects in a museum environment concerned with questions of decoloisation.

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Astrological and planetary symbols, with inscriptions in Latin and Arabic, all encapsulated elements of the precise function of a particular astrolabe. Some things to consider when looking at individual astrolabes concern their categorisation. Are they Islamic objects or European? Given the geographical and religious contexts of these objects, the information contained was tailored for specific belief systems, points of view, and functions, such as pointing the user in the direction of Mecca in the case of many Islamic astrolabes. Different geographical points of origin would largely correlate to the type of information contained within a single astrolabe. be457b7860