Embedded Files
Chapter 1
Pg. 05, Column 2, Paragraph 2, line 8: change “Nymar and Kim” to “Kim and Nyland”.
Pg. 05, Column 2, Paragraph 5, line 2: change “Tyron” to “Tryon.” See also Pg. 18, session 360217, line 2; Pg. 19, session 360621, line 2; and session 361012, line 2.
Pg. 07, Column 1, Paragraph 3, line 3: Change "off" to "out" (the actual quote).
Pg. 09 column 2, Paragraph 3, line 5: change “three” to “two”
Pg. 10, Column 2, Paragraph 3, line 12: Change "where" to "when."
Pg. 14, Column 1, Paragraph 1, line 1: Change "twenty-two" to "twenty-three.
Discography, 1936-38
Pg. 22, session 380128, line 4: change“AXM” to “AMX”
Chapter 2
Pg. 24, Column1, Paragraph 2, line 3: Change "North" to "South."
Pg. 25, Column 1, Paragraph 5, line 2: change to “due north”
Pg. 25, Column 2, Paragraph 2, line 9: delete “of”
Pg. 26, Column 2, Paragraph 2, line 5: change “uses” to “plays”
Pg. 28, Column 1, Paragraph 2, line 9: change “Revellers” to “Revelers”
Pg. 28, Column 2, Paragraph 3, line 11: add, ”In 2008, this recording was added to the Grammy Hall of Fame.”
Pg. 29, Column 2, Paragraph 1, line 13 delete “Former Skillet Licker”; replace with “Tennessee”
Pg. 29, Column 2 ,Paragraph 1, line 14 delete “Lowe Stokes”; replace with “Allen Sisson”
Pg. 29, Column 2, Paragraph 1, line 15, change 1928 to 1925.
Pg. 31, Column 2, Paragraph 3, last line: change “Wallrite” to “Wall-Rite.”
See also Pg. 43, Column 1, Paragraph 3, line 7,
Pg. 44, Column 2, Paragraph 3, line 1, and
Pg. 45, Column 1, Paragraph 4, line 3
Pg. 32, Column 1, Paragraph 4, last line: change “honkey” to “honky”
Discography 1939-41
Pg. 35, Session 401007, line 8, change to: Bill Monroe: m (except -18, -22: g).
Pg. 35, Session 411002, line 3, change to: “9:30 A.M.–12:30 P.M.”
Pg. 35, Session 411002, lines 5 and 7: change “Wooton” to “Wooten”; also Pg. 36, Footnote 1, line 2.
Pg. 36, Session 411002, line 12, change to: “Pete Pyle: g (except sb on -73 and -76)
Pg. 36, Session 411002, line 13, change to: “Bill Wesbrooks: sb (except g on -73 and -76)
Chapter 3
Pg. 37 – Begin new Paragraph at line 14.
Pg. 38, Column 1, list of air checks, lines 3 & 4: change 3-03-40 to 3-30-40
Pg. 38, Column 2, Paragraph 3, line 8. Delete from “The earliest extant ... “ through top. 39, Paragraph 1, line 19 ending at “mystery.” (The date given for “the earliest extant program” is incorrect; it should be June 9, 1945.There is no puzzle or mystery.)
Pg. 39, Column 1, lines 19-20: Change to: “The earliest extant program listing comes from July 14, 1944:”
Pg. 39, Column 1, Paragraph 4 , line 3: Change "Your" to "My."
Pg. 39, Column 2, Paragraph 4, line 6: delete “west”, add “central”
Pg. 42, Column 1, Paragraph 1, line 1: Change "According to Tom Ewing" to "According to Neil Rosenberg"
Pg. 44, Column 2, Paragraph 3, line 9: Change “Vasser” to “Vassar”
Pg. 45, Column 1, Paragraph 4, line 5: Delete the second "in."
Pg. 47, Column 1, Paragraph 3, line 18: add new sentence at end: “On November 11, 1963, in concert at the Brown County Jamboree in Bean Blossom, Indiana, Bill Monroe stated:‘Stringbean wrote “Rocky Road Blues.”’”
Pg. 49, Column1, Paragraph 1, line 1: change “starting” to “started”
Pg. 49, Column 1, Paragraph 2, lines 10-13, delete sentence “The inclusion ... the army.”
Pg. 49, Column 2, Paragraph 4, line 4: change “new” to “New”
Pg. 50, Footnote 18: Change "Ibid." to "Ewing."
Pg. 50, delete Footnote 36,
Discography 1942-45
Pg. 51, session 450213, line 1: change “Satherly” to “Satherley”
Pg. 52, C4360-1, line 1: delete HL 7290, add HL 7315
Pg. 52, C4361-1, line 1, change “CSS” to “CCS”
Pg. 52, last line before note: change “Curley” to “Curly”
Pg. 52, Footnote1, line 2: replace “ca.” with “calls it”
Chapter 4
Pg. 56, Column 2, Paragraph 2, line 2: delete “someone transfer” replace with “Pete Kuykendall copy”
Pg. 56, Column 2, Paragraph 2, line 6: delete: “Soon taped copies of the recordings began to circulate, and” replace with: “Kuykendall made sets of the copies for himself, Earl and Louise Scruggs, Tom Allen, and Mike Seeger. Eventually”
Pg. 57, Column 1, Paragraph 2, line 8: change "charts" to "chart"
Pg. 58, Column 1, Paragraph 2, line 6: change “the final chorus” to “just before the final chorus”
Pg. 58, Column 2, Paragraph 2, lines 10-11, final sentence: delete “replaced ... official song.” Add: “was named the bluegrass song of Kentucky.”
Pg. 58, Column 2, Paragraph 4, line 5: replace “tempo” with “time”
Pg. 62, Column 1, Paragraph 1, line 2: change “all” to “several”
Pg. 62, Column 2, Paragraph 1, line 5: Change to "Only two takes were"
Pg. 64, Column 2, Paragraph 3, line 17: delete ”for”
Discography 1946-49
Pg. 67, CCO 4606-2, line 1, Add song credit: (Monroe - Flatt).
Pg. 69, CCO 4613-1, line 1, delete HL7290, add HL 7338
Pg. 69, CCO 4616-2, line 1, add MME-71007
Pg. 69, CCO 4616-1,line 3, delete MME-71007
Pg. 69, line 21, change to: Lester Flatt: g (-13, -14 only) Chubby Wise: f (13, -14), g (-15, -16)
Pg. 70, session 461200, personnel, line 2: change(2, 7) to (3, 10)
Pg. 71, CCO4877-2, change “(Monroe)” to "(Monroe – Flatt)"
Pg, 71, CCO 4877-1, add FM7 to releases list
Pg. 72, CCO 4881-2, line 1: add MME-71007
Pg. 72, CCO 4881-1, line 3: delete MME-71007
Pg. 73, CCO4883-2, line 1, add MME 71007
Pg. 73, CCO 4883-1, line 2, delete MME 71007
Pg. 73, CCO4884-1, line 2: change to: Flatt-L, Monroe-HB, Scruggs-T, Watts-BS
Pg. 73, session 471028.1, personnel, line 2: change to “Wise (-82, -84)”
Pg. 74, CCO 4887-1, line 6: add: FM8
Pg. 74, CCO 4888-2, add MME-71007
Pg. 74, CCO 4888-1, delete MME-71007
Pg. 75, 480605, personnel, line1:Jackie Phelps: m, Bill Monroe: g, Benny Martin: f
Pg. 75, masters CO 41835-BD and CO 41835-2, line 1: change YEAR to HEAR
Pg. 76, CO 41837-1, line 3, add: CS1065
Chapter 5
Pg. 80, Column 1, Paragraph 2, line 14: change “programs” to “films”
Pg. 81, Column 2, Paragraph 3, line 11, sentence after: boy” Of his principal players in the new band (Martin, Clements, and Lyle), all were youngsters aged nineteen to twenty-three.
Pg. 81, Column 2, Paragraph 4: change 1947 to 1948
Pg. 82, Column 1, Paragraph 2, lines 1 & 2: delete “and his first done using a tape recorder,”
Pg. 82, Column 1, Paragraph 2, line 8: end Paragraph after : ...change.: add new paragraph:
“In 2011 Bear Family records learned that Decca’s original masters for Monroe’s 1950-51 recordings were not tape recorded, but had been made using acetate discs, similar to those used for Columbia’s 1945-49 sessions. These 16-inch 33⅓ discs, which had been stored at company facilities, were donated to the Library of Congress by the Universal Music Group in January 2011. Bear Family engineers digitally remastered the Monroe sessions, and they were released in 2017 by the Richard Weize Archives in a five-CD set, The Legendary 1950-51 Sessions Restored (And More Bears ACD-12522). The revised discography is included below.”
Pg. 84, Column 1, Paragraph 1, line 6: add "fifth" after "falsetto"
Pg. 84, Column 1, Paragraph 1, lines 9-10, change to: "On this recording, Monroe retuned his G strings to F# and A, as he would later on 'In Despair.'"
Pg. 84, Column 1, Paragraph 3, line 4: add “with” before “Hank Williams”
Pg. 84, Column 2, Paragraph 3, lines 8-9: change to ". . . by Monroe with Joel Price"
Pg. 86, Column 2, Paragraph 2, line 15: add: “According to the biographical note on Taylor accompanying the YouTube publication of his ‘Daydreams, Come True,’ Taylor composed the tune of ‘Uncle Pen.’”
Pg. 90, Column 2, Paragraph 5, line 5: delete “the session” add “Decca“
Pg. 90, Column 2, Paragraph 4, lines 3, and 6: substitute "Bowers’" for "Lyle’s"
Pg. 90, Column 2, Paragraph 4, line 10: substitute “Bowers” for “Lyle”
Pg. 92, Column 1, Paragraph 1, lines-14-15: delete "and Ernie Newton's bass”
Pg. 92, Column 2, Paragraph 2, line 13: change "companies" to "company"
Pg. 92, Column 2, Paragraph 2, line 14: add 3 sentences after “...as well.”:
“Country pianist Moon Mullican’s cover was released by King two weeks before Monroe’s recording session. It probably inspired Owen Bradley to add his piano break to this track. According to Sonny Osborne, at the session the ending had not gone well so they re-recorded that part. It was spliced onto the master; the break can be heard just before Monroe sings the last ‘Waltz.’”
Pg. 94, Column 2, Paragraph 2, last sentence: change "Maudlin" to "Mauldin". See also Pg. 99, Column 1, line 3; Pg. 117, Column 2, lines 6-7; and the Index.
Pg. 97, Column 1, Paragraph 2, line 11: change “September” to “May”
Pg. 97, Column 1, Paragraph 4, line 3: delete rest of sentence after “heard”, add “Monroe's twin-fiddle recordings.”
Pg. 97, Footnote 79: delete present contents of note, replace with: “Rooney, Bossmen, 68”
Discography 1950-56
Pgs. 101-106. The 1950-51 Decca sessions have been revised in a document which reflects the data found when the acetate master discs were digitized for ACD 12522-1 to -5. This document with the discographic data that replaces the 1950-51 sessions on pgs. 101-106 is included in this website on the Discography Updates page.
Pg. 107, 520718.1, NA 2782, line 10: add FM8
Pg. 107, 520718.1, NA 2783, line 15, (line 16 after new line inserted above!) after “ Ernie Newton: sb” add (except on -83)
Pg. 109, 540108, NA 3212, line 1: add BS1 to list of releases.
Pg. 110, 540626, line 2: delete “Possibly Bradley ... Village,” add: “Castle Studio, Tulane Hotel, 206 8th Ave.,”
Pg. 110, 540904, NA 3364, line 9: add FM7
Pgs. 111-112 The Gannaway sessions have been revised in a document which reflects new data. This 2-page document with the discographic data that replaces the Gannaway sessions on pgs. 111-112 is included in this website on the Discography Updates page.
Pg. 113, 550128, line 11: Change “William O. Killen” to “William D.‘Buddy’ Killen”
Pg. 114, 560000, line 1:change session date to 560623.
Pg. 114, 560623, line 7: change to “William D. ‘Buddy’ Killen: sb”
Pg. 114, 560513, delete lines 8-9 (these belong in (560923)
Pg. 114, 560513, line 10: change [4] to [3]
Pg. 114, 560513, line 12: change [5] to [4]; change SF 40061 to SF 40062
Pg. 114, 560513, line 14: change [6] to [5]
Pg. 114, 560513, line 15: change to: “Green-LC ... Hicks-B, Stripling-bs”
Pg. 114, 560513, line 16, change [7] to [6]
Pg. 114, 560513, line 17, change to: “Green-LC ... Hicks-B, Stripling-bs”
Pg. 114, 560513, line 18, change [8] to [7]
Pg. 114, 560513, line 21: add “Sparkplug” after “Stripling”
Pg. 115, 560923, after line 7, add new lines 8-9:
[3] BRAKEMAN’S BLUES SF 40063
Monroe
Chapter 6
Pg. 119, Column 2, Paragraph 4, line 1: change “eight” to “eighteen”
Pg. 120, Column 2, Paragraph 4, line 6: change “1959” to “1958”
Pg. 122, Column 2, Paragraph 4, line 1: change "member of" to "regular on"
Pg. 123, Column 1, Paragraph 1, line 4: change to "1950 (released 1951)."
Pg. 123, Column 2, Paragraph 2, line 1: change “July” to “May”
Pg. 124, Column 1, Paragraph 1, lines 11-12: delete “and soon became
Nashville’s premier studio fiddler.”
Pg. 124, Column 1, Paragraph 3, lines 1-3: change to: “Three weeks later, on November 30, December 1 and 3, the band was back in the studio to record twelve numbers for Bluegrass Ramble.”
Pg. 130, Column 1, Paragraph 1, line 10: add sentence: “However, the Shenandoah Valley Trio’s 1950 Columbia recording is credited to ‘J.M. Burch.’”
Discography 1957-62
Pg. 131, session 570420, line 9, change to: Gordon Terry, Tommy Jackson (-13):
Pg. 135, The revision which replaces the discographic data for session 590000 is included in this website on the Discography Updates page.
Pg. 138, New discographic data for session 610704, to be inserted after 601203 and before 611109 on pg. 138, is included in this website on the Discography Updates page.
Pg. 143, Session #620903 line 1: change to 620831
Line 3: change to “August 31, 1962”
Chapter 7
Pg. 146, Column 2, Paragraph 2, line 5: change "January" to "Feb./March."
Pg. 149, Column 2, Paragraph 3, line 4: change "five" to "four"
Pg. 149, Column 2, Paragraph 4, line 7: change "become" to "became."
Pg. 152, Column 1, Paragraph 3, line 6: change “Columbia” to “Decca”
Pg. 152, Column 1, Paragraph 4, line 7: change “1936” to “1937”
Pg. 153, Column 1, Paragraph 2, line 5: change “Withers” to “Weathers”
Pg. 153, Column 2, Paragraph 3, line 21: change “first” to “second”
Pg. 154, Column 1, Paragraph 1, line 6: insert “had” between “but” and “never”
Pg. 154, Column 2, Paragraph 2, line 20: change "1964" to "1965"
Pg. 155, Column 1, Paragraph 2, line 2: delete “Brooklyn” add “New Jersey”
Pg. 157, Column 1, Paragraph 2, line 1: delete “November 3” add “October 14”
Pg. 159, Column 1, Paragraph 4, lines 2-4, rewrite as:
...hunting accident. Kenny Baker rejoined the band on fiddle on March 23, 1968. He had been with the group for six months – the start...
Pg. 159, Column 2, Paragraph 2, line 10: change "Monore" to "Monroe"
Pg. 161, Column 2, Paragraph 3, line 5: change "thirty-eight" to "thirty-nine
Pg. 161, Column 2, Paragraph 3, line 11: change "begin" to "begun"
Pg. 162, Column 2, Paragraph 1, lines 5-6: change to “—Benjamin Franklin Logan, Sr., father of Monroe’s...”
Pg.162, Column 2, new Paragraph after Paragraph 3:
In September 1970 at Carlton’s Haney’s Camp Springs Festival, Monroe was invited to join Curly Seckler to sing a duet on “Sitting On Top Of The World” with him and the band he was playing with, Joe Greene and the Green Men. Blue Grass Boys fiddler Kenny Baker joined him on stage. Their performance was released as an unlisted bonus track on Seckler’s Copper Creek album, Down in Caroline.35A
Pg. 164, Column 2, Paragraph 4, line 1: change to “Milenburg”
Pg. 164, Column 2, Paragraph 4, line 4: change to ‘Milenberg”
Pg. 165, Column 2, Paragraph 4, line 1: change “15” to “14”
Pg. 166, Column 2, Footnote 9, change to read: This McCoury quote is from Eugenia Snyder, “Del McCoury: Low-Key But Powerful,” Bluegrass Unlimited, 17 (May 1982): 21.
Pg. 167, Column 2, add Footnote 35A after Footnote 35: See Penny Parsons, Foggy Mountain Troubador (Urbana: Univ. of Illinois Press, 2016): 147-149; photo #20 in the section between 142-43.
Discography 1963-72
Pg. 171, 630723, line 3, change to: ”Gotham Recording Studio, 2 West 46th St., New York, NY 10036”
Pg. 172, session 631116, line 3: Change "11" to "16."
Pg. 174, 640000
Change this session # to 641030.2
Line 2, change to: Orchestra Hall, Symphony Center, Chicago, IL
Line 3, change to: October 30, 1964
Add Line 6: MIDNIGHT ON THE STORMY DEEP QS 5031
Add Line 7: Watson-L, Monroe-T
Pg. 176, 640831
Add here following this session: 641030.1 and 641030.2
Pg. 177, 650000
Change this session # to 641030.1
Line 2, change to: Orchestra Hall, Symphony Center, Chicago, IL
Line 3, change to: October 30, 1964
Pg. 186, 690429
Line 5, change “Kenny Baker” to “Kenny Baker (-92, -93, -94)”
Pg. 186, 690704, change session # to 690703
Pg. 186, 691000, change session # to 691018
Line 3: change to “October 18, 1969”
Line 8: change fiddlers to: “Kenny Baker, Tommy Williams: f”
Pg. 189 after 700500, add:
-----------------------------------------------------------------------------------------------------------------
700906 Copper Creek (recording by Tony Williamson)
Camp Springs, Reidsville NC
September 6, 1970
[1] SITTING ON TOP OF THE WORLD CCCD-0236
Monroe-L, Seckler-T
Bill Monroe: m Vernon Brown: g Joe Greene: f
Jimmy Arnold: b Roger Dalton: sb Kenny Baker: f
-----------------------------------------------------------------------------------------------------------------
Pg. 193, Footnote 17, add sentence at end: "Two tracks by Doc Watson were included on the album but not in the documentary."
Pg. 193, Footnote 19: delete last sentence.
Chapter 8
Pg. 195, col. 1, Paragraph 1, line 8: change "17" to "18"
Pg. 196, col. 2, Paragraph 3, line 6: change "Orville" to "Arvil"
Pg. 196, col. 2, Paragraph 4, lines 4-5: change to “[including Bill Box] except...”
Pg. 197, col. 1, Paragraph 2, line 2: “Asheville. New banjoist Dillman stayed...”
Pg. 197, col. 2, Paragraph 1, lines 4-7: delete sentence beginning with “As usual...”
Pg. 200, col. 1, Paragraph 1, line 9: change “three” to “four”
Pg. 200, col. 1, Paragraph 1, line 11: delete “and”; add “and Jerusalem Ridge.” after “Lonesome Moonlight Waltz,”
Pg. 200, col. 1, Paragraph 1, line 16; delete “Jerusalem Ridge,”
Pg. 200, col. 1, Paragraph 2, line 5: change "Country" to "County"
Pg. 203, col. 1, Paragraph 4, line 5: change "fall of" to "June"
Discography 1973-80
Pg. 209, NA 17641
line 3, add “: g” after “Lewis” ; delete: “(except -40)”
line 4, delete “(except -40), Joe Stuart (-40)”
Pg. 209, 750311
line 12, add after “Joe Stuart”: (except -45)
line 13, add after (except -45): Joe Stuart (-45 only)
Pg. 210, 750517.1, line 2, change to: “Neusüdende.”
Same on 750517.2 (Pg. 211) and 750517.3 (Pg. 212)
[Umlaut over the “u”]
Pg. 213, 750525, line 8, change to “Curly”
line 9: change to “Cooke”
Pg. 216, 760329.2
[2], line 2, add: “MCA 4-11048” in list of releases
Pg. 217, 761021
NA 17911, line 2, change to “Stuart-L, Monroe-T, Stuart-B” (keep footnote #17)
Pg. 221, top:
Line 1, {session #]: “780318-9” add “Atteiram and”
Line 3, change to: March 18-19, 1978
Line 4, add: “API-L-1624” [add also on lines 6,8,10,12, 14]
Line 5, add: “O’Bryant-B” [add also on lines 7,9,11,13]
Line 16, add to fiddle block: “James Bryan,”
Pg. 221, 790612
MC 9713, line 2, add: Davis-B
Pg. 223, Footnote 17, delete present text, add: “Baritone part was overdubbed by Stuart”
Chapter 9
Pg. 224, Column 1, line 2: change to 1981-96 [chapter title]
Pg. 225, Column 1, Paragraph 2, line 1, to Column 2, Paragraph 4, line 10: See Mark Hembree, On The Bus (Urbana: U of IL Pr, 2022, Pgs. 81-83.
Pg. 225, Column 2 Paragraph 2, line 9: change “Baptist” to “Nashville Memorial”
Pg. 225, Column 2, Paragraph 4, lines 6-7: Delete sentence “It was also ... Horses.”
Pg. 225, Column 2, Paragraph 5, line 1 to Pg. 227, Paragraph 4, line 6: See Hembree, Pgs.135-136.
Pg. 227, Column 1, Paragraph 3, line 5. The late Kurt Story wrote to NVR 4/23/07:
“I worked for Walter Haynes (Bill Monroe's producer)from 1982 to 1984 as his chief engineer at his studio in Burns, TN. I recorded the Cathedral Caverns project as well as the Bill Monroe and Friends project. I just reviewed your new box set release of Bill Monroe (My Last Days On Earth) and there are some issues that trouble me. If it at all possible I would like to discuss with you the incident with Walter and Bill listening with Vic to the "final" master as well as the mix itself. Could you also tell me where those mixes were obtained? And who told the story about me adding a part to the recording? I can tell you what really happened.”
On 4/24/07 he wrote further:
“I want to respond about what really happened with Walter putting my vocal on "Wicked Path of Sin" and "I'll Fly Away". I'm also shocked to hear my voice on the mixes. it was not what Bill wanted and however it ended up on this box set I would like to find out. I know that when Walter sold his part of Burns Station Sound he took the multitrack masters with him.
“When I get a chance in the next couple of days, I'll write it out so you can know my whole side of the story.”
I never heard further from Mr. Story.
Pg. 228, Column 2, Paragraph 2, lines 8-10: According to Bluegrass Unlimited editor Pete Kuykendall, this is incorrect: “we didn't review it because they didn't send us a review copy.” (Phone log 7/6/07)
Pg. 228, Column 2, Paragraph 5, line 9: change "and the" to "and then"
Pg. 229, Column 1, Paragraph 3, line 11: change "bizz" to "biz"
Pg. 229, Column 2, Paragraph 3, line 1: change "twenty-eight-year-old" to "twenty-nine-year-old" [Duncan was born 5/5/55]
Pg. 229, Column 2, Paragraph 3, line 13: Change 1983 to 1985
Pg. 230, Column 1, Paragraph 3, line 17: Change Aldridge to Auldridge; this needed for Index also
Pg. 231, Column 1, Paragraph 1, lines 7-8: Change sentence to: “Bill and James razed it the following year in order to make renovations at the property.”
Pg. 231, Column 1, Paragraph 4, lines 7-8: Change sentence to: “and ‘Jekyll Island’ featuring the fiddle of Buddy Spicher. The ...”
Pg. 233, Column 2, Paragraph 5, line 2: Change Feagen to “Feagan”
Pg. 234, Column 1, Paragraph 4, lines 2 & 3: change "National Recording Arts and Sciences" to "National Academy of Recording Arts and Sciences"
Pg. 234, Column 1, Paragraph 4, line 6: change “Country” to “County”
Pg. 234, Column 2, Paragraph 2, line 10: change 1985 to 1984
Pg. 235, Column 2, Paragraph 5, line 1: change date to May 21
Pg. 236, Column 1, Paragraph 4, line 6: change "Martie" to "Marthie"
Pg. 236, Column 1, Paragraph 4, line 13: change "second" to "first" and "1941" to "1940"
Pg. 238, Column 2, Paragraph 4, lines 11-12, change sentence to: “ask each other, audibly, what Bill was doing. Finally, Tater Tate would say ‘he’s gettin’ down’ in a low bass voice, alluding to ...”
Pg. 239, Column 1, Paragraph 2, lines 2-3: delete rest of sentence following “...Gebhardt.”
Pg. 241, Column 1, Paragraph 3, line 8, change 1980 to 1981
Pg. 242, Column 1, Paragraph 2, line 18, change 1958 to 1959
Pg. 242, Column 2, Paragraph 5, line 2, change to: Blue Grass Boys banjoist...
Pg. 243, Column 1, Paragraph 2, line 9, change “Fay” to “Faye”
Pg. 244, in the Notes: the page numbers cited in #3 and #4 should be switched, from 67 and 6 to 6 and 67
Discography 1981-96
Pg. 247, session 810407: delete lines 6 and 7
Pg. 248, session 820703, line 3: change “Dan” to “Dave”
Pg. 248, session 820703, line 4: change “(Jim Duke?)” to “Jim Duke”
Pg. 251, session 8300420 change to 830420
Pg. 251, session 831215, line 5: add after date “Second Set”
Pg. 253, session 840322? line 7: Change to FE 39410
Pg. 255, session 850617.1, line 6, title: “THE OLD BROWN...”
Pg. 256, add session:
860301 Rattlesnake Records [Rattlesnake Annie overdub session]
Nashville, TN
March 1, 1986
[1] BLUE MOON OF KENTUCKY RCD-4040
Rattlesnake Annie-L
Bill Monroe: m Freddie Powers, Clint Strong, Dean Reynolds: g
____________________________________________________________________________
Pg. 260, session 890505, line 3: Change May 5 to May 6
Pg. 261, session 890511 change to 890521
Pg. 261, session 890521, line 3: change date to May 21, 1989
Pg. 266, session 890913.2, line 6: change “(Billy Rose?)” to “Billy Rose”
Pg. 269, session 900616.1, line 5: Change to “Ewing-L, Monroe-T”
Pg. 275, session 900707.2, line: replace WILL with WON’T
Pg. 276, session 900724 -- line 5: change "Tate-B" to "Tate-BS" and add "Williams-B"
Pg. 278, session 920000, line 8: change “Bankenship” to “Blankenship”
Pg. 281, add two sessions as follows, after session 920920:
930000 Recording of Dallas Smith and the Boys from Shiloh made for Atteiram
[Unknown location]
[Date unknown]
[1] LIFE’S HIGHWAY API-CD-1703
?-L, Monroe-T
[2] MANSIONS FOR ME API-CD-1703
?-l, Monroe-T
Bill Monroe: m [other personnel unidentified]
---------------------------------------------------------------------------------------------------------------
930529 Florida Folklife Commission, State Archives of FL’s FL Memory Project
White Springs, Florida
May 29, 1993
[1] BIG MON [Look A-Yonder Comin’ ...]
Instrumental
[2] WAYFARING STRANGER [More Music from the FL Folklife...]
Monroe-L
Bill Monroe: m Tom Ewing: g Robert Bowlin: f
Dana Cupp: b Tater Tate: s
----------------------------------------------------------------------------------------------------------------
Pg. 285, 941030 – Compton solos on "Tanyards"
Pg. 286, session 950320, personnel list, line 1: Change Ronny to Ronnie; line 2, change Bolin to Bowlin.
Pg. 286, add session as follows, after session 950600:
950909 Rebel release of field recording [by Gabany?] at Bill Monroe's
Uncle Pen Days, Bill Monroe's Park, Bean Blossom IN
September 9, 1995
[1] IN THE PINES 1846
Sparks-L, Monroe-T
Bill Monroe: m Larry Sparks: g Robert Bowlin: f
Dana Cupp: b Tater Tate: sb
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951201 Shout! Factory
Polk Theater, Nashville, Tenn.
Dec. 1, 1995
WALLS OF TIME Shout! Factory 3324
Peter Rowan-L, Bill Monroe-T
Peter Rowan: m Norman Blake, Steve Earle: g Roy Huskey, Jr.: sb
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Numerical Listing of Releases
Pg. 295, Acoustic Disc
Line 2, Change Dog to Dawg
Line 3, ACD-59: remove apostrophe in "Mechanic's" (It's not on the CD.)
Pg. 296, Atteiram, add:
API-L-1624 Satisfied Mind 1984
API-CD-1703 Tribute to Bobby Smith [?]
(Dallas Smith and the Boys from Shiloh)
Pg. 296, Blue Grass Special
lines 2 & 3: Change release dates to “ca. 1976”
Pg. 296, Classic Country Collection (video)
Add: Reissued 2012 by Gabriel Communications, as “Country’s Family Reunion presents Golden Years: Grand Ole Opry Stars of the Fifties,” Two boxed sets, Discs 1-5 and 6-10.
Pg. 299, line 4, HL 7315, change title to: Bill Monroe’s Best
Pg. 299, line 6, change number to: FE 39410
Pg. 299, Copper Creek, add:
CCCD-0236 Curly Seckler: Down in Caroline 2005
Pg. 299, County
Lines 2 & 4: CCS 104, 105 – change release date to 1981
Line 7, add to end: (= REB 853)
Pg. 304, line 7, add: “45 rpm discs”
Pg. 306, line 6, change Nov. 4, 1973 to Nov. 4, 1974
Pg. 307, add Florida Memory
[no #] More Music from the Florida Folklife Collection [n. d.]
[no #] Look A-Yonder Comin’ ... [n. d.]
Pg. 307, FBN
line one, change date to: 8/1975
Pg. 307, add Franklin Mint
FM 7/8 The Greatest Country Music Recordings of All Time: 1981
Bluegrass Volume 1 Country Music Foundation Official Archive Collection.
Pg. 309, Rebel
add line 3: 1846 Larry Sparks: Lonesome and Then Some ... A Classic 50th Celebration 2
Pg. 309, add: Rattlesnake
RCD-4040 Rattlesnake Annie: Crossroads 1991
Pg. 309, Rebel of Canada
add line 2: REB-853 In The Pines 1987 (=County CSS 114)
Pg. 310, Shanachie
line 2 add, after number, “CD”
line 3 add, after number, “video”
Pg. 310, add: Shout! Factory
3324 Steve Earle: Live In Nashville 1995 2014
Pg. 310 Time Life
line 2, delete “ca.”
Pg. 311, add line 7:
M19304-6 B0007883-02 The Stanley Brothers, The Definitive Collection (1947-1966) 2007
Legends of American Music
Pg. 316, line 12, change release date of ACL-7059 to 1979
[end]
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