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Using a natural frame can dramatically improve your compositions, and it's a technique that I use quite often in my photography. While 'working a scene' I will try a variety of compositional techniques. I don't usually start by using a natural frame, but there are many cases where adding that frame improves the overall look that I'm trying to capture. Here is a case in point;

Increase Depth and Add Dimension - Every photograph is a two-dimensional representation of a three-dimensional world. Including a frame can increase the appearance of depth in your images. This draws the viewer into the photo where hopefully they will spend more time exploring the image.

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When I came across the old farmhouse in the photo below it was a rather dull day with very flat lighting. I decided to use the Dramatic Tones art filter built into my Olympus camera to improve the overall look of the photo, It still looked too flat and dull. Then I realized that I was standing at the farmer's gate, so I bent down and used part of the gate to frame the shot.

Reduce Negative Space - As a landscape photographer the sky is important in my images. Generally, I'm not keen on shooting under completely overcast skies or completely clear skies. Clouds add texture and dimension to the sky. When I find myself in a situation where the skies are plain (and boring) I will often use a natural frame to fill up some of that negative space.

If you can see through it, around it, or past it, it can be used as a frame. The key is to ensure that your frame adds to the image, rather than detracts from it. It shouldn't just be an afterthought. The frame needs to be a key component that makes the overall composition more interesting.

Your natural frame doesn't need to cover multiple sides of the image. A one-sided frame can be quite effective at highlighting your main subject. The cattails along the bottom of the image below anchor the photograph and force your eye upward to the Milky Way and starry sky.

The illusion of depth can also be achieved by purposely blurring your foreground frame. When photographing the statue below I put the camera in amongst the branches of a spirea bush in full autumn color. This created some great blur and added some softness to the image.

While driving through Colorado in September I was struck by the gorgeous golden color of the aspen leaves as they transmitted the morning light. I found a spot where there was a small opening in the foliage allowing the distant hills to be seen and I used the tree trucks and leaves as the natural frame.

For this shot, I didn't really care what was in the background. It was the frame itself that was most important to me. There are numerous occasions where the frame is impressive enough that it becomes the key subject. When I see something that qualifies, it's my job to show it off in the best way possible.

A natural frame can be an effective way to improve your composition. It can help draw more attention to your main subject and add greater depth to your photograph. I always experiment when I am thinking about using a natural frame and ask myself some key questions. Where will I place the frame? Will a partial frame do the trick or should I surround my subject completely? Should the frame be in sharp focus or blurry? And most importantly, does the frame improve the image or take away from it? Framing works, when done well.

To make the best selection for your piece, you should think about not only the subject matter and aesthetic, but also where the photograph will be displayed and for whom it is intended. Different matting choices can be used to maximize wall space, deepen substance or add interest.

Acrylic plexiglass is a critical component of your final framing treatment, serving to protect and preserve your photography. Acrylic is lightweight, shatterproof and acid-free, preventing harmful substances from damaging your photograph. And while acrylic is widely used for framing all types of art and photography, there are some important nuances to applying it to nature photography.

How do you choose the right frame for a landscape print? Mounting a high quality frame around a landscape print can create an impressive piece of wall art. When done right, it can make the print really stand out and transform a room interior. However, the framing options are so numerous that it can be difficult to decide which one fits your landscape print best. Using quality materials alone does not guarantee a great result. The frame and liner type must be carefully selected in order to bring out the best in the print. This article gives you practical tips on making the right choice. If you are considering having a landscape print framed but are unsure which frame would best compliment it, keep reading.

Finally, framing a landscape print properly can bring a classic fine art gallery, or museum, style mood to the room. It makes a powerful statement, which can cause the wall art to dominate the interior in a very positive way. A large format, framed landscape print can literally transform a room in a way that few other forms of home decor can.

As I have written in Understanding the Value of Nature Photography Prints, that the value of art is subjective. The frame of a landscape print is part of the art and the value it brings is also subjective. Some people simply prefer the look of frameless prints. There is nothing wrong with that. If you are one of those art collectors this is a reason to not have your art print framed.

Another reason to not frame your landscape print is because you want a clean, simple, and minimalist style. Some people prefer just that. In addition, if your room already has that contemporary look and feel to it, a fine art gallery style print may not fit best.

A third reason you may skip the frame, with the purchase of a new landscape print, is cost. Adding a frame to any art usually costs more. Placing a cheap frame on an expensive print does not make sense. Therefore, a good quality frame will add to the price tag. Furthermore, frames add to the overall art physical dimensions and weight, which adds to shipping costs. For these reasons, if you are working with a limited budget you may want to buy a frameless, ready to hang, mounted print.

This style is used when there is no border between the outer edge of the print and the inner edge of the frame. It creates a little simpler overall look and tends to work better with flat and clean contemporary frames. This scenario is out of the scope of this article.

In this case there is space between the landscape print and the frame. Usually that space is filled with a liner or a mat board. The liner is a textile fabric stretched over a wooden frame, and sits between the print and the actual frame. Liners are commonly seen on high end framed fine art photography and are more expensive. The mat board (or mat) is made of layered paper board, which can come in various textures and colors.

This style of framing opens many possibilities for combinations of frames and liners. They do not work equally well. Therefore, choosing the right frame/liner/photo combination is an art form itself. The section below outlines some examples and is followed by recommendations.

Buying an expensive frame for your fine art landscape print alone, does not guarantee an impressive final result. Some combinations work better than others as there are different factors affecting the outcome. In the sections below I examine combinations with various options for: image brightness, wall brightness, frame brightness, and liner color.

A landscape photographer works with all types of light, which produce many kinds of images. Some are bright, others are dark, yet others are somewhere in between. Nevertheless, the overall image brightness affects the choice for selecting the right framing combination.

Observe how the first one (the brighter) works better in this case. At the same time, the second (darker) image seems to overwhelm the bright liner and frame. It almost makes the frame unnoticeable. I believe that darker images work better with darker frames and liners in general.

The wall color, on which the framed print will be hung, also makes a difference. While room colors come in all hues and tones, I will focus on simply bright vs dark neutral colors. Take a look at the examples below. Which one do you like better?

In the first example the wall and the frame have similar darkness level. This combination removes any contrast between the two. The wall almost absorbs the frame, which defeats the purpose of having it in the first place.

However, in the second example there is a nice contrast between wall and frame because the wall is brighter. The difference is very visible and now we have a nice separation which makes the wall art very prominent.

The brightness of the frame also affects the final look of the landscape print on the wall. Similarly to the examples above, the goal here is to create some separation between frame and wall. If their color choices create low contrast the overall look will not be that great. This time you will see 3 examples. Wall, liner, and image are the same across the board and the only thing different is the frame.

The last component I would like to mention, affecting the final look of a framed landscape print, is the liner color. Again, liners and mats come in numerous tones and hues, but the most classic ones are black or white. Therefore, I will focus on these two.

Notice how elegant the first example is with a white liner. However, if we change it to a black liner it drastically changes the look for the worse. The black liner is so dominant that it overpowers the frame and almost ruins the entire look.

When you are choosing the right frame for your landscape photo print it is worth doing it right. You want a striking combination that compliments the image and your home interior. If you are investing in a fine art landscape print, it is worth choosing a frame that will make the art stunning. 17dc91bb1f