In the chorus, Del Rey sings, "Tell me I'm your national anthem / Red, white, blue's in the sky / Summer's in the air, baby, heaven's in your eyes."[2] At the close of the recording is a multi-layered narrative treatment.[2] The introduction features the classic rendition "Happy Birthday Mr. President" as performed by Marilyn Monroe.[2] Unlike the other songs on Born to Die, Del Rey employs an alternative rapping technique, hip hop beat and heavy basslines, similar to that of "Off to the Races"[3] and "Diet Mountain Dew".[4] Pitchfork Media said the rapping technique was almost "chatting".[4]

Vocally, NME observed that Del Rey sings like a "perfect mannequin" on "National Anthem", criticizing the track for baldly revisiting the beat-driven chorus of "Born to Die". Further, NME praised certain elements of the track, saying: "As she sings of a relationship of a well-heeled man and a blank canvas woman, she invokes not only the dreamland of the monied classes (The Hamptons) and their could-be motto 'Money is the anthem of success' but also invokes the spectre of Vietnam with a reference to 'The Queen Of Saigon'."[2] Digital Spy called the running theme of Born to Die, "demonic Stepford moll", which "National Anthem" fit into.[6] The track was praised for having a: "laconic, anaesthetised vocal that conjures up images of her swigging from a bottle of Hendricks. There's a deep sadness underneath the sweeping string section and gangster hip-hop beats, but it's the chorus's fleeting glimpse of euphoria that'll keep you coming back."[6]

National Anthem By Lana Del Rey Free Download

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"National Anthem" has been described as an alternative hip hop or trip hop track. Del Rey's vocals on the track employ a rapping-like technique, similar to that in the Born to Die tracks, "Diet Mountain Dew" and "Off to the Races". The song opens with a strings section including firework sound effects before introducing more hip hop inspired beats. It is in the key of C minor with a tempo of 85 BPM. Del Rey's vocal range spans from G3 to Bb4. The song focuses on the spoken hook of "Money is the anthem of success." The verses rhyme scheme focuses on rhymes and half rhymes of "anthem" including "ransom", "standin'" and "landed". The song uses male background vocals of a spoken line from a live performance of "Mary Jane" by Rick James, also used in "Blue Jeans", "Dark Paradise", "Lolita" and "Without You". Two demos of the song exist, an album demo which features a gospel choir in the chorus, produced by Haynie, and a demo by production duo, The Nexus - which is notably more tailored towards the pop genre.

NME praised certain elements of the track, saying: "As she sings of a relationship of a well-heeled man and a blank canvas woman, she invokes not only the dreamland of the monied classes (The Hamptons) and their could-be motto 'Money is the anthem of success' but also invokes the spectre of Vietnam with a reference to 'The Queen Of Saigon'."[4] The track was praised for having a: "laconic, anaesthetised vocal that conjures up images of her swigging from a bottle of Hendricks. There's a deep sadness underneath the sweeping string section and gangster hip-hop beats, but it's the chorus's fleeting glimpse of euphoria that'll keep you coming back."[5]

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This is about equating money and love. He is loaded and worships money, she presents herself to him like his property, a money equivalent. She wants to be worshipped by this money worshipping clown just as much as he worships money. If money is the anthem of success, then she wants to be his National anthem, his most important possession. She wants him to owned and worshipped at the same time, like money is.

-King of Chevron: I think she's talking about the American multinational energy corporation, "one of the world's six "supermajor" oil companies" it makes sense since she's singing about money and power through the whole song.

Seems like not everyone grows up learning these terms... I guess I grew up with a silver spoon in my mouth. This song really strikes a chord with me because of my background and how people "blur the line between real and fake" ... how money is an anthem for many people... "I just need somebody to hold me." is probably my favorite... you can get so caught up in that kind of life, and sometimes you just really want the simplicities in life back... enough of the decadence.

In this essay, I analyze Lana Del Rey's music video entitled "National Anthem" against Svetlana Boym's essay "Nostalgia and its Discontents". I explore the ways in which Del Rey's video aligns with Boym's theories of restorative and reflective nostalgia: the tension between Del Rey's longing to reconstruct 1960s America and savouring it for what it was. I introduce the political and racial dynamics of the 1960s to inform Del Rey's depiction, and parallel them with present-day America to critique American culture then and now.

Lana Del Rey's 'National Anthem' is a complex exploration of American culture, intertwining themes of materialism, romance, and national identity. The song opens with a direct association between money and success, setting the tone for a narrative that delves into the pursuit of wealth and its role in personal relationships. Del Rey's lyrics often reflect on the American Dream and its implications, painting a picture of a society where financial prosperity is equated with happiness and worth.

In 'National Anthem,' Del Rey adopts the persona of a woman who is both enamored by and critical of the luxurious lifestyle her partner provides. The repeated line 'I'm your National Anthem' suggests that she sees herself as a symbol of his success, akin to a trophy or a status symbol. The references to the Hamptons and Bugatti Veyron, symbols of opulence, further emphasize the theme of wealth. However, there's an underlying sense of irony and critique in the way she portrays this relationship, hinting at the emptiness that can accompany a life focused solely on material gain. The song's chorus, with its patriotic imagery juxtaposed with a personal love story, blurs the lines between national pride and individual romance, suggesting that the two can be conflated in a culture that celebrates excess.

The latter part of the song shifts to a darker tone, describing a 'love story for the new age' characterized by reckless behavior and self-destruction. The lines 'On our drugs and our love / And our dreams and our rage / Blurring the lines between real and the fake' speak to the confusion and disillusionment that can arise from chasing superficial ideals. Del Rey's portrayal of this modern love story is both a critique and a reflection of contemporary society's obsession with fame, fortune, and the appearance of success. The song ultimately leaves listeners questioning the true value of the 'anthem of success' and whether the pursuit of money and beauty can ever truly satisfy the human desire for connection and meaning. 0852c4b9a8

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