"Own It" is a song by American rapper Rico Nasty, released on September 17, 2020 though Atlantic Records and her own Sugar Trap label as the second single from her debut studio album, Nightmare Vacation (2020). The song's music video was directed by Philippa Price and was met with critical acclaim upon release, specifically towards the costumes worn by Rico Nasty and the general aesthetic of the video.
Chris DeVille of Stereogum described "Own It" as "danceable and extremely fun" and wrote, "Over rhythmically charged production that knocks hard while erring on Rico's more accessible side, she raps a string of boasts."[3] In his rundown of the tracks released in that week, Billy Niles of E! described the song as a "bouncy bop",[4] while Patrick Johnson of Hypebeast noted that it "showcases just how singular both her talent and vision are."[5] BrooklynVegan described the song as "booming" and "super catchy", and expressed their anticipation for Nightmare Vacation, writing that if "'Own It' is anything to go by, it's gonna be a good one."[6] Jon Powell of Revolt praised Rico Nasty, writing that "[she] is arguably one of the few artists in hip hop truly pushing the boundaries of style as well as genre with every one of her releases."[7]
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An accompanying music video was released with the song and was directed by Philippa Price.[8] The music video was met with critical acclaim upon release. Evan Minsker of Pitchfork described the video as "extravagant" and the outfits worn as "exceptional",[8] while Chris DeVille of Stereogum described the video as "visually stunning" and the outfits worn as "outrageous".[3] Greta Brereton of NME also described the video as "eclectic" and the outfits worn as "extravagant".[9] Kyle Munzenrieder of the American fashion magazine W wrote that with the video, "Rico Nasty cements herself as a maximalist fashion icon".[10] Allie Gregory of Exclaim! also wrote that "Rico Nasty puts her opulence on display" with the music video.[11] Costumes in the video that were praised by Munzenrieder include a Thom Browne dress paired with a wig fashioned to look like a small cage, "a manicure adorned with the heads of shrimp, a tiara with lit blunts in place of jewels, and a series of charms that spell out her name hanging from piercings where her eyebrows should be".[10] Other scenes praised by Aaron Williams of Uproxx include when Rico Nasty "dons a spike covered, bright yellow vinyl mask that covers everything but her mouth" and when "she presents [herself] as a twisted housewife."[12] Throughout the video, Rico Nasty is often surrounded by "unexplained" wild animals including opossums, ducklings and raccoons.[12] Jordan Rose of Complex wrote:[13]
"Own It" is reflective of all the unique aspects of Rico, as she switches from outfit to outfit, each starkly different from the last. From rocking a piece that looks akin to a Maison Margiela mask with clears spikes across it, to styling her hair in braids that spell "Rico" as she swings surrounded by possums and other animals, the entire aesthetic of the video looks to give fans a sneak peek of what they might expect from her album. Many of the looks also feel like they draw some inspiration from styles seen in Tim Burton movies like Edward Scissorhands.
Konstantino Pappis of Our Culture Mag described the video as "bizarre",[14] while Allie Gregory of Exclaim! called it "opulent".[11] Chris DeVille of Stereogum concluded that with the music video, Rico Nasty "carr[ies] the torch for '90s rap weirdos like Busta Rhymes and Missy Elliott."[3] Patrick Johnson of Hypebeast also agreed with this statement, writing that her "signature out-of-this-world styling is as amplified as ever" with Price "captur[ing] the surreal scenes through fish-eye camera lenses reminiscent of 1990s Busta Rhymes and Missy Elliott visuals".[15] Aaron Williams of Uproxx wrote that the video "pushes pride and self-confidence" and noted that "her makeup and hair are the stars of the video, pushing the boundaries of even what we're used to seeing from the quirky star."[12]
When bored at dinner parties, she and her husband, Anthony Armstrong-Jones, Earl of Snowdon, would play the bread game. Every time someone said something clich, either Margaret or Anthony would rip off a piece of bread and put it in the middle of the table. At the end of the night, whoever had ripped the most pieces of bread would win.
She lived an extravagant lifestyle: Her six-week honeymoon on the royal yacht Britannia, for example, cost $115,000 in 1960. In 1995, she took $10,000 worth of clothing for a weeklong trip to the United States. Once, she demanded a motorcycle escort for a trip from Kensington Palace to Waterloo Station.
Mara and I were in search of food. Canolis, to be precise. Oh, sure, theoretically we were on assignment for a magazine, investigating avenues and options for students who want to broaden their cultural scope by sojourning into the greater Boston area. But what it really boiled down to, for us, was a serious Dessert Quest.
The #1 bus seemed to be the most direct path to the highest concentration of food. (Actually, the best front door-to-dessert ride in town can be had on the T to Quincy Market. But since this column is called Bus Stops, we decided to play by the rules and take the #1 into Back Bay instead. You can catch it at Johnston Gate.)
The first cool thing we encountered was a tasty little store called "Sweet and Nasty" on Mass. Ave. between Newbury St. and Common wealth Ave. It featured all sorts of gadgets and toys for the perverted-at-heart. These included everything from the usual glow-in-the-dark condoms and chocolate body paint, to a life-sized doll named John, sporting a battery-operated, vibrating member.
The specialty of the house seemed to be edible, anatomically-correct treats. "The Breast Cake is definitely our best selling item," said Amy, one of the employees. Mara and I reluctantly decided that splurging on a cake would be kind of extravagant, so we picked up a couple of chocolate penis lollipops and headed out. Of course, the lollipops were for our friends.
After about ten minutes of walking up Commonwealth Ave., we hit the Public Garden, a major landmark on the Canoli Pilgrimage and, incidentally, a nice park. We cruised past the statue of Mrs. Mallard, Mack, Quack, Lack and the rest of the ducklings. We then headed up Beacon, passing the Common, where a really bad band was giving a free concert.
By the time we ran into City Hall Ave., we were getting kind of pooped, so we stopped for a break at a store called Brookstone. This turned out to be a great move, since the hot item at Brookstone these days is the Electric Massage-Giver. They come in every shape and size, and for all imaginable body parts. Okay, so they don't carry an electric earlobe massager. But they have just about every other kind.
I won't drag you through a tortured description of all the machines we tried to use (i.e., broke), but I will issue this warning: unless you've always wondered what it feels like to be electrocuted, do not stand up on the electric foot vibrator. The sensation will be similar to that experienced by the little boy of electrical fence fame in "Jurassic Park."
We left Brookstone with relaxed necks, feet, tushes, and backs. Our hairstyles, alas, were less sedate. After the foot vibrator incident, we both resembled Bart Simpson after a fight with the mouse can.
By now we were really starved. We descended on Quincy Market like a pack--well, a pair--of wild dogs. In case you've never been there, Faneuil Hall is an indoor/outdoor market that houses a veritable cornucopia of food, food, and junk food. A lot of junk food. The most important things to remember, however, are salsa and canolis.
The salsa stand is in the center building. It has every flavor of salsa ever invented, and a few that probably should have remained uninvented. Go for the free samples, but bear in mind: just because it looks like a harmless bean dip, doesn't mean it won't blow your face off. This really happened.
It is a question that has intrigued biologists ever since. Now research spearheaded at the University of York (in collaboration with researchers from the University of Glasgow, and Carleton University in Canada) has used computer models to trace the evolution of this extravagant colouring.
Mimicry is common in nature. Defenceless species frequently evolve to look like a nasty species, so that potential predators cannot distinguish between
the two -- a good meal or an unpleasant experience.
The YCSSA research, published in Evolution, suggests that nasty prey may have evolved bright colours to avoid this kind of mimicry. Bright colours are harder for defenceless prey to mimic because they have a survival cost of increased detectability by predators. There are also many ways to look distinctive when brightly coloured, but limited scope for doing so when camouflaged, because camouflage needs to blend in with the background.
Lead researcher Dr Dan Franks, of YCCSA, said: "Our computer models show that this way of looking at the evolution of bright colours explains why in
nature we generally find that the nastier the prey species (e.g. the more poisonous) the brighter the animal.
"The nastier the animal, the more it can 'afford' a bright and distinctive livery to copyright its appearance. It's similar to the way that big
companies closely guard their appearance in an attempt to build clear brand recognition."
My ex-husband is gay and is now married to his partner. We have remained friends and have even spent some occasions together. My boyfriend thinks this is totally dysfunctional, so I agreed that we would not spend occasions together anymore.
About a year ago, he started not wanting to participate in any event with my kids. We argued, and he said some nasty things about them. I was appalled. Had he just pretended to like them? He has had nothing to do with them for months. 152ee80cbc
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