English 10B Glossary - Vocabulary Words
Artistic representations come in many different forms—from a painting or a video to a poem or a song. As you compare artistic representations, you'll need to analyze the purpose, audience, and message.
The purpose is why the author or artist created the representation.
The audience is who the author or artist intends to read or see the representation.
The message is what the author or artist is trying to say about the subject in the representation.
The word seminal comes from the Latin word for seed. A seed grows and eventually creates more seeds. In a similar way, seminal documents plant ideas that take hold and spread in society.
Here are some types of seminal U.S. documents:
speeches
legislation
court rulings
letters
They share these characteristics:
They inspire.
They remain relevant.
They help define who we are.
Read Aloud Slowly
Slowing down and reading aloud can help you get back on track when your understanding breaks down and your mind starts to wander.
Pause to Paraphrase
At the end of a challenging sentence or section of text, pause and paraphrase, or restate the author’s ideas in your own words. When sentences are extremely long, try pausing at each comma or semicolon.
Visualize the Text
Many seminal documents feature rich visual imagery. As you read a text, paint a picture in your mind’s eye of the author’s words.
"Talk" to the Text
“Talking,” or interacting, with the text will help you gain a deeper understanding of it. This strategy includes asking questions, making predictions, and noticing connections.
Vocabulary Resources
Try to use context to understand unfamiliar vocabulary. But when you’re unable to determine the meaning of an unknown word, turn to vocabulary resources. These include links, footnotes, glossaries, and dictionaries.
The Battle of Gettysburg in 1863 was one of the fiercest battles of the Civil War. Over 7,000 soldiers died in three days of fighting. It marked a turning point for the Union, which consisted of the Northern states. It also ended the push northward by the Confederacy, the Southern states.
President Abraham Lincoln’s appearance in Gettysburg several months after the battle was unexpected. After all, he was busy conducting a war, and his son was very ill.
The occasion for the visit was the dedication ceremony for a national cemetery for Union soldiers. Lincoln seized on the occasion to deliver an urgent message to his audience.
Every text has a message. Think of message as the “what” of a text—the idea it conveys.
Most writers convey a variety of messages throughout a text. Most texts have an overall message too. We might call this overall message a central idea or theme.
You’ve analyzed the message in the address—the “what” of Lincoln’s speech. Now, let’s determine the text’s purpose—the “why.” Recall that authors write for four general purposes: to entertain, to express emotions, to inform, and to persuade.
Understanding the purpose of a seminal document requires considering historical context and noticing the type of language used. Look for these types:
words that convey strong emotions (freedom, love, death)
value words (greatest, worst)
calls to action, with imperatives (must, should, shall, will)
rhetorical devices, such as parallel structure and figurative language
facts and figures
neutral vocabulary
objective tone
Remember the historical context. In the case of the Gettysburg Address, it’s the aftermath of a bloody Civil War battle. Even though the tide seemed to be turning in the Union’s favor, people everywhere were tired after two years of war.
Look for clues about the audience in the text itself. As in most speeches, you will find direct references to the audience in the Gettysburg Address.
Notice allusions and other references to values. A seasoned speaker or writer will choose cultural references, or allusions (see above), that reflect the audience’s values. Seminal U.S. documents often contain allusions to concepts related to the nation’s founding, such as independence and liberty. Such references are likely to stir positive feelings in a U.S. audience.
Biography
Lucy Stanton was an African American who was born free in Cleveland Ohio in 1831. Her childhood home was a stop on the Underground Railroad. In 1849, Stanton graduated from Oberlin College and became the first African American woman to receive a college degree.
Fugitive Slave Act
Stanton’s speech was a reaction to the Fugitive Slave Act, soon to be passed by Congress. This law forbid people who fled slavery, called fugitives, from giving testimony or have a trial by jury. It also imposed harsh penalties on people who helped fugitives, both in the North and the South. Outrage over the law gave a boost to the struggling movement to end slavery.
Abolitionist Movement
Between 1830 and 1865, antislavery activists in the United States formed a movement to abolish, or end, slavery. Known as abolitionists, many of these men and women also sought voting rights, or suffrage, for African Americans in Northern states, most of which barred non-whites from voting.
Other Reform Movements
The spirit of reform was everywhere in the mid-nineteenth century. The religious revival known as the Second Great Awakening inspired movements for peace, public education, voting rights, and temperance (relating to control of alcohol).
Ethos is the speaker’s reputation or credibility.
A famous, respected individual has built-in ethos appeal, or ethical appeal. Speakers who aren’t well known can build credibility by assuring the audience that they share the same ethical values. One way to accomplish this goal is by referring to views that the audience shares.
For more information about Rhetorical Appeals, please see these notes from ENG 9B!
Pathos is emotion. A speaker attempts to persuade an audience by appealing to pathos, or drawing on the audience’s emotions. An effective pathos appeal requires an understanding of what moves an audience. Through vivid imagery, repetition, or a touching anecdote, a speaker can appeal to an audience’s feelings of pride, shame, compassion, or any strong emotion.
For more information about Rhetorical Appeals, please see these notes from ENG 9B!
Logos is logical reasoning. Speakers may rely on an audience’s faith in reason by presenting these elements:
logic, for example, explanations of cause and effect or comparisons such as analogies and extended metaphors.
evidence in the form of facts and statistics, anecdotes, and expert testimony.
For more information about Rhetorical Appeals, please see these notes from ENG 9B!
A rhetorical device is a language technique or tool that authors use to engage or persuade an audience. Below are a few different types of rhetorical devices:
Figurative language includes the use of comparisons such as metaphors and similes, as well as allusion.
Rhetorical questions are questions that help the speaker advance a point of view. Speakers use these questions for many purposes, such as to express outrage, to confirm shared values, or to state the obvious. For example, someone who asks, “Why can’t we get along?” may be pleading for peace.
Speakers often utilize brief stories about real people or experiences that illustrate a point. Anecdotes (true stories used as evidence) can appeal to ethos, pathos, logos, or all three. For example, in an anecdote with pathos appeal, Rep. John Lewis tells how his life changed when he “met” Martin Luther King, Jr. for the first time through the radio.
Repetition isn’t just for words and phrases. Speakers such as Stanton also employ the repetition of grammatical structures, called parallelism. An example of parallelism is “The few, the proud, the Marines.”
Another type of parallelism, antithesis, presents contrasting ideas in grammatically parallel forms: “My only love, sprung from my only hate!”--William Shakespeare, Romeo and Juliet, Act I, Scene v
Theme is the underlying message or idea in a literary work.
Theme is different from subject. For example, “the power of nature” is a subject. An author’s message or insight about nature’s power would be its theme.
Some themes are universal—they appear in literature across cultures throughout the world.
In poetry, the word choice and imagery express the theme. In narratives, the theme may be developed through plot and character.
For more about Theme Basics, please see these notes from ENG 9A!
US President Theodore Roosevelt (pictured here) was determined to build a canal through the tiny Colombian province of Panama. Colombia, represented by the smaller figure in the cartoon, would not agree to the canal’s construction. So in 1903, Roosevelt sent US warships to aid Panama in its bid for independence from Colombia—a bid engineered by the canal’s financial backers.
Word Choice: Connotative Language
A poet’s word choice is no accident. Poets choose words with specific connotations to create specific effects.
Connotations are the feelings or associations that accompany a word. Words with similar denotations, or dictionary definitions, can have very different connotations.
The word birth, for example, connotes great happiness. The word spawn, on the other hand, can have negative connotations, bringing to mind mold or pestilence.
Figurative Language
Poets convey important ideas by using figurative language to make comparisons. Here are some common examples:
Similes use the words like or as to compare two things.
“She passed through the room like a hurricane.”
Metaphors directly compare two things. Sometimes the metaphor is explicit, as in “Life is fire.”
Often the comparison is implied, as in “I cried a river,” where tears are compared to a river.
Personification is an implicit comparison between an inanimate object and a human. For example, “The sunflower shook its head” gives a human behavior, head shaking, to a flower.
Published in 1885, The Squatter and the Don is the first English language novel by a Mexican American woman. It involves two families living in San Diego in 1873, 25 years after the Mexican-American War and the US annexation of California.
The Don is Don Mariano, who runs a large ranch in San Diego on land granted to him by Mexico before the war (in Spanish-speaking regions, Don is a title of honor for a powerful man). The treaty that ended the war reaffirmed the land rights of “Californios” like the Don. The term squatter refers to someone who hopes to gain ownership of land by occupying it. The squatter in the title is the head of a family of Anglo (white non-Spanish speaking) settlers who claim part of the Don’s lands. Many settlers took advantage of new laws that chipped away at Californios’ land rights.
In linear plot development, you meet characters and learn about their conflict; the conflict reaches a climax and is finally resolved. The pattern looks like an upside down V.
Note: Denouement and Resolution have the same place on the chart
For more information about plot order and development, click here to see these notes from ENG 9A!
Sometimes authors play with (change) plot structure (that means write the story in a different order) to add mystery, suspense, or tension. As a result, the plot feels more like a rollercoaster ride. Authors achieve this effect through several techniques:
returning to the past in a flashback, or hinting at the future with foreshadowing
weaving two or more parallel plots together
playing with pacing (for example, a writer might cover one year in a paragraph, or slow down to real time with dialogue)
Once you’ve identified how an author has structured the events or time in a narrative, you can analyze the author’s choices by answering these questions:
Why did the author use this technique?
What effect does the technique create?
How does the technique create that effect?
Many persuasive messages target your emotions. For example, you may try a diet because you feel loyal to a friend.
Formal argument, however, relies not on emotion but on logic and evidence.
Argument is a type of persuasion that relies on logic rather than emotion. The writer or speaker supports the argument with claims. A claim is not proof in itself; it must be supported with logical reasoning and evidence.
Empirical evidence comes from observation or research. It can take the form or statistics, government records, historical documents, and even fossils and fingerprints.
Logical evidence is the result of reasoning. When you draw a conclusion or make a generalization based on empirical evidence, you have created logical evidence.
A third type of evidence is anecdotal evidence, a brief story that illustrates a point. Using an anecdote to draw a general conclusion is risky, since it applies to only one person’s experience.
Speakers sometimes make statements that sound convincing but in fact contain faulty reasoning. These are logical fallacies—they don't make sense or are not logical when you really think about what they're trying to say. Some are designed to deceive. Others appeal to emotions rather than logic. In fact, emotional appeals, although common in persuasion, are considered fallacies in formal argument.
Logical fallacies act as evidence to convince the audience of an idea. However, they don't actually provide strong support for the speaker's argument.
A “straw man” is something you build up just to knock down. In a straw man fallacy, the author misrepresents (lies about) an opponent’s argument and then attacks that non-existent position.
For example, someone may argue that a city should spend more money on schools and libraries. An opponent may say, “Why do you want to drain taxpayers’ wallets?”
A straw man fallacy is often easiest to spot when the author addresses counterarguments (opposing claims or views made against the writer's claims).
In this fallacy, the author presents him- or herself as just like the average person. This strategy plays to the audience’s emotions and helps win them to the author’s side.
For example, instead of talking about policy issues, a wealthy candidate may go to great lengths to be photographed doing “chores,” such as chopping wood or cleaning a car.
Either/or reasoning attempts to persuade an audience that there are only two options, when in fact there may be many.
The saying “If you’re not with us, you’re against us” is a classic example of either/or reasoning.
The term “ad hominem” means “against the man” in Latin and refers to an attack on a person, not an argument.
Direct name-calling is a form of ad hominem (“My opponent is a liar!”). But ad hominem reasoning can also be a subtler personal attack that does not address the argument.
Here’s an example: ”My sister says that I should save money, but she is always broke.” Saying the sister is broke does not address her claim about saving money.
Let’s look at how you can organize your ideas.
argument: Identify the speaker’s overall argument.
claim: Identify one of the speaker’s major claims.
evidence: Evaluate whether the evidence supporting that claim is relevant and sufficient.
reasoning: Explain whether the speaker’s reasoning is valid or whether logical fallacies affect the overall argument.