COMING SOON...

Score: ?/10

Just got out of Regal's latest "Monday Mystery Movie" — this week’s film was Relay, directed by David Mackenzie and starring Riz Ahmed, Lily James, and Sam Worthington. I went in completely blind, and that made it even more of a ride. It’s a solid, old-school action thriller about a professional fixer whose carefully constructed world unravels when a new client seeks protection.

Tonally, it feels like a mix of Blow Out (1980), Locke (2013), Jason Bourne (2016), and Dark Waters (2019), with a dash of John Wick’s (2014) shadowy underworld (minus the stylized body count) and the slick, behind-the-scenes maneuvering of Leverage (2008-2012). The “Tri-State Relay Service” concept was a standout — clever, tense, and ripe for suspense. Ahmed delivers a magnetic performance that keeps you hooked, while Mackenzie’s direction balances style with grit.

If you love grounded thrillers with corporate conspiracy and moral gray areas, this is one to keep on your radar. Stylish, well-paced, and brimming with tension.

Score: 7.5/10

Just got out of the theater after seeing Weapons, the latest horror film written and directed by Zach Cregger.

I loved Barbarian (2022) when it came out. I saw it multiple times in theaters, raved about it to everyone I knew, and still think about it years later. So needless to say, I was both excited and terrified going into this — and wow, Weapons did not disappoint.

This film blew me away.

The cast is stacked: Julia Garner, Josh Brolin, Alden Ehrenreich, Benedict Wong, Amy Madigan — all turning in deeply committed, eerie performances. I was especially impressed with how each storyline held its own and contributed to a larger, haunting whole.

Stylistically, it reminded me of Magnolia (1999) meets The Shining (1980) meets Prisoners (2013) — with a touch of Doctor Sleep (2019) in both tone and psychological depth. The film is tense, uncomfortable, unpredictable, and unapologetically original. It pays homage to great horror that came before, but it absolutely carves out its own space.

There’s also a killer cameo I will not spoil, but trust me — it hits hard and got a massive reaction from the crowd.

Much like Barbarian, the setup grips you instantly — and just when you think you’ve figured it out, the film takes a sharp left. The third act is completely bonkers in the best way. This is storytelling at its finest.

The audience I saw it with was locked in — you could hear a pin drop during the quietest moments. We were all just stuck to the screen.

I highly recommend seeing this one in a theater. It's disturbing, bold, and beautifully constructed. Cregger has such a unique voice which shines through his films, making each one a cinematic experience you cannot miss.

Score: 9.5/10

 Just got out of an early access screening for Freakier Friday, the sequel to 2003’s Freaky Friday — which I actually saw in theaters back then, so this was a full-circle moment (and yeah… made me feel a little old).

Honestly, this film really works. Sure, there are a few plot holes and moments you just have to roll with, but the film isn’t trying to win Oscars — it’s here to entertain, and it totally succeeds. The humor lands, the pacing is tight, and the energy is full-on fun from start to finish.

Jamie Lee Curtis and Lindsay Lohan returning was perfect, and even Chad Michael Murray pops up. The new cast meshes surprisingly well too. There’s real nostalgia here — not just in cameos or callbacks, but in the tone and style. And yes, stay for the end credits — loved the outtakes!

If you loved the original, you’ll have a blast with this FREAKquel!

Score: 7.5/10

Just got out of Sketch, the latest from Angel Studios — and I was pleasantly surprised. Went in totally blind (no trailer, no spoilers), and honestly, that made it even better. I only knew Tony Hale was in it, and he was great — but so was the rest of the cast, including D'Arcy Carden, and all of the younger actors.

It felt like Harold and the Purple Crayon (2024) meets Stranger Things (2016-2025)— a creative, imaginative family-friendly gateway horror film with heart. It’s fun, a little spooky, and surprisingly emotional, dealing with themes like grief and loss without getting too heavy.

The writing is sharp, the visuals are inventive, and there were actually a lot of laughs along the way. Definitely something the whole family can enjoy.

Score: 7.5/10

I saw The Naked Gun in theaters on opening weekend, and wow — I did not expect to love it this much. Liam Neeson in a role like this? I was skeptical… but it turned out to be perfect casting. He absolutely nailed the deadpan delivery, and the film had me laughing from beginning to end. At just about 85 minutes, it’s short, sharp, and totally ridiculous in the best way.

This is the kind of big-screen comedy we just don’t get anymore — unapologetically silly, slapstick, and self-aware. I had no expectations going in, just wanted a few laughs, and ended up laughing my ass off the entire time. My wife had never really seen this kind of comedy before, and she loved it too.

Huge props to Liam Neeson not just for starring, but also for recently speaking up about the need for more theatrical comedies. He’s right — we’re drowning in superhero content and prestige dramas, and it’s time for comedy to make a real comeback.

Pamela Anderson and Paul Walter Hauser were hilarious, and the cameos? I won’t spoil them, but they hit. Whether they make a sequel or not, this one stands tall. Go support your local theater and see this movie!

Score: 8.5/10

Caught Oh, Hi! last night — a weird, dark little comedy written and directed by Sophie Brooks, starring Molly Gordon, Logan Lerman, Geraldine Viswanathan, and John Reynolds. 

I honestly didn’t expect much going in, but it ended up being a pleasant surprise. Super funny, super quirky, and surprisingly intense in parts. It gave me Misery (1990) vibes mixed with Death to Smoochy (2002), The One I Love (2014), and even something like Hurry Up Tomorrow (2025)— but way more playful and absurd.

David Cross popping up was a fun surprise too, even in a smaller role. The movie’s tight, about 90 minutes, and it knows exactly what it is — focused, bizarre, and totally its own thing. Definitely not for everyone, but it made me laugh and kept me guessing. I dug it.

Score: 7/10

Just got out of I Know What You Did Last Summer (the new one—requel, reboot, whatever we’re calling it). I really wanted to like this movie… but wow. I’m actually shocked by how bad it was.

The original is a classic—quirky, eerie, and full of 90s charm. Even the old sequel had some fun. But this? This felt like a mess from start to finish. It tries so hard to be clever and meta, but it ends up feeling forced and hollow. It honestly disrespects the original characters and fans. I found myself facepalming more than once.

It was nice seeing Jennifer Love Hewitt and Freddie Prinze Jr. again—they deserved better. Without spoilers, even the post-credit scene made me cringe. If they do make a sequel to this, I’ll wait for streaming. No way I’m doing that theater run again.

Score: 3/10

Just saw The Fantastic Four: First Steps, starring Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach. I enjoyed it, but I was definitely underwhelmed—especially coming off the high of this summer’s Superman (2025).

The film felt safe and straightforward. It didn’t take many risks, and while the performances were solid, it never quite hit that next level. That said, seeing the Silver Surfer return and Galactus on the big screen for the first time was truly awesome—and the film nails those moments.

There were some cool Easter eggs and character dynamics, and the cast has potential. I’m still rooting for the MCU, but I’m starting to feel a little lost with what the bigger story is supposed to be. Hopefully things become clearer soon.

Score: 6.5/10

Caught Happy Gilmore 2 on the flight home from our honeymoon—watched it with my wife, and honestly, I was cracking up the whole time. After all the chaos of wedding travel, it was exactly what I needed.

I went in with zero expectations. Let’s be real—any sequel to a classic like Happy Gilmore (1996), especially 30+ years later, is a gamble. But this one? It was a lot of fun. The cameos were everywhere, and they actually worked. Classic Sandler faces showed up, and I loved the clever nods to his other movies (The Waterboy (1998), among others).

Yeah, it’s a bit heavy on nostalgia and callbacks, but it all felt good-natured and earned. A surprisingly solid sequel that made me laugh when I needed it most.

Happy swings again!

Score: 7/10

Life got in the way—in the best way possible. I meant to post this sooner, but between getting married and going on my honeymoon, I had to hit pause on reviews. That said: I finally got the chance to see Superman (2025)—I actually caught an early access screening—and I absolutely loved every second of it.

This film made me feel like a kid again at the movies. Swept away. It had heart, action, a surprising dose of horror, and way more humor than I expected. The performances were top-notch: Nathan Fillion as Guy Gardner was hilarious and pitch-perfect. Mr. Terrific? Excellent. Hawkgirl? Loved her. And Nicholas Hoult’s Lex Luthor? Way darker than I imagined—and that worked so well.

James Gunn brought something really special to the screen. I went in with tempered expectations, and this movie completely blew me away. Emotional, exciting, and surprisingly funny, this felt like the bold, hopeful Superman we’ve been waiting for—grounded in real stakes.

A total triumph!

Score: 9/10

Just saw F1: The Movie in theaters, and let me tell you—this is the high-octane, full-throttle summer blockbuster we’ve been waiting for. Directed by Joseph Kosinski (Top Gun: Maverick), the film stars Brad Pitt, Javier Bardem, Kerry Condon, and Damson Idris—and it absolutely delivers. From the very first race sequence, I was hooked. This film puts you in the car like never before. The sound design and cinematography are jaw-dropping—there are moments you’ll feel like you're tearing down the track yourself.

Brad Pitt holds his own as the veteran driver, and Damson Idris really shines. Their dynamic adds heart to the adrenaline, and Bardem gives a layered, grounded performance that raises the stakes. The film also balances emotional beats with full-throttle excitement—this isn't just noise and spectacle. There's story, there’s purpose, and the drama off the track hits just as hard as the action on it.

Does it reach Top Gun: Maverick (2022) heights? Time will tell—but it definitely belongs in the same conversation. And yes, it subtly sets the stage for a sequel. If that happens, I’ll be first in line. Rumors of Days of Thunder 2 and a potential crossover? Count me in twice.

In the end, F1: The Movie is everything you want from a summer event movie: it’s fast, thrilling, emotional, and flat-out cinematic. Strap in.

Score: 9/10

I saw Bride Hard in theaters yesterday, and as far as R-rated comedies go, this one’s… watchable. It stars Rebel Wilson, Anna Camp, Anna Chlumsky, Da'Vine Joy Randolph (always a welcome presence), Justin Hartley, Stephen Dorff, and even Colleen Camp—nice to see her pop up again!

The premise is totally absurd: A mercenary group crashes a lavish wedding, and one of the maids of honor turns out to be a secret agent trying to save the day and keep her best friend’s wedding from being ruined. Is it dumb? Yes. Is it meant to be? Also yes.

This is not an Oscar contender, nor is it trying to be. It’s a popcorn flick—something to throw on when you're in the mood for mindless laughs, gummy worms, and fruit punch (which, for the record, was my theater snack combo of choice). I actually laughed a few times, and for that, I give it props. Comedy is hard, and if a movie can make me genuinely laugh, even sporadically, I’ll take it.

That said, it’s at least 15 minutes too long. This should’ve been a tight 90-minute comedy—max. There’s a chunk of fluff that could be trimmed without losing anything of value.

Overall, Bride Hard is not great. It’s not even especially good. But it’s entertaining enough for a one-time watch, especially if you're in the mood for something dumb, loud, and occasionally funny. As someone getting married in two weeks, maybe I’m a little biased. But hey—I had a decent time.

Score: 5/10

I saw 28 Years Later yesterday, and I have to say—it’s a beautifully crafted film that held my attention from beginning to end. A bit long, yes, but incredibly well-made. Danny Boyle returns as director and teams up once again with Alex Garland on the script, and their collaboration really shows. The cinematography is phenomenal, and the atmosphere is exactly what you’d want from a return to this franchise.

Performances are strong across the board. I definitely wish we had gotten more screen time from both Aaron Taylor-Johnson and Ralph Fiennes—when they are on screen, they’re incredibly effective. That said, the pacing and structure are intentional, and I understand why it plays out the way it does.

Without spoiling anything, the way the beginning and ending tie together is brilliant. It left me genuinely impressed. And while I wanted to love it just a little more, I’m still very satisfied overall. It sets the stage perfectly for the next chapter—28 Years Later: The Bone Temple, confirmed for January 16, 2026—and I’ll definitely be there for that.

Whether you’re a fan of 28 Days Later (2002), 28 Weeks Later (2007), or just great zombie horror with substance, this one is worth checking out.

Score: 8/10

I just attended this week’s "Regal Monday Mystery Movie," and it turned out to be Jurassic World: Rebirth — the newest installment in the Jurassic World franchise. I honestly thoroughly enjoyed this film, even more than I anticipated going in. As someone who grew up with this franchise, who considers Jurassic Park (1993) one of my favorite films of all time (Top 4 on my Letterboxd), this series means a lot to me. I’ve always thought the original is a perfect film, and while the sequels have been hit-or-miss, I had a good feeling going into this one — and it delivered.

This is the fourth Jurassic World film, and it takes place several years after the events of Jurassic World: Dominion (2022). Right from the start, you feel how much care went into crafting this story. Gareth Edwards (Godzilla, Rogue One) directs with a grounded, cinematic vision that brings both awe and terror back into the franchise. And with a screenplay written by David Koepp, the original Jurassic Park screenwriter, there’s an instant return to the series’ roots — both visually and tonally.

One thing that really stood out: this film returns to its horror roots in a major way. There are some genuinely terrifying scenes that made my theater gasp, and the new mutated dinosaur designs are pure nightmare fuel. The suspense, the pacing, the sense of dread — it all felt fresh, intense, and long overdue.

I also loved how much homage was paid to the original film. From the subtle camera angles and Easter eggs to more direct visual callbacks, the influence of Jurassic Park is everywhere — in the best way possible. On top of that, the film even pulls in some unused material and ideas from Crichton’s original novel, which longtime fans will definitely appreciate.

The cast is phenomenal. Mahershala Ali and Rupert Friend are commanding as always, while Scarlett Johansson and Jonathan Bailey bring emotional weight to their respective roles. You feel like you’re watching a proper ensemble survival thriller. There’s plenty of chemistry, tension, and some unexpected turns that make this stand out.

This is hands down my favorite Jurassic World film to date, and my favorite sequel since The Lost World: Jurassic Park (1997). I really hope they continue down this path, because if future films follow this quality and tone, I’ll be there every time. Jurassic World: Rebirth proves there's still life — and real fear — in this franchise.

Score: 8.5/10

It’s always refreshing to see a Western hit the big screen these days, and The Unholy Trinity offers a solid, if unremarkable, entry in the genre. Starring Pierce Brosnan, Samuel L. Jackson, Brandon Lessard, and David Arquette, the film brings together a compelling cast with a simple, straightforward story.

The plot itself isn’t overly complex — it leans into classic Western tropes without reinventing the wheel. What carries the film are the performances: some are quite strong, while others feel a bit uneven. Brosnan and Jackson bring the gravitas you’d expect, and there are definitely moments of grit and charm that Western fans will appreciate.

Ultimately, The Unholy Trinity is decent. It’s not a must-see, but if you’re into Westerns or just curious to see this cast in a dusty showdown, it’s worth a watch. It doesn’t break new ground, but it doesn’t fall flat either.

Not groundbreaking, but a serviceable Western with a solid cast. If you enjoy the genre, it’s a worthy way to spend a couple of hours.

Score: 6/10

It’s been a long time since a shark film genuinely terrified me — but Dangerous Animals might be the most intense, nerve-shredding entry in the genre since Jaws (1975). While Deep Blue Sea (1999) was always a nostalgic favorite, this film brings back that primal fear of the ocean with a brutal, creative edge that surprised me.

Jai Courtney delivers one of his most unhinged performances to date — completely menacing and electric to watch. He clearly had a blast with the role, and it shows. The rest of the cast also delivers solid performances, anchoring the film emotionally while chaos unfolds around them.

What sets Dangerous Animals apart is its pacing and structure. It’s short, sharp, and relentless — it hooks you (pun intended) from the start and never lets go. The central premise flips the usual survival narrative on its head: “You’re safer in the water than on the boat.” It’s a chilling concept and plays out with satisfying intensity.

The film is dark, both in tone and execution, but that works in its favor. It’s creative, original, and unafraid to get grim. As a shark thriller, it absolutely delivers.

Tense, terrifying, and highly entertaining. Dangerous Animals earns its place among the best of the shark genre — and Jai Courtney steals the show.

Score: 8/10

The Life of Chuck is a powerful, emotional journey — a film that grips you from the opening scene and doesn’t let go. Based on the Stephen King short story of the same name, this adaptation is both intimate and cosmic, offering a beautifully strange meditation on existence, memory, and the universe of one man's life.

Led by a fantastic performance from Tom Hiddleston, with standout support from Chiwetel Ejiofor, Matthew Lillard, Karen Gillan, and Mark Hamill, the cast delivers across the board. The film weaves surrealism and grounded emotion in a way that feels quintessentially King but also very much the work of director Mike Flanagan, who once again proves he’s one of the best at adapting King’s more emotional, introspective material.

The cinematography is breathtaking. The choreography (especially in key abstract scenes) is creative and haunting. The adapted screenplay is sharply written — deeply human yet philosophical in scope. It’s a rare balance that manages to be both cerebral and heartfelt.

This is a film that lingers. It’s poetic, strange, and unexpectedly moving — a serious awards contender for acting, writing, cinematography, and more.

A must-see in theaters. A bold, emotional swing that lands. One of the most unique and resonant Stephen King adaptations to date.

Score: 9/10

Materialists, the latest romantic drama from A24, stars Dakota Johnson, Chris Evans, and Pedro Pascal, and while it doesn’t quite break new ground, it’s a solid, well-written film with a few strong thematic touches.

The performances are uniformly strong across the board — especially from Johnson and Pascal — and the screenplay is tight, intimate, and dialogue-driven. The story unfolds in a very contained way, almost like a stage play, which makes for a focused and often compelling character study.

That said, the central character, Kimmel (Johnson), is difficult to connect with. She’s purposefully flawed — and while subjectivity plays a huge role in how we perceive protagonists, I personally found her hard to root for. Because of that, I didn’t feel especially invested in the outcome of her choices, romantically or otherwise.

Where Materialists truly succeeds is in its thematic undercurrents. It delivers thoughtful commentary on body image and societal expectations — from both male and female perspectives — and subtly explores men’s mental health, which I really appreciated. These messages are woven in naturally, without feeling forced, and help give the film more emotional resonance.

Ultimately, this is a film worth watching once, especially if you're a fan of introspective, character-focused dramas. It's not revolutionary, but it's thoughtful and mature in its approach.

Score: 7/10

As a longtime fan of the Mission: Impossible franchise, I was hyped going into The Final Reckoning — the eighth and reportedly final installment in the series. With the high-stakes cliffhanger ending of Dead Reckoning Part One, expectations were naturally high. And while I did enjoy this film overall, I have to admit, parts of it fell a little short for me.

The third act is absolutely tremendous. The final 45 minutes to an hour deliver the kind of intense, tightly choreographed action sequences that the franchise is known for. Tom Cruise and the returning ensemble are once again fully committed, and the scale is undeniably impressive. If you’re in it for the big action, especially the finale — you’ll walk away satisfied.

That said, the first half of the film left me underwhelmed. There were moments that felt hokey, requiring me to suspend disbelief in ways I usually don’t need to with this franchise. Normally, M:I films sweep me away with tension and sharp pacing, but this one had a few scenes that pulled me out of the experience. A couple of moments even felt eye-roll-inducing — something I never thought I’d say about this series.

I recognize part of this may be due to my own expectations. I tried to go in open-minded, but after seven installments — especially coming off the strong Dead Reckoning Part One (2023) — it was hard not to anticipate something more seamless and gripping from the jump.

Still, this is a solid film. It’s not the best in the franchise — not by a long shot — but it’s far from a disappointment. The finale is strong, the cast delivers, and the conclusion offers a sense of closure that long-time fans will likely appreciate.

Score: 7/10

As a longtime fan of Wes Anderson, it brings me no joy to say this, but The Phoenician Scheme left me disappointed. Yes, it’s a technically well-made film, with all the usual Anderson hallmarks—an impeccably stacked cast, stylized framing, quirky dialogue, and meticulous set design—but beneath all of that, I couldn’t help but feel like I was watching Wes Anderson parody himself.

I appreciated the story here more than The French Dispatch or Asteroid City, but even that didn’t save it. So many elements felt recycled from his past two efforts—especially The French Dispatch—and I kept wondering if I was watching a filmmaker so deep in his own style that he’s now just reassembling the pieces without offering much new. It felt like the narrative was being intentionally obscured, not in service of intrigue, but out of habit.

The cast is, as expected, impressive—but much of it feels like stunt casting for the sake of having familiar faces on screen. Too many actors are given too little to do. And while I understand that Anderson’s films often operate on emotional and thematic subtleties, The Phoenician Scheme seemed to lack both a clear narrative thread and the connective tissue that gives his best work real resonance.

There’s a difference between ambiguity that invites the audience to lean in and confusion that pushes them away. Here, I felt more bewildered than curious. There’s cleverness, yes—but cleverness without clarity or meaningful stakes leaves a film feeling hollow. And for a movie I had at the very top of my most anticipated films list this year, that’s a hard pill to swallow.

I may revisit it one day. Maybe there’s something I missed. But for now, The Phoenician Scheme feels like a scheme in more ways than one—a puzzle I’m not sure is worth the effort to solve.

Score: 6.5/10

As a huge fan of the John Wick franchise, I was really excited going into Ballerina—and overall, it delivered. This isn’t a forced spin-off just riding the coattails of a blockbuster franchise. There’s a clear story to tell here, and it fits neatly into the gritty, rule-bound underworld that John Wick fans know and love.

Ana de Armas leads the film with intensity and grace, and seeing familiar faces like Ian McShane, Anjelica Huston, and Keanu Reeves helps ground the film in the established lore. The action sequences were every bit as intense as I hoped—stylish, brutal, and true to the franchise’s DNA. It felt like slipping on a familiar pair of shoes: this world just fits.

That said, I did feel like Norman Reedus’s character got the short end of the stick. His role seemed underwritten and ultimately not very important to the main plot, which is a shame given his potential. Hopefully, if the teased sequel comes to fruition, they’ll give him more meat to work with.

Anjelica Huston’s expanded presence is also exciting to see unfold. The film leaves a lot of doors open for future stories, and I’m definitely curious to see where they go next.

Overall, Ballerina is a strong, stylish entry in the John Wick universe. While it’s not perfect, it earns its place in the franchise and leaves you wanting more.

Score: 7/10

As a longtime fan of The Karate Kid series, I really, really enjoyed Karate Kid: Legends. This film does a fantastic job of honoring the legacy of the original trilogy—especially Part II—while adding new life and energy to the franchise. If you haven't seen the original three films (especially the first two), I highly recommend checking them out before watching this one. The callbacks and emotional ties hit so much harder with that context.

Ben Wang delivers a standout performance, and seeing Ralph Macchio and Jackie Chan share the screen was surreal—in the best way. Their dynamic was powerful and nostalgic. The film explores themes of legacy, family, and reconciliation between past and present in a way that felt both fresh and respectful to the source material.

I’ll admit, the first 20 to 25 minutes threw me for a loop. It felt like an entirely different movie than what I expected. But once it settles into its rhythm, it finds its footing and delivers a heartfelt, entertaining continuation of the Karate Kid story.

Score: 7.5/10

Friendship, the latest comedy from A24 starring Tim Robinson and Paul Rudd, is hands down one of the funniest films I’ve seen in years. I honestly haven’t laughed this hard in a theater since Theater Camp—and even before that, it’s hard to recall a comedy that landed so consistently.

This is dark comedy and dry humor at its absolute finest. The film thrives on absurdity, sharp timing, and the unbelievable chemistry between Robinson and Rudd. Their dynamic is electric—chaotic, endearing, and completely unpredictable. The sequence of events grows more outlandish by the minute, and yet it all works so well in the film’s twisted universe.

Seeing this in a packed theater made the experience even better. The laughter was infectious, and you could feel the energy in the room. It’s the kind of movie that’s best enjoyed late at night, when you’re open to something totally unhinged but oddly heartfelt.

I cannot recommend Friendship enough. If you haven’t seen it yet, grab some friends, go in blind, and prepare to laugh until it hurts.

Score: 9/10

I had the opportunity to attend an early screening of Hurry Up Tomorrow, the new psychological thriller starring The Weeknd, Jenna Ortega, and Barry Keoghan. Sharing its title with The Weeknd’s new album, this film is an atmospheric, genre-blending experience that dives deep into themes of fame, identity, and self-destruction.

Stylistically, it’s part Mulholland Drive, part Misery, and even evokes the mood and dread of Smile. It blends psychological horror, meta-drama, and musical elements in a way that’s surreal, unnerving, and oddly hypnotic. The Weeknd’s performance is strong and deeply self-referential, while Ortega and Keoghan bring serious emotional weight to the story. The soundtrack is a standout, woven tightly into the film’s structure and emotional core.

This is not a film to spoil or over-explain. In fact, the best way to experience Hurry Up Tomorrow is to go in completely blind—skip the trailers, don’t read up on plot details, and let the story unfold as intended. It’s haunting, beautiful, and bizarre in all the right ways.

Live Nation’s involvement in funding adds an interesting dimension, especially considering the way the film engages with the music industry. It left me curious, unsettled, and wanting to watch it again—and even more excited to see The Weeknd live.

I highly recommend seeing this film, especially for fans of unconventional storytelling and dark psychological narratives.

Score: 7.5/10

Marvel Studios', Thunderbolts*, delivers a thrilling and surprisingly heartfelt entry into the MCU, packing action, humor, and standout performances into a tight, energetic film. Anchored by Florence Pugh—who shines as the emotional and tactical core of the team—the film finds its strength in its ensemble chemistry, balanced tone, and surprisingly sharp script.

David Harbour returns with comedic grit as Red Guardian, while Wyatt Russell continues to flesh out his complex take on John Walker. Julia Louis-Dreyfus nearly steals the show, leaning into her Veep-era comedic timing in a way that adds depth and delicious cynicism to her character. The villain (spoiler-free here) also takes a unique turn that pays off in a big way.

Director, Jake Schreier, brings a grounded, character-driven approach to a story filled with action and Marvel mythology, while still giving fans some memorable laugh-out-loud moments—particularly a scene with a Star Wars reference that’s sure to become a meme-worthy favorite.

In short, Thunderbolts* doesn’t just exceed expectations—it reinvigorates the MCU’s Phase 5 with a darker, more complex team dynamic while still delivering Marvel’s trademark entertainment value.

Score: 8/10

Until Dawn, the big-screen adaptation of the 2015 interactive horror video game, is a solid entry in the video game-to-movie pipeline—but doesn’t quite reach the emotional or narrative heights it could have. Visually, it delivers what many horror fans want: intensity, gore, and relentless tension. It never really lets you get comfortable, keeping you on edge in a way that honors the spirit of its source material.

The first half of the film mostly adheres to the original game’s structure and tropes, while the second half veers into more imaginative territory. That creative divergence is welcome—it keeps the film from feeling like a paint-by-numbers adaptation and adds some unexpected twists to an already creepy setting.

However, like many video game movies (and some horror films in general), Until Dawn struggles with characterization. We never quite get to know the characters well enough to care deeply about their fates. Their relationships, motivations, and emotional arcs feel under-cooked, which makes it harder for the film to land any gut-punch moments beyond the visual horror.

All in all, Until Dawn is a fun, bloody, atmospheric watch, especially for fans of the genre or the game. But stronger character work could’ve made it a more memorable experience. Solid thrills and stylish execution, but light on character depth.

Score: 5.5/10

The Legend of Ochi, the latest family-friendly adventure from A24, takes a curious detour from the studio’s usual slate of emotionally intense or genre-pushing fare. Aimed at older kids and younger teens, the film has a whimsical tone that evokes comparisons to Moonrise Kingdom and Where the Wild Things Are—peculiar, atmospheric, and offbeat.

Visually and tonally, Ochi is imaginative and creative, boasting originality in its setting and characters. The performances are charming and the production design is thoughtfully quirky. However, where the film stumbles is in its storytelling. For a movie titled The Legend of Ochi, the legend itself feels underdeveloped. The film hints at a rich backstory—of a family deeply involved in hunting this mystical creature and the creature’s own mysterious origins—but never fully delivers. It leaves you wanting more context, more mythology, and more emotional depth.

The film plays almost like a prologue, or the first episode in a larger saga—one that may never come to fruition. While its inventiveness is appreciated, it ultimately feels like a teaser for a more complete story that never arrives.

In the end, a creative and visually engaging adventure with a promising premise that doesn’t quite live up to its title.

Score: 6.5/10

Warfare, directed by Alex Garland and released by A24, is a raw, gripping, and intense portrayal of the brutal realities of modern combat. Though the film runs short in terms of runtime, it packs a visceral punch and leaves a lasting emotional impact.

Garland doesn’t hold back in portraying the hellish nature of war. It’s gruesome, it’s difficult to watch at times, but it never feels exploitative. The narrative is tightly focused on a specific mission—centered on a Navy SEAL unit providing support for a Marine sniper operation—and this laser focus allows for both psychological depth and realistic tension. The result is a claustrophobic and immersive war film that captures both the chaos of battle and the powerful camaraderie forged between soldiers.

The performances across the board are excellent, grounding the film in emotional authenticity. And as always, A24 delivers a film that is not only intense but distinct in its storytelling approach—never formulaic, always bold.

Overall, Warfare is a powerful film that lingers long after the credits roll. One of the most intense and well-crafted war films in recent memory.

Score: 8.5/10

A remake of the 1993 Ang Lee film, The Wedding Banquet (2025) turned out to be a pleasant surprise. Walking in with low expectations actually worked in this film’s favor—it ended up being a solid, emotionally resonant watch with strong performances that elevated the story.

What really worked was the cast. Every actor brought sincerity and grounded energy to their roles, which helped sell the premise and added authenticity to the drama and the humor. Even without having seen the original, this version held up well on its own. For those familiar with the earlier film, this remake might offer a different lens—one I look forward to exploring myself with a future rewatch of the original.

While there were a few minor plot holes—especially around certain characters like the grandfather—the overall story never lost momentum. The runtime is tight, which helped keep the pacing brisk without overstaying its welcome.

The film is not a standout classic, but definitely worth checking out, especially if you're curious to see how it compares to its source material.

Score: 6/10

The Amateur, starring Rami Malek and Laurence Fishburne, is a solid, low-key espionage thriller that hits enough right notes to keep you engaged. It doesn’t reinvent the genre, but it doesn’t really need to either—it knows exactly what lane it’s in and cruises comfortably there.

Rami Malek takes the lead in a role that feels more cerebral than physical. I’m still not totally sold on him as an action star—he’s not exactly a brawler here—but he pulls off the cunning, calculated intelligence of his character well. Laurence Fishburne brings his usual gravitas and presence, elevating every scene he's in.

This movie has “future cable classic” written all over it. It’s easy to imagine it playing in endless syndication on FX, TNT, or TBS in a few years, which honestly isn't a bad thing. It’s got that accessible, watchable thriller vibe you can drop in on any time.

Not groundbreaking, but definitely worth a watch.

Score: 7/10

Ryan Coogler’s latest film Sinners, starring Michael B. Jordan and Hailee Steinfeld, is a solid effort, but it’s unfortunately marred by a major issue that’s been plaguing modern cinema: trailers that give away too much. The trailer for this film essentially reveals all the key plot points, including the most climactic moments, which severely impacted my viewing experience. I’ve ranted about this problem before, and this film exemplifies why I avoid trailers altogether—especially when they spoil everything.

Despite that, Sinners is a well-crafted film. The choreography is fantastic, the music complements the action and emotion, and the performances are strong, with both Jordan and Steinfeld delivering solid work. Ryan Coogler has a knack for storytelling, and it shows in this film.

The problem is, if you’ve seen the trailer, you’ve basically seen the film. The editing of these trailers needs a serious overhaul to avoid giving too much away. In terms of the film itself, it’s well done, but the spoiled experience keeps it from being truly great.

Score: 7.5/10

Angel Studios makes a strong debut with its first animated feature, The King of Kings, a film that’s both heartfelt and moving, especially after Easter. This retelling of the life of Jesus Christ is clearly aimed at younger audiences but offers a message that resonates with viewers of all ages.

The animation may not be the most polished, but it does its job, supporting the story rather than distracting from it. The film offers a comprehensive, holistic view of Jesus’ life, taking us from the beginning to the end, with moments that will deeply move you. The score is a standout, complementing the emotional tone beautifully.

While the animation might not be the best, the film’s ability to convey the spiritual and historical significance of the story shines through. It’s a solid effort, and I applaud Angel Studios for its heartfelt portrayal, along with its emotional impact and the messages it carries.

Score: 8/10

Nearly a decade after the original, The Accountant 2 reunites Ben Affleck and Jon Bernthal under the steady direction of Gavin O’Connor—and it does not disappoint. I loved the first film when it dropped back in 2016, and honestly, I think I liked this sequel even more.

What caught me off guard in the best way was how funny this movie was. The banter and chemistry between Affleck and Bernthal are off the charts—just fantastic. It strikes that perfect balance between action, character drama, and humor. It was also a treat to see Cynthia Addai-Robinson and J.K. Simmons reprise their roles from the first film, grounding the sequel in continuity while expanding the story in new, exciting directions.

There’s talk of a third movie already in development, and I’m all for it. The ending leaves just enough open to make that possibility feel natural and earned. If this franchise becomes a trilogy, sign me up—I’ll be first in line.

Final verdict? Absolutely worth seeing, especially if you're a fan of the original.

Score: 8.5/10

Sony Pictures Classics delivers once again with The Penguin Lessons—a touching, beautifully-told story that resonated deeply with me, both as a viewer and as an educator. Adapted from Tom Michell’s 2015 memoir, this film follows the remarkable true story of a British teacher in 1970s Argentina who rescues a penguin from an oil spill and brings it back to the boys’ boarding school where he teaches.

Steve Coogan delivers one of his finest performances to date—subtle, warm, and emotionally grounded. Paired with the ever-excellent Jonathan Pryce, the film offers moments of quiet humor, deep reflection, and ultimately, powerful catharsis. Jeff Pope’s script is wonderfully written, striking a careful balance between heartwarming and heartbreaking.

As an English teacher, I couldn’t help but feel a strong kinship with Coogan’s character. The way he forms a bond with both the penguin and his students is incredibly moving. The film doesn’t overplay its hand; it trusts the audience to find meaning in small, sincere moments. And by the end, I was emotionally gutted—in the best way.

The Penguin Lessons is a film about compassion, connection, and the unexpected ways we find purpose. A quiet triumph.

Score: 9/10

Leave it to A24 to take a bonkers concept like a slasher-dark comedy with a literal unicorn and turn it into something this wild and weirdly effective. Death of a Unicorn isn’t a perfect film—far from it—but man, is it a fun ride.

The CGI is hit or miss (mostly miss, especially with the unicorn itself), and I went in with maybe too-high expectations. Still, the film delivers big on what matters: it’s hilarious, dark, gory, and genuinely original. Some of the kills are brutal, and the tension is legit at times—but the comedy hits hard.

The cast absolutely brings it: Jenna Ortega, Paul Rudd, Téa Leoni, Richard E. Grant, and especially Will Poulter, who steals the show with his deadpan delivery and perfectly-timed absurdity. This movie embraces its weirdness in the best way possible.

Not quite an 8, but a strong and memorable experience. A wickedly fun dark comedy I won’t forget anytime soon.

Score: 7.5/10

Steven Soderbergh does it again with Black Bag—a sleek, smart, and tightly executed thriller that blends his signature style with a top-tier cast. Featuring Cate Blanchett, Michael Fassbender, and Pierce Brosnan, the performances are sharp across the board, elevating what could’ve been a straightforward story into something far more engaging.

What I love about Soderbergh’s work is how deceptively simple the stories seem on the surface, but they move fast, stay clever, and pack in more substance than you initially expect. Black Bag is no exception. It’s quick-witted, well-paced, and stylish, with flashes of humor and high-IQ dialogue woven throughout.

It’s definitely a film I plan to revisit—partly because of how fast it moves, and partly because it’s just that good. A thoroughly enjoyable watch that rewards your full attention.

Score: 8.5/10

The Alto Knights had all the ingredients to be something special—Robert De Niro pulling double duty, a mob story based on real-life events, and that classic gangster film appeal. But sadly, it just didn’t land for me. Despite De Niro’s effort, the film felt flat, forgettable, and, honestly, a bit phoned-in.

I usually enjoy a good crime saga, but this one lacked the spark or tension to keep me invested. There was potential, sure—but by the time the credits rolled, I found myself forgetting most of what I’d just watched. For fans of the genre, it might scratch a small itch, but don’t expect it to leave much of an impression.

Score: 5.5/10

As a lifelong wrestling fan, Queen of the Ring was a must-see for me—and I’m glad I checked it out. Centered on the life of legendary female wrestler Mildred Burke, this biopic shines a light on an often-overlooked figure in wrestling history. I’m always drawn to true stories and biopics, and while music biopics are usually my favorite, this sports-centered one still hit home.

Walton Goggins, as always, delivers a standout performance, and the supporting cast holds their own. While the film clearly leans more indie—both in production quality and scale—it doesn’t take away from the strength of the story or its heart. It’s a bit on the longer side, and some moments felt stretched, but the film’s commitment to honoring Burke’s legacy earns it a lot of respect in my book.

A solid, informative watch—especially for wrestling fans or anyone into underdog stories from history.

Score: 6.5/10

I went into Opus knowing almost nothing—no full trailer, no spoilers—and I’m so glad I did. Like many A24 films, this one thrives on mood, mystery, and an original voice. From the very beginning, it gives off unmistakable cult vibes, and ironically, it feels destined to become a cult classic in its own right.

Led by a magnetic performance from Ayo Edebiri and an unforgettable supporting turn by John Malkovich, Opus dives deep into themes of fixation, fame, and collective obsession. The original music—crafted by Nile Rodgers and Sheik—elevates the film to another level. I was so taken with it, I even picked up the Moretti vinyl afterward.

Sure, there are a few plot holes and unanswered questions, but Opus left a lasting impression. It’s one of those films that lingers in your mind for days, which is more than I can say for most releases. It’s strange, bold, a bit messy—and I absolutely loved it. It might not be for everyone, but for me, it hit all the right notes.

Score: 8.5/10

Novocaine is an intense, wildly original ride anchored by a strong performance from Jack Quaid as a man who physically can’t feel pain. The premise alone is unique, but the film runs with it in a bold, full-throttle way that keeps the energy up and the tension high. There are some seriously graphic and gruesome moments, but they serve the tone rather than overwhelm it.

What really makes Novocaine work is its commitment to doing something different. The action is gripping, the concept is fresh, and Quaid continues to prove he’s a versatile lead. Genuinely entertaining and a standout for those craving something outside the typical action formula.

Score: 7.5/10

Riff Raff brings together a sharp cast—including Ed Helms, Jennifer Coolidge, Bill Murray, and Pete Davidson—for a dark comedy that’s equal parts intense and awkwardly hilarious. The film blends action, thrills, and offbeat humor in a way that keeps things unpredictable and engaging throughout.

I’ve always appreciated when dark comedy gets its due on the big screen, and Riff Raff delivers that weird, uncomfortable energy in the best way. The performances are strong, the script is solid, and those awkward, tension-filled moments really hit. Definitely worth a watch if you're into comedy with an edge.

Score: 7.5/10

One of Them Days is a genuinely funny, refreshingly original comedy that had me laughing from start to finish. Keke Palmer leads a strong cast in a film that’s sharp, fast-paced, and unafraid to go bold with its humor. It’s always a win when an R-rated comedy fully commits and actually delivers on the laughs—and this one absolutely does.

It’s rare these days to see a comedy that feels this fresh while still packing a punch with its jokes. Kudos to everyone involved for making something that doesn’t just coast on style or premise—it actually lands the humor all the way through. Easily one of the best comedy starts to the year.

Score: 8/10

Looking ahead to the upcoming film season, here is my list for top 10 most anticipated films of 2025:

1. The Phoenician Scheme

2. Mission: Impossible - The Final Reckoning

3. Superman

4. Avatar: Fire and Ash

5. F1

6. Jurassic World: Rebirth

7. Tron: Ares

8. Michael

9. The Ritual

10. The Accountant 2

Again, here’s to the upcoming 2025 film season!

Happy New Year, everyone! 2024 was a tremendous year for film. 

1. Ghostlight

2. Dune: Part Two

3. A Real Pain

4. Thelma

5. Late Night with the Devil

6. Blink Twice

7. We Live in Time

8. Longlegs

9. Saturday Night

10. Didi

With honorable mentions for: 

• Treasure

• Beverly Hills Cop: Axel F

• A Complete Unknown

Here’s to the upcoming 2025 film season!

Robert Eggers delivers another visually arresting film with Nosferatu, bringing his signature atmospheric style and attention to detail to the classic tale. The gothic cinematography is absolutely stunning, and the score heightens the eerie, dreamlike quality of the film. Performances across the board are strong, with compelling characters and a script that feels true to Eggers’ dark, mythic vision.

That said, the film leans heavily into strange, overt sexuality that felt unnecessarily pushed and, at times, more disturbing than impactful. While I admired the craft, the tone left me unsettled—not in the haunting horror sense, but in a way that makes it hard to imagine revisiting. A well-executed vision, but not one I’m eager to return to.

Score: 6.5/10

In 1961, unknown 19-year-old Bob Dylan arrives in New York City with his guitar. He forges relationships with music icons of Greenwich Village on his meteoric rise, culminating in a groundbreaking performance that reverberates worldwide.

A Complete Unknown is a thought-provoking and compelling film that captivates with its rich character study and layered storytelling. The lead performance is exceptional, bringing depth and complexity to a role that constantly challenges the audience’s perceptions. The film’s exploration of identity, self-discovery, and the intricacies of human relationships is both nuanced and emotional.

The direction from James Mangold is sharp, with a pace that allows the story to unfold naturally while maintaining a strong emotional core. While some moments feel deliberately ambiguous, they contribute to the film’s overall sense of mystery.

The film is one deeply engaging and emotionally resonant experience that leaves a lasting impression, with standout performances and a rich narrative.

Score: 8.5/10

Sonic, Knuckles, and Tails reunite against a powerful new adversary, Shadow, a mysterious villain with powers unlike anything they have faced before. With their abilities outmatched, Team Sonic must seek out an unlikely alliance.

Sonic the Hedgehog 3 delivers another fast-paced and entertaining adventure that fans of the franchise will enjoy. The film excels in its humor, action sequences, and vibrant visuals, capturing the energy and spirit of the beloved video game series. Sonic’s charismatic personality and the strong dynamic with his allies bring a lot of heart to the film.

While the story is engaging, it occasionally feels formulaic, and some character arcs could be explored more deeply. The new additions to the cast are fun, but they don’t quite reach the same level of impact as the core characters.

A fun and enjoyable continuation of the Sonic saga, offering plenty of thrills but lacking the deeper narrative punch to make it truly stand out.

Score: 7.5/10

A sudden attack by Wulf, a clever and traitorous lord of Rohan seeking vengeance for the death of his father, forces Helm Hammerhand, the King of Rohan, and his people to make a daring last stand in the ancient stronghold of the Hornburg.

The Lord of the Rings: The War of the Rohirrim offers a visually stunning and action-packed journey into the rich history of Middle-earth. The animation style is impressive, capturing the epic scale of the story and the fierce battles that define the Rohirrim. The film’s exploration of Helm Hammerhand’s legacy and the rise of the kingdom’s legendary warriors adds a new layer to the lore of The Lord of the Rings universe.

However, while the world-building and action are top-notch, the character development feels a bit lacking, and the pacing can sometimes drag in the quieter moments. The film doesn’t quite reach the emotional depth of the live-action trilogy, but it still provides a worthy addition for fans of Middle-earth.

A solid, visually captivating entry in the Lord of the Rings saga, though it doesn’t quite match the heights of its predecessors.

Score: 7/10

Kraven's (played by Aaron Taylor-Johnson) complex relationship with his ruthless father, Nikolai Kravinoff (played by Russell Crowe), starts him down a path of vengeance with brutal consequences, motivating him to become not only the greatest hunter in the world, but also one of its most feared.

Kraven: The Hunter offers a mixed bag of action and character development, with a standout performance from its lead actor. The film attempts to dive into the backstory of the iconic villain, but the script struggles to find a strong narrative direction, often leaning too heavily on cliché tropes.

The action sequences are enjoyable but lack the intensity to elevate the film beyond its formulaic plot. While the film has moments of promise, it falls short in fully engaging the audience, especially for those expecting a deeper exploration of Kraven’s character.

In the end, this film is an average entry in the superhero genre, offering some entertainment but lacking the depth and impact to truly stand out.

Score: 3.5/10

After his home is conquered by the tyrannical emperors (played by Joseph Quinn and Fred Hechinger) who now lead Rome, Lucius (played by Paul Mescal) is forced to enter the Colosseum and must look to his past to find strength to return the glory of Rome to its people.

Gladiator II successfully builds on the legacy of its predecessor, delivering a thrilling mix of epic action and emotional depth. The film’s stunning visuals and battle sequences are as gripping as ever, with strong performances from the cast, particularly the lead, who brings fresh energy to the story.

While the plot doesn’t quite reach the same heights as the original, it still offers a compelling narrative, exploring themes of legacy, vengeance, and redemption. The pacing can be uneven at times, but the film’s powerful final act makes up for it.

A worthy sequel that captures the spirit of the first film while carving out its own place in the saga.

Score: 8/10

Mismatched cousins (played by Jesse Eisenberg and Kieran Culkin) reunite for a tour through Poland to honor their beloved grandmother, but their old tensions resurface against the backdrop of their family history.

A Real Pain is a deeply affecting and beautifully crafted film that explores grief, identity, and the complexities of human connection. The story is both raw and tender, carried by exceptional performances that bring an emotional authenticity to every moment. Its thoughtful narrative balances heartbreak with moments of unexpected humor, making it as poignant as it is relatable.

The cinematography and direction elevate the film, capturing intimate details and evocative visuals that enhance its emotional impact. While a few scenes feel slightly overextended, the film’s resonance and depth more than compensate.

In the end, the film offers a moving and unforgettable experience that captures the beauty and pain of being human.

Score: 9/10

Two young religious women are drawn into a game of cat-and-mouse in the house of a strange man.

Heretic is a gripping and atmospheric film that masterfully blends psychological tension with supernatural dread. The story is both unsettling and thought-provoking, exploring themes of faith, doubt, and redemption with remarkable depth. The lead performance is mesmerizing, bringing raw emotion and intensity to every scene.

The cinematography and sound design work in perfect harmony to create an immersive and haunting experience. While the pacing drags slightly in the middle, the film’s chilling climax and layered storytelling make up for it.

This is one hell of a dark and compelling journey that lingers in your mind long after the credits roll.

Score: 8.5/10

Nobody is ready for the mayhem and surprises that ensue when six of the worst youngsters disrupt the town's yearly Christmas performance.

The Best Christmas Pageant Ever is a heartwarming holiday film that delivers plenty of laughs and feel-good moments. The story’s charm lies in its quirky characters and the unexpected lessons they learn about kindness, acceptance, and the true spirit of Christmas.

While the film’s predictable plot and occasional uneven pacing hold it back from being truly great, its sincerity and humor make it a delightful watch for the whole family.

The film is a festive and lighthearted treat that’s perfect for getting into the holiday spirit.

Score: 7/10

An up-and-coming chef and a recent divorcée find their lives forever changed when a chance encounter brings them together, in a decade-spanning, deeply moving romance.

We Live in Time is a poignant and beautifully crafted exploration of love, loss, and the passage of time. The film’s emotional depth is brought to life through exceptional performances from its leads, whose chemistry carries the story with authenticity and grace. The narrative’s reflective tone and heartfelt moments resonate deeply, leaving a lasting impression.

While the pacing can feel uneven at times, the stunning cinematography and evocative score more than compensate, creating an immersive and moving experience.

The film is a tender and bittersweet journey that lingers in your heart long after the credits roll.

Score: 8/10

About to embark on a world tour, global pop sensation Skye Riley (played by Naomi Scott) begins experiencing increasingly terrifying and inexplicable events. Overwhelmed by the escalating horrors and the pressures of fame, Skye is forced to face her past.

Smile 2 delivers some effective scares and a chilling atmosphere, continuing the eerie premise of its predecessor. The film’s unsettling imagery and tense moments keep the audience on edge, and its exploration of psychological trauma adds depth to the horror.

However, the story struggles to feel fresh, relying heavily on familiar tropes and predictable twists. While the performances are solid, the character development feels under-cooked, leaving less emotional impact than the original.

All in all, a decent follow-up with moments of fright, but it doesn’t quite live up to the haunting originality of the first film.

Score: 6.5/10

Andy Goodrich's (played by Michael Keaton) life is upended when his wife enters a rehab program, leaving him on his own with their young kids. Goodrich leans on Grace (played by Mila Kunis), his daughter from his first marriage, as he ultimately evolves into the father she never had.

Goodrich is a heartfelt and quietly powerful film that excels in its exploration of family, resilience, and redemption. Anchored by a deeply moving performance from its lead, the story strikes a delicate balance between emotional weight and uplifting moments. The character development feels authentic, drawing viewers into the protagonist’s journey with empathy and care.

While the film’s narrative occasionally leans into familiar tropes, its sincerity and well-crafted dialogue make it stand out. The understated direction and evocative score further enhance the emotional impact, leaving a lasting impression.

This is a touching and poignant film that resonates with genuine warmth and humanity.

Score: 8/10

The story of how a young Donald Trump started his real-estate business in 1970s and '80s New York with the helping hand of infamous lawyer Roy M. Cohn.

The Apprentice is a thoughtful and compelling drama that delves into themes of ambition, mentorship, and moral compromise. The film’s nuanced storytelling and strong performances, particularly from its leads, create a captivating dynamic that keeps the audience invested. Its portrayal of the apprentice-mentor relationship feels authentic, with moments of tension and growth that resonate emotionally.

However, the pacing can be uneven, with certain plot points feeling underexplored. While it doesn’t reinvent the genre, The Apprentice delivers a solid narrative with enough intrigue and heart to leave a lasting impression.

In the end, the film is well-crafted, engaging, and worth your time, even if it falls short of greatness.

Score: 7.5/10

At 11:30pm on October 11th, 1975, a ferocious troupe of young comedians and writers changed television forever. Find out what happened behind the scenes in the 90 minutes leading up to the first broadcast of Saturday Night Live (1975).

The film is a vibrant and heartfelt celebration of dreams, ambition, and the power of community. Director, Jason Reitman, beautifully blends humor and drama, capturing the highs and lows of chasing success in an unpredictable world. Its standout performances, particularly from the charismatic lead, infuse the story with depth and authenticity.

The direction and cinematography create an immersive atmosphere, while the soundtrack perfectly complements the film’s energy and emotional beats. Though the pacing falters slightly in the second act, the compelling characters and resonant themes keep the story engaging throughout.

A dynamic and memorable experience that balances entertainment with genuine emotional impact.

Score: 8.5/10

After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice (played by Michael Keaton), Lydia's (played by Winona Ryder) life is turned upside down when her teenage daughter, Astrid (played by Jenna Ortega), accidentally opens the portal to the Afterlife.

This film is a lively, quirky sequel that captures much of the chaotic charm of its predecessor. Director, Tim Burton, revels in his eccentric world-building, delivering a fresh batch of macabre humor, imaginative visuals, and memorable characters. Keaton’s return as the titular ghost is a standout, with his unhinged energy driving the film's most entertaining moments.

However, the story occasionally feels scattered, with some subplots overshadowing the main narrative. While it doesn't fully recapture the magic of the original, it still offers plenty of laughs and nostalgia for fans of the first film.

In the end, the film serves as a spirited follow-up that's worth a watch, even if it doesn't quite match the original’s ghoulish brilliance.

Score: 7.5/10

This film is a biographical drama based on the life of Ronald Reagan (played by Dennis Quaid), from his childhood to his time in the oval office. 

Reagan offers a heartfelt but uneven exploration of one of America’s most iconic presidents. Quaid delivers a compelling performance, capturing both the charm and complexity of Reagan’s character. The film shines in its depiction of his early years and rise in Hollywood, offering intriguing insights into the man behind the legend.

However, the pacing feels rushed, particularly when tackling Reagan's presidency, leaving key events and controversies underdeveloped. The script leans heavily into sentimentality, which, while endearing at times, can feel overly idealized. Despite its flaws, Reagan succeeds as a nostalgic, if somewhat shallow, portrait of a transformative figure in American history.

The film is definitely worth watching for fans of political biopics, but it may leave history buffs craving more depth.

Score: 6.5/10

In this film, when tech billionaire, Slater King (played by Channing Tatum) meets cocktail waitress, Frida (played by Naomi Ackie), at his fundraising gala, he invites her to join him and his friends on a dream vacation on his private island. As strange things start to happen, Frida questions her reality.

This directorial debut for Zoë Kravitz, one in which she co-wrote with E.T. Feigenbaum, really surprised me. Beyond gathering an incredible ensemble cast, including Christian Slater, Simon Rex, Adria Arjona, Haley Joel Osment, Alia Shawkat, Geena Davis, and Kyle MacLachlan, Kravitz firmly executes the details regarding narrative, style, and tone.

The soundtrack, although minimal, adds a ton of atmosphere to each scene. I am a firm believer that less is more. Additionally, the sound editing in the film left me quite impressed and helped build tension which begins to grow from the very first moment.

Not to mention, the humor is provided in perfect doses. The atmosphere, cinematography, and camera work are clean, well executed and immensely creative. The film paces well, and the entire cast turns in amazing performances, specifically Tatum.

This is without a doubt one of the most surprising and entertaining films of the year, so far. Go in, refraining from spoilers! In the sad event you do happen to have it spoiled for you, remember, it's best to forget ;)

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 8/10

In this film, nothing is what it seems when a twisted one-night stand spirals into a serial killer's vicious murder spree.

Wow...simply, wow. Superb storytelling and jaw-dropping on-screen performances. Brilliant filmmaking from start to finish from writer/director, JT Mollner.

Willa Fitzgerald, who I know best from "Scream: The TV Series," and her co-star, Kyle Gallner, who I recognize from "Scream" and "Smile," both turn in unbelievable performances.

Truly, a memorable theater experience. I strongly recommend going in knowing as little as possible, making this electrifying ride that much more enjoyable!

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 9/10

This film centers around a 17-year-old girl, Gretchen (played by Hunter Schafer), who is forced to move with her family to a resort, where things are not what they seem.

Writer and Director, Tilman Singer, provides solid direction on the camerawork, atmosphere, and style, all of which benefit the characters, narrative, and setting. The film also features fantastic sound design and performances, paticularly from Schafer and her co-star, Dan Stevens (as Herr König).

Although the writing and the film's overall concept is intriguing and original, however, it unfortunately loses focus within itself, feeling way too silly, at times. Nevertheless, it's still a decent German horror flick with some great moments but I wish it did feel more coherent. While its narrative and style feels incoherent, the unique atmosphere, beautiful camera work, and bizarre stylistic choices still offer some genuine fun moments.

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 7/10

This latest installment to the iconic Alien film franchise follows a group of young space colonists, who come face to face with the most terrifying life form in the universe while scavenging the deep ends of a derelict space station.

This film is a pleasant surprise--a huge breath of fresh air after Prometheus and Alien: Covenant (although I honestly enjoyed both films)!

It becomes obvious quite early on in the film that director, Fede Alvarez, is not only a fan, but one who loves the franchise. The film makes callbacks to the original installments, while reinventing many of the aspects fans loved and even introducing new ideas! Additionally, for my fellow gamers out there, we even get some Alien: Isolation vibes!

The amount of practical effects used for the film help to create an immersive, terrifying experience, in a setting where no one can hear you scream...

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 8/10

This film takes place in 2008, during the last month of summer before high school begins, as an impressionable 13-year-old Taiwanese American boy, Chris Wang, learns what his family can't teach him: how to skate, how to flirt, and how to love your mom.

Writer and Director, Sean Wang, brilliantly captures the drama, cringe comedy of teenage life, along with the Asian American culture with tender, heart-felt performances, very fine camerawork, and unique characters to explore. The film's humor, along with its many themes on culture, friendship, and growing up is well-executed.

The film includes use and many references pertaining to 2000's internet culture and media which allow audience members, like myself, to almost live vicariously through each character.

It is no secret that this type of film can always turn into a cheesy and annoying one, but with Wang's direction and writing, it becomes a thought-provoking, yet tender, heart-felt "coming of age" story.

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 8.5/10

This film follows the moments when a woman's first love suddenly reenters her life, as her relationship with a charming, but abusive neurosurgeon is upended. She realizes she must learn to rely on her own strength to make an impossible choice for her future.

In terms of positives, I believe when this film presents itself as a romantic drama, it works quite well. On screen, the filmmakers and cast successfully capture aspects of an immensely difficult subject very well; namely, gaslighting. As an audience member, it is hard not to be at least somewhat emotionally affected while watching. This film succeeds in this regard.

As for the negatives, the film continuously shifts between Hallmark Channel rom-com and serious drama. Moreover, way too much time is spent way on the romance, particularly throughout the first half of the film. Frustratingly, audiences receive very little information about Lily's (played by Blake Lively) relationship with her Mom and Dad, and too much about a guy she had a crush on at the age of 18.

The whole "love triangle" storyline fell flat for me, as it genuinely felt as if the "other guy," Atlas (played by Brandon Sklenar), only existed within Lily's attention. Anytime the plot needs him or she thinks about the "love triangle," he's miraculously there. At any other point in the film, you would not know he exists.

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 5/10

The film, "Trap," comes from the one and only, M. Night Shyamalan. In his latest film, we follow a father (played by Josh Hartnett) and his teen daughter (played by Riley Donoghue), who attend a pop concert for Lady Raven (played by Saleka Shyamalan), only to realize they have entered the center of a dark and sinister event.

I went into this film wanting to like it, and I ended up loving it! M. Night Shyamalan is the master of building tension and suspense, and boy, does this film deliver. Additionally, Hartnett turns in a transformative, lights-out performance in the lead role.

Hearing Shyamalan talk about his experience writing this film, laughing and having a great time in the process, completely makes sense to me post-screening, as the film has countless tricks up its sleeve. 

The pacing is also near flawless--an hour and 45 minutes flies by in a blink. Not to mention, the tension and suspense keep you guessing and on the edge of your seat the entire way through.

Although not confirmed, I am 100 percent convinced this film (and its characters--most notably Hartnett's) takes place within the same cinematic universe as Shyamalan's "Unbreakable," "Split," and "Glass." Even if this is not the case, as a fellow film fanatic, it is always nice to dream! 

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 7.5/10

From the incredible mind of author and illustrator, Crockett Johnson, along with Director, Carlos Saldanha, comes "Harold and the Purple Crayon," starring Zachary Levi and Zooey Deschanel.

Inside of his book, the adventurous Harold (played by Levi) can make anything come to life by drawing it. After growing up, he draws himself off the pages and into the real world.

First, Levi and the natural curiosity he always brings to the big screen makes him a near perfect casting choice. Co-stars, Lil Rey Howery (Moose) and Tanya Reynolds (Porcupine), add to the light-hearted fun and humor. Not to mention, Alfred Molina as "Narrator" was a joyous surprise.

The film is complete with fun-filled chaos and other comedic mishaps along Harold and the gang's journey to locate the Narrator. For a film that I went to see with zero expectations (mainly due to the lack of marketing and promotion), I was pleasantly surprise. In fact, there were many moments in the film which made me laugh out loud (there is A TON of adult humor--also was not expected).

Last, but most certainly not least, Jemaine Clement, as Library Gary (A.K.A. G'garavar). I am truly delighted anytime Clement is on screen, and he most certainly did not disappoint. When comedy is needed the most, look no further than Clement, he's your guy. Hilarious, as always!

Of course, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 7/10

Directed and co-written by Baltasar Kormákur, along with Olaf Olafsson, this film centers around a romantic and thrilling story which spans several decades and continents. "Touch" follows one man's emotional journey to find his first love who disappeared 50 years ago, before his time runs out.

The performances from the entire cast, young and old, were strong and deeply sincere. Over the course of two hours, the film flows very well. The film also travels back into the past, only to spring back to the present day, following our main character, Kristófer. 

The film provides audiences with a solid conclusion, leaving you with a few questions which still linger. Fortunately, none of these questions are tied to any main plot-point. Simply, a wholesome journey, and exploring the notion of "what could have been?," specifically during the age of the COVID-19 pandemic.

I must also praise the film's minimal, yet terrifically beautiful score. Additionally, being a foreign (Icelandic) film, I always appreciate the love, care, and attention shown to other countries, especially their respective language and culture.

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 8/10

28 years after the original film, "Twister," first released in 1996, film fanatics around the world finally received the next installment.

In this film, we follow a retired tornado-chaser and meteorologist, Kate (played by Daisy Edgar-Jones), who is persuaded to return to Oklahoma to work with a new team and new technologies. Upon her return, Kate discovers new-age technology and new-age, weather-chasing outlaws, led by Tyler (played by Glen Powell).

As with Powell's 2022 summer blockbuster, "Top Gun:  Maverick," I am happy to report that "Twisters" takes the best elements of original movie and expands on each of them. 

The on-screen chemistry between the main cast is near flawless, including Edgar-Jones, Powell, along with Anthony Ramos as "Javi" and Brandon Perea as "Boone." Of course, I must give a shoutout to my tornado-chasing, tea-drinking Brit, Harry Haden-Paton as "Ben." 

Furthermore, the film's special effects are well done and the writing is sure to satisfy all audiences, including weather-fanatics (like my younger brother, Ryan). 

Additionally, I appreciate that this film serves its purpose as a summer blockbuster, requiring a diet of sweets, carbonated drinks, and a mountain of popcorn. The main story and objective are clear from the beginning, and the film does not take its foot off the gas until the credits roll. I also found the cinematography, beautiful, especially with Oklahoma receiving representation in a major blockbuster film. 

With that said, the film is not perfect, containing (at times) a predictable story, and some scenes which require you to suspend any and all disbelief. Despite those minor aspects, this film is solid summer blockbuster and a great time at the theater. If you see any rogue clouds out there, just remember, if you feel it...CHASE IT!

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 7.5/10

The long-awaited team-up has finally arrived. Deadpool. Wolverine. Wade. Logan. Ryan Reynolds. Hugh Jackman. Chimichangas. Whiskey, straight out of the bottle.

In what is likely (but never say never) the final 'Deadpool' film, we follow Wolverine (played by Jackman), as he is recovering from his injuries. He suddenly crosses paths with the loud-$%U#, no good, sometimes kind, %&$*%*(%&$, non-toilet lid lifter, $*#(%, loudmouth, Deadpool (played by Reynolds).

The film is an absolute trip! The first half of the film moved rather slow for me, but overall, I really enjoyed the story, the writing and witty dialogue, as well as the fantastic cameos. Some jokes land, and others fall flat. But hey, that's comedy!

The film is far from perfect, but I am almost certain that it's one both casual and hardcore fans will enjoy. I applaud Director, Shawn Levy, in his attempt to walk the tightrope between being accessible to casual audiences while also satisfying die-hard fans of the Marvel characters.

With that said, the film does face the unique challenge of navigating the layered and complex (spider) web of continuity that exists within the Marvel Cinematic Universe (MCU). However, despite all of the potential baggage of the MCU, I am happy to report that "Deadpool & Wolverine" works well as a standalone film.

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 8/10

Written and directed by Osgood Perkins, comes "Longlegs," starring Maika Monroe and Nicolas Cage. The film follows the pursuit of a serial killer, Longlegs (played by Cage), as an FBI agent, Lee Harker (played by Monroe), uncovers a series of occult-related clues which she must solve in order to end his terrifying killing spree.

This film is a masterful cinematic achievement, beautifully intertwining thrills and suspense with very dark horror. Rather than focusing on jump scares or serving as yet another "slasher," this film serves as a bone-chilling journey into the human psyche, exploring some of its darkest corners. 

Monroe's performance is accompanied by an intriguing intensity, as she delves further into an unsolved case of enigmatic letters and killings. Additionally, Cage delivers a haunting performance, brilliantly embodying the role with an on-screen performance that is terrifying, mesmerizing, and all the way through, a pure spectacle. I stand by my word that I will not be shocked if he earns himself yet another Academy Award nomination (or win).

You can cut the tension in this film with a butter knife. Tension which is fantastically crafted through Perkins' detail-oriented direction, along with vivid cinematography from Andrés Arochi. The script is a bare-bones puzzle--one where each piece is purposely uncovered, leading to an inevitable, yet shocking, conclusion.

In the end, this is not just a film, it is an original experience. Perkins presents a rare piece of cinema magic--one which dares to explore the darkness within. All of that, accompanied by outstanding performances from Monroe, Cage, and the entire secondary cast, the film has a remarkable ability to leave a lasting impression on its audience.

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 9/10

The latest film from Angel Studios, comes "Sound of Hope: The Story of Possum Trot," starring Nika King, Demetrius Grosse, and Elizabeth Mitchell. The film depicts the true story of Donna (played by King) and Reverend WC Martin (played by Grosse) and their church in East Texas, in which 22 families adopted 77 children from the local foster system, igniting a movement for vulnerable children everywhere.

The film is a whirlwind of emotions, inspiring those who choose to make a difference, especially for the well-being of children around the world.

I always appreciate a true story, and I am glad this film did not pull any punches. There are some disturbing dialogue and a few gut-wrenching scenes which depict the horrors many children face in the foster care system.

The film handles all trauma-related situations delicately, yet still addressing the issues, up front. Although this film is PG-13, I would strongly advise individuals to not bring their kids.

Prior to the film beginning, there was a short animated feature, previewing Angel Studio's first animated feature film. A family-musical, "David," set to release in November 2025. That is a film which certainly promises to entertain and educate both parents and children. I look forward to it!

As always, if you saw or decide to check this film out in theaters, let me know your thoughts!

Score: 8/10

Serving as the conclusion to a trilogy of A24's hit horror films, "X" and "Pearl," now comes, "MaXXXine," starring Mia Goth, and written and directed by Ti West.

This film is set in 1980s Hollywood, as adult film star and aspiring actress, Maxine Minx (played by Goth), finally gets her big break. But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.

Yet again, Goth delivers a star performance as "Maxine," as she did in the other previous two films. And personally, I love the 80s and appreciate the vibe and style West creates in this film. From the music, to the wardrobes, to the scenery, the filmmakers did an wonderful job. 

I definitely needed a tad more horror, as the film feels more like a crime-thriller rather than horror. The secondary cast, including Elizabeth Debicki, Giancarlo Esposito, and Kevin Bacon, all turn in solid performances. You could see each actor having a great time on screen, which I always love to see, myself. I also enjoyed seeing Halsey and Lily Collins appear, although each woman deserved more screen time. 

Also, this film does my least favorite thing that a horror film can do, one of my biggest pet peeves. Some of the kills occur off-screen, leaving you to guess what happened to characters the film spend the entire duration trying to get you to care for. 

Now that's off my chest, do not let that deter you from seeing this film. "MaXXXine" provides a solid final entry in the "X" trilogy.

Score: 6.5/10

From the mind of Director, Richard Linklater, comes "Hit Man," starring Glen Powell and Adria Arjona. The film follows a professor (played by Powell) moonlighting as a hit man of sorts for his city police department, which descends into chaos when he finds himself attracted to a woman who enlists his services.

First, Powell is incredible in this film, seamlessly transforming across a diverse range of characters. Additionally, I found the overall premise of the story as very entertaining and engaging, accompanied by a solid secondary cast.

Arjona was also great, although I believe her character could have better developed, as there were no flashes of actual romantic connection beyond sexual intensity and discussions of murder.

Also, I did find the ending of the film as a tad unnecessary. I can only assume the filmmakers were going for additional laughs, but it came off as a little too campy for me.

With that said, the film is a enjoyable and entertaining--one of Netflix's better films, as of late.

As always, if you saw or decide to check this film out, write to me and let me know your thoughts!

Score: 7.5/10

Eddie Murphy is back, as the one and only, Detective Axel Foley! I absolutely love the "Beverly Hills Cop" franchise and could not wait to check this film out, especially on the big screen!

This time, Axel Foley returns to Beverly Hills after his daughter's life is threatened, and works with old pals John Taggart (played by John Ashton) and Billy Rosewood (played by Judge Reinhold) to uncover a conspiracy.

I received an invite to attend an advanced press screening for the film, and it blew me away. I went into the theater with little to no expectation, other than simply being excited to see Eddie Murphy return to the big screen, with a comedy, and one that provides a long-awaited sequel.

After a widely considered 'miss' with the third installment, "Beverly Hills Cop III," this film, "Beverly Hills Cop: Axel F" is a true return to form. The writing is fantastic throughout, the comedy is hard hitting, and the score is phenomenal, as always, perfectly blending 80's synth with the retro wave music of today. Not to mention, the camerawork is excellent, providing some really interesting shots for viewing audience.

In addition to Murphy and fan favorites, Reinhold and Ashton, newcomers to the franchise include, Joseph Gordon-Levitt, Taylour Paige, Paul Reiser, and Kevin Bacon.

Of course, the cameos are stellar. Each one tops the next, adding to the great fun this film provides, especially for fans of the iconic franchise. I could not have been more pleased!

As always, if you saw or decide to check this film out, please write to me and let me know your thoughts!

Score: 8.5/10

This film tells three succinct stories--all of which feature the same cast with completely unrelated narratives. The first story is about a man who seeks to break free from his predetermined path. The second story centers around a cop who questions his wife's demeanor after her return from a supposed drowning. The third story is about a woman searching for an extraordinary individual prophesied to become a renowned spiritual guide.

The ensemble cast includes Willem Dafoe, Emma Stone, Hong Chau, Margaret Qualley, Mamoudou Athie, along with Jesse Plemons, whose performance in the film I believe will earn him a much-deserved Academy Award nomination.

I ended up reflecting on the film the entire day after my screening, thinking more about the connections within the film's bonkers reality.

The comedy is well-written and extremely well-executed, as are the elements of drama. The lack of purpose, motivation, and information provided throughout the film, and its three mini narratives, make this one equally entertaining as it is frustrating.

As always, if you already saw or decide to check this film out in theaters, write in and let me know your thoughts!

Score: 7/10

This film follows a woman, Sam (played by Lupita Nyong'o), who finds herself trapped in New York City during the early stages of an invasion by alien creatures with ultra-sensitive hearing.

Entering into "A Quiet Place: Day One," you may likely assume that it the film would revolve around the history of how the original conflict begins and how it relate to the present day. Instead of really exploring the chaos and apocalyptical doom teased in the two previous films, this one serves as an unnecessary spin-off of the first film.

This may be nit-picking, but knowing what John Krasinski developed within this universe, especially the lore around 'Day One,' they certainly could have turned up the dial regarding horror, violence, and overall intensity, shooting for an R-rating. Obviously, by doing this, you lose a chunk of the theater-going audience unable to attend without parent/adult supervision, and that is why most studios do not take such risks. Understandably so.

Nyong'o shares the stage with co-star, Joseph Quinn, who also turns in a solid performance. It was great to see Djimon Hounsou reprise his role from "A Quiet Place Part II," I just wish he was given more to do in this film.

Overall, this film provides a decent sci-fi, horror story with thrills throughout, but sadly, it fails to present anything groundbreaking.

As always, if you already saw or decide to check this film out in theaters, write in and let me know your thoughts!

Score: 6.5/10

Written and directed by Jeff Nichols, and based on the novel, "The Bikeriders" by author/photographer, Danny Lyon, this film chronicles his observations, and conversations, and experiences with various members of a Midwestern motorcycle club between 1965 and 1973.

While this film is inspired by Lyon's book, it specifically follows headstrong Kathy (played by Jodie Comer), who is drawn to Benny (played by Austin Butler), a member of Midwestern motorcycle club the Vandals. The same club being documented by Lyon. As the club transforms into a dangerous underworld of violence, Benny must choose between Kathy and his loyalty to the club.

All around, this is a solid film. However, I do take slight issue with the film's script and editing/direction. As a film which aims to provide a thorough character study of the motorcycle club, it felt rather thin, especially by the end. If this film is following the events of real-life, then it should be sequenced as such. Instead, the film's story is "inspired" by real-life events, leaving room for improv and additional detail that is not given.

With that said, the ensemble cast, including Mike Faist, Boyd Holbrook, Michael Shannon, Damon Herriman, and Norman Reedus all deliver solid performances, particularly Tom Hardy as "Johnny," reminding us all of the true powerhouse talent he is.

As always, if you already saw or decide to check this film out in theaters, write in and let me know your thoughts!

Score: 7/10

This film follows a construction worker, Dan (played by Keith Kupferer), who unexpectedly joins a local theater's production of Romeo and Juliet, as the drama onstage starts to mirror his own life.

The film brilliantly navigates heavy subject matter and touches you on so many levels, taking you on an emotional roller coaster.

Kelly O'Sullivan's pens the script, and co-directs with Alex Thompson. Together, the pair highlights each actor's ability to bring life to the on-screen story.

As a result, the film beautifully blends comedy, drama and outright tragedy, seamlessly, creating an unique cinematic experience for audiences. No matter what you experience in life, this one definitely hits home. 

I cannot recommend this film enough--simply tremendous!

As always, if you already saw or decide to check this film out in theaters, write in and let me know your thoughts!

Score: 10/10

Meet, Thelma. Thelma, without Louise.

This film follows Thelma Post (played by June Squibb), who is a 93-year-old. She gets duped by a phone scammer pretending to be her grandson, then sets out on a treacherous quest across the city to reclaim what was taken from her.

I LOVED this film. This is the type of 90-minute action-comedy that thrived in the 90's. It is super-funny, super-entertaining, but also has a ton of heart and a very emotional exploration of the side characters, including the condition of elderly people. For all of this film's comedy, it is also quite tender.

The writer and director, Josh Margolin, was inspired by his grandma, and you certainly feel this love and tenderness throughout the film. 

The action dimension is realistic, yet incredibly creative and funny, many times playing off of references from Tom Cruise's "Mission: Impossible" franchise. 

Not to mention, there is fantastic acting, along with an ensemble cast, including Parker Posey, Richard Roundtree, Clark Gregg, and Malcolm McDowell. The grandson (played by Fred Hechinger) and Squibb as Thelma are superb together. In fact, I would not at all be surprised if Squibb gets an Academy Award nomination for her role.

DO NOT miss out on this one!

As always, if you already saw or decide to check this film out in theaters, write in and let me know your thoughts!

Score: 9.5/10

This film tells the story of Katherine Parr (played by Alicia Vikander), the sixth wife of King Henry VIII (played by Jude Law), who is named regent while the tyrant battles abroad. Then, as the king returns, increasingly ill and paranoid, Katherine finds herself fighting for her own survival.

The film is based on the historical fiction novel, "Queen's Gambit: A Novel of Katherine Parr." From beginning to end, it is beautifully shot, along with a magnificent score, and performances from the entire cast which are brilliant, especially stars, Vikander and Law.

If you are a fan of historical-focused films, like myself, even if not 100 percent accurate to real-life events, this one is worth the watch for the strong on-screen performances, alone.

As always, if you already saw or decide to check this film out in theaters, write in and let me know your thoughts!

Score: 7.5/10

This films follows American journalist, Ruth (played by Lena Dunham), who travels to Poland with her father, Edek (played by Stephen Fry), to visit his childhood places. But Edek, a Holocaust survivor, resists reliving his trauma and sabotages the trip, creating unintentionally funny situations.

I must say, it is always refreshing to see a film that is so sincere. Nothing over-stylized, simply powerful dialogue and storytelling which unfolds naturally, working on many different levels. 

As an audience member, and as someone whose family was gravely affected by the war, I found the conversations about processing generational trauma, breath-taking. The two stars, Dunham and Fry, make you empathize with their characters, as they will melt you to your core.

Not to mention, this film is also based on a true story, showing photos of the real-life individuals during the film's end credits.

As always, if you already saw or decide to check this film out in theaters, write in and let me know your thoughts!

Score: 8.5/10

The long-awaited sequel to the Pixar smash-hit film, "Inside Out" (2015), comes "Inside Out 2."

In this film, we follow main character from the previous film, Riley, who is now in her teenage years, experience new emotions.

As most of the recent animated features have often fallen short of both studio and audience expectations, this film emerges as a beacon of hope, reminding us of Pixar's ability to tell a quality story. 

Based on my viewing and assessment, this sequel not only matches the brilliance of the first film but even outshines its predecessor in many ways. Between the film's emotional depth, innovative storytelling, and a Pixar top-tier quality production, this is a must-watch.

This highly anticipated sequel is a triumph in animation, proving that Pixar still holds the crown, continuing its track record of creating compelling and memorable films for all. A cinematic experience which leaves a long-lasting impression!

As always, if you already saw or decide to check this film out in theaters, write in and let me know your thoughts!

Score: 8/10

This film follows comedian, Max (played by Bobby Cannavale), who co-parents his autistic son, Ezra (played by William Fitzgerald) with ex-wife, Jenna (played by Rose Byrne). Faced with crucial decisions about Ezra's future, Max and Ezra go on a life-changing cross-country road trip.

The film contains a solid amount of humor, but it is most certainly not a comedy. Instead, it's the incredibly touching story of how far a father's love for his child will take him, especially when it means helping that child navigate the puzzle of life. 

As an audience member, the film does a tremendous job of opening your eyes to the world of Autism, including the struggles and many difficult decisions families are faced with.

Moreover, audiences witness the importance of friendship, family, and small acts of kindness which ripple into larger waves of positive impact.

Stars, Cannavale and Fitzgerald are fantastic on screen. The rest of the ensemble cast includes the likes of Tony Goldwyn, Vera Farmiga, Rainn Wilson, and Robert De Niro, all of which turn in wonderful, genuine performances from the heart.

As always, if you already saw or decide to check this film out in theaters, write in and let me know your thoughts!

Score: 7.5/10

This film follows a young artist, Mina (played by Dakota Fanning), who gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, Daniel (played by Oliver Finnegan), Ciarra (played by Georgina Campbell), and Madeline (played by Olwen Fouéré), as they are all stalked by mysterious creatures each night.

The film provides an interesting premise, involving a twist on folk stories accompanied with a haunting location. This feature also marks M. Night's daughter, Ishana Night Shyamalan's directorial debut, and it is one to certainly be proud of!

The story is quite interesting, as it keeps you invested throughout the film's duration. For M. Night fans, his daughter, Ishana, pays brilliant homage to her father's style, particularly when it comes to moments of tension and horror. She also adds her own unique, creative spin to storytelling and world building, both of which are much appreciated.

With that said, I do believe some of the characters acted out of the depths of realism. I believe that a solid horror film requires characters to vouch for through their realism and likability. Unfortunately, this film did in fact struggle to create such characters.

I was quite skeptical and entered the screening with zero expectations, thinking that it would undoubtedly continue the trend of recent horror films. However, as the film peeled back each layer, the locations changed, keeping the story fresh, and I wanted to see and learn more. The last 10 to 15 minutes of the film definitely took a leap for me, but it was not too ridiculous to lose my already peaked interest.

In the end, this is a pretty solid debut film which highlights a fresh look at folklore and ancient tales. Frustrating characters and silliness did prevent it from being great.

As always, if you plan to see or already saw this film in theaters, write to me and let me know your thoughts!

Score: 6.5/10

This film picks a few years after the events of the third film, "Bad Boys: For Life," as the bad boys, themselves, Mike Lowrey (played by Will Smith) and Marcus Burnett (played by Martin Lawrence), return for another ride. This time, they must work together, along with the A.M.M.O. team to clear their former captain's name, after he is implicated in a deep corruption scheme.

I completely admit, I was way late to the party that is the 'Bad Boys' film franchise. However, I was immediately hooked after the first installment. While I liked the second film a bit less than its predecessor, I thoroughly enjoyed the third film and could not wait to get to the theater on opening night to check out the latest installment.

Hands down--this film has everything you could want in a 'Bad Boys' film. I LOVED IT!

The action is full-throttle, the laughs are strong and plentiful, there is a fantastic, sadistic villain, along with a few side characters, adding to the fun. 

We are now four films into this franchise, and honestly, I have yet to see a drop-off in standard. I truly hope they continue to come, because I was ready for the fifth film as soon as the credit began to roll. We ride together--we die together. Bad Boys for life!

As always, if you plan to see or already saw this film in theaters, write to me and let me know your thoughts!

Score: 8/10

This film follows a young couple whose car breaks down, and as a result, they are forced to spend the night in an eerie town. Terror and panic ensue, as the couple becomes the prey of three masked strangers, with no motive and no mercy.

I will say, when I originally heard about the concepts of releasing three separate chapters in an attempt to tell one cohesive horror story, especially about The Strangers, I was immediately interested.

Unfortunately, Chapter 1 did not do must, if anything, to inspire me to see the rest of this story. 

Overall, I found the thrill scenes and the cinematography as "eh."

The film dragged for only being 90 minutes in length. Not to mention, this film includes just about every cliché horror trope you could possibly think of. I may end up giving Chapter 2 a chance, but if that one is also a swing and a miss, then it's three strikes and you're out!

As always, if you are planning on seeing this film or already did, write to me and let me know your thoughts!

Score: 4/10

This film follows the incredibly true story of a blind orphan who arrives in the waiting room of a world-renowned eye surgeon, seeking a miracle. The doctor must confront his past and draw on the resilience he gained growing up in China during the Cultural Revolution, in an attempt to restore her sight.

This is an extremely uplifting story, and it is one that is most definitely oriented towards adults. 

Although the pacing is a bit strange at times, overall, the film tackles difficult topics and situations, but with immense sensitivity.

As always, if you are planning on seeing this film or already did, write to me and let me know your thoughts!

Score: 7/10

This film follows Nora (played by Diane Keaton), Ginny (played by Kathy Bates), and Mary (played by Alfre Woodard), three childhood best friends who used to spend every summer at a sleep away camp together. After years, when the opportunity to get back together for a summer camp reunion presents itself, they all seize it.

I must say, while this film has a nice message, as a comedy, I certainly hope to leave laughing more than two or three times.

Unfortunately, this film is incredibly lacking in the area of comedy and substance. Generally, I love the genre of heartwarming films, especially based in summer camps, but the story is uneven in its pacing; a few scenes seemed to be out of order and/or missing, and the many of the side characters are made to feel pointless, especially towards the end of the film. 

Sadly, the writing was not quite there with this one. The stakes never felt dire, and there simply was not enough character development to feel invested in their respective journeys.

As always, if you are planning on seeing this film or already did, write to me and let me know your thoughts!

Score: 5/10

I had the opportunity to attend an early-access screening for "In a Violent Nature."

Written an directed by Chris Nash, this film follows a vengeful spirit spurred on by a horrific 60-year old crime, as his body is resurrected and becomes hellbent on retrieving a stolen locket.

I really wanted to like this film, but there are way too many long, drawn out sequences of walking. Just walking. To make matters worse, the film has a poor storyline and is littered with bad dialogue. 

With that said, there are a few creative scenes, but unfortunately, this film was too far gone to be saved. The graphic violence was so over-the-top, it was both disturbing and nauseating.

I am disappointed to say that I could not wait for this film to end. Wow--what a bummer!

As always, if you are planning on seeing this film or already did, write to me and let me know your thoughts!

Score: 2/10

From the film mastermind, George Miller, comes the latest story told within the apocalyptic wasteland of Mad Max.

This film is the origin story of the wasteland warrior, Furiosa (played by Anya Taylor-Joy), detailing her journey prior to her team-up with Mad Max.

Taylor-Joy turns in a strong, reviting, and extremely vulnerable performance, along with villain, Dementus (played brilliantly by Chris Hemsworth). It was evident how much fun Hemsworth was having in the role, and as an audience member, I enjoyed every second of the on-screen dialogue and antics.

This film is PACKED with action, and intense violence on the steampunk highway! The visuals are stunning and the sound mixing is superb, as you feel like you are next to the roaring truck engines.

While this film is certainly not on the level of Fury Road, it is one hell of a great time and deserves to be seen at the biggest, loudest theater possible!

As always, if you are planning on seeing this film or already did, write to me and let me know your thoughts!

Score: 8/10

This film follows two teenagers who bond over their love of a supernatural TV show, "The Pink Opaque," but it is mysteriously cancelled.

Although the film merely arrives at the surface of horror, the vibe is certainly amplified at times, especially through these extraordinarily bizarre, yet immensely creative dream-core-like visuals.

I am going to completely honest--you may not know exactly what to make of this film when its over, and truthfully, I still do not know.

In the end, knowing this is a film from A24, you are either going to commit to the strangeness along with the film, itself, or you won't. But if you're like me, and love creative risks taken on screen and quite simply, something different, then I highly recommend checking this film out!

Score: 8/10

This film follows a group of friends who recklessly violate the sacred rule of Tarot readings. As a result, they unknowingly unleash an unspeakable evil trapped within the cursed cards. Suddenly, one by one, they come face-to-face with fate, working together to escape a race against death.

I will start of by saying that as someone who really loves horror films, especially slashers, I wanted to like this film.

The performances are far from great. Not to mention, when the film begins, we learn next to nothing about any the characters who we are supposed to root for, later on.

The Tarot readings genuinely act as spoilers. The only plus is that the readings are all told within five minutes and you'll be lucky to remember any specifics.

I did enjoy a few scenes, monster-type characters, along with moments of levity provided by Jacob Batalon as "Paxton."

In the end, the film is far from great, but I did not hate it by any means. If you walk into it with zero expectations, like me, you may walk away feeling the same way.

Score: 5/10

This film follows the life and music career of Amy Winehouse, through her journey of adolescence to adulthood as well as the creation of one of the best-selling albums of all time.

As with many of the recent music-oriented biopics, "Back to Black" is a solid film, but fails to provide extensive depth or additional insight into its core characters and subject matter.

Many of the events relating to Amy's career and her personal life are covered, yet the film seems to continuously circle around these events, rather than actually exploring the characters involved.

With that said, there is still plenty to really like about this film. The performances are all quite fantastic, across the board, especially Marisa Abela as Amy. Not to mention, her singing is incredible, and while is certainly not as good as Amy's, it keeps your eyes glued to the screen.

Overall, another solid music-focused biopic! Between the strong performances, especially from Abela, the music, it definitely worth a watch!

Score: 7.5/10

I had the opportunity to attend an early-access screening for #TheGarfieldMovie!

The film follows the events directly after Garfield's (voiced by Chris Pratt) unexpected reunion with his long-lost father, ragged alley cat Vic (voiced by Samuel L. Jackson) , he and his canine friend Odie (voiced by Harvey Guillén) are forced from their perfectly pampered lives to join Vic on a risky heist.

This is most certainly a film made for the little ones, as it may be quite difficult for adult audience members to connect with the characters and story. The pacing is quite fast, particularly in the beginning of the film, before catching its stride.

I felt as though the voice-acting from Pratt was decent, as he is supported by many other well-known talents, including: Ving Rhames, Hannah Waddingham, Nicholas Hoult, Cecily Strong, Snoop Dogg, among others.

With that said, Garfield most certainly has his fun on-screen moments, helping to evoke a comforting and friendly story which leaves you with a positive outlook and feeling towards the rest of the world.

Score: 6/10

I must admit, I went into this film with absolutely zero expectations. Let me tell you right now--I absolutely LOVED this film.

As advertised, the film is extremely creative, with innovative animation and the exploration of never-ending imagination.

Quite honestly, I think one could make a strong argument that this film is more for the parents, rather than the kids. 

Parents, heed this warning, now! Bring tissues--you WILL cry! 

With that said, I am genuinely curious what children think of this film, as it handles some adult themes and subjects, which I truly believe only an adult would relate to. In parts, the film is a tad slow, but the on-screen drama and mind-bending sequences keep you hooked throughout.

Although the film is family-friendly, it is quite possible that a child may find it slow and boring at times. Additionally, the main message of the film may go over a child's head, although there's plenty of humor, themes, and subject aimed at them.

Like I said, I walked into  this film with absolutely zero expectations, while also not realizing I was walking into a low-key therapy session and reconnect with my inner-child.

I was extremely impressed with this film, and I will certainly re-watching it, again, at some point. Despite much of the negative criticism, I truly believe this film will stand the test of time, aging very well!

Parents, take your children to go see the film in theaters! And again, don't forget to bring your tissues!

Score: 9/10

I recently attended the latest 'Regal Mystery Movie' had the opportunity to see "Babes," starring Ilana Glazer, Michelle Buteau, Hasan Minhaj, and everyone's favorite television uncle/restaurant investor from Hulu's hit show, "The Bear," Oliver Platt.

Films like this, especially comedies, do not come out often enough. I am always grateful for a raunchy, R-rated comedy. This one is side-splittingly hilarious. I was cracking up from start to finish!

I remember seeing the trailer for this film about one month prior, and I am extremely happy to report that it lived up to the hype!

I will say, there are definitely a few over-the-top scenes, but nevertheless, still fine. Overall, there are some extremely funny lines in this, and if you go in with an open mind, you will not be disappointed!

Score: 8/10

This a very funny film, with exaggerated humor and many references to the early 1960's.

First and foremost, the cast in this film is absolutely stacked. My personal favorite has to be Bill Burr as J.F.K. 

The script is packed full with all sorts of wild ideas, and for what seemed like a silly idea for a story, at first, later reminded me that is what original comedy is all about. 

Grab your Pop-Tart of choice, and enjoy the film!

Score: 6.5/10

I had the opportunity to attend an early-access screening for "Kingdom of the Planet of the Apes," the latest film in the apes-saga.

This film is definitely for those who love a proper world building experience. Fans of the series are treated with visuals of what a five to six generation gap does to a civilization, along with how different cultures and ideas develop.

Although this is technically the four film in the series, it serves as a soft reboot, as well. It is the perfect setup for more, possibly even a new trilogy!

The CGI and cinematography are absolutely stunning, and the film ends on an excellent cliffhanger.

Definitely see this film on the biggest screen possible, and have "A WONDERFUL DAY!"

Score: 8/10

I had the opportunity to attend an early-access screening for "The Fall Guy," directed by David Leitch, written by Drew Pearce and Glen A. Larson, and starring Ryan Gosling and Emily Blunt.

This film follows a down-and-out stuntman, Colt Seavers (played by Gosling), one who must find the missing star, Tom Ryder (played by Aaron Taylor-Johnson), of his ex-girlfriend, Jody Moreno's (played by Blunt) blockbuster film.

At its core, "The Fall Guy" pays (well overdue) homage to all the stuntmen and stuntwomen--past, present, and future. The film is a complete love letter to the stunt team, displaying true grit, through mental and physical durability, along with how the film industry would instantly collapse without them. After all, collectively, they are the unsung heroes. 

This is also a film for anyone, like myself, who loves the film industry or anything to do with filmmaking, in general.

"Barbie" is to the toy industry, as "The Fall Guy" is to the film industry. I love the sly, cheeky humor related to stunt teams' lack of recognition at the Academy Awards. There are even direct mentions or spoofs of recent pop-culture, including Miami Vice, Taylor Swift, Kill Bill, and Dune, among others.

For a film that is marketed as an action rom-com, there are moments that make for a solid comedy, but they are not strong or consistent. None of the jokes are anything that will have you bursting out in laughs. Yet again, all comedy is very much subjective.

Luckily, Gosling and Blunt have excellent on-screen chemistry. While watching, especially during moments of little to no dialogue, the audience is able to pick up on the chemistry between the two stars, which is electrifying.

The film achieves redemption in its the third act--a very epic ending, rarely seen in films today, especially an action rom-com. The action sequences are intense, placing less emphasis on the fighting, and more on each individual stunt. Moreover, there are multiple scenes that look and feel like they come directly from old classic films or television shows.

In the end, this film pays tremendous homage to the real fall guy and gals, the stunt community, serving as the ultimate love letter for their dedication, sacrifices, and collective passion for art and entertainment. What this film lacks in comedy, it makes up for with its film industry commentary, and heart.

Also, be sure to stick around for a mid-credit scene! 

*STUNT GUY THUMBS UP* 👍

Score: 8/10

This horror-thriller from 'Scream' (2022) and 'Scream VI' directors, Matt Bettinelli-Olpin and Tyler Gillett, follows a group of criminals (played by Melissa Barrera, Dan Stevens, Kathryn Newton, William Catlett, Angus Cloud--R.I.P., and Kevin Durand). who kidnap the ballerina daughter (played by Alisha Weir) of a powerful underworld figure (played by Matthew Goode). They retreat to an isolated mansion, unaware that they are locked inside with no normal little girl.

At the center of this film is 'Abigail,' a role that Weir plays to near perfection. 

Overall, there is nothing in this film that is new or anything you have not seen in a number of other films, but thankfully, it manages to deliver.

The film could also pass for a dark comedy, as it provides some genuinely hysterical moments and dialogue between characters. Not to mention, the filmmakers provide enough character backstory for the audience to know who to support, who to root for a demise, and who to emotionally commit to (as much as you can in a horror film).

As the audience, even though you know exactly what is going to happen once the beginning premise is introduced, it is still fun discovering how and when, along with watching the entire sequence of events play out.

In the end, I strongly believe this film is best if watched without prior exposure to the official trailer, as hard as that is today (i.e. social media, commercials, print ads, etc.). With that said, enjoy your meal! I mean...movie!

Score: 7/10

This film is a fever dream action film, following Boy (played by Bill Skarsgård), an person who is both deaf and mute, with a vibrant imagination. When his entire family is murdered, he is trained by a mysterious shaman (played by Yayan Ruhian) to repress his imagination and memories, becoming an instrument of death.

With the film being called, "Boy Kills World," I cannot tell you how many times I mistakenly called it "Boy Meets World," instead. not Boy Meets World.  While it's quite easy to get those two titles confused, especially when you're a 'Boy Meets World' super-fan, like myself, that confusion quickly disappears upon sitting down to watch this film.

Inspired by a handful of video games and graphic novels, "Boy Kills World" is creatively stylish, fresh, emotionally deep, refreshingly new, in addition to being full of humor and surprises. The characters are both intriguing and multi-dimensional. Not to mention, the fight scenes are rapid and authentic. While 'John Wick' uses the signature No. 2 pencil, 'Boy' uses the combination of a cheese grater and an anvil to the face.

An interesting note: the film combines American, Asian, and European action sequences, while shot in Africa. These outstanding decisions from Director, Moritz Mohr, are met with a full payoff.

The story and themes are very compelling. Personally, the film made me reflect on how the media influences national narratives and cult followings. On top of these narratives, we also see who media influencers who use their platforms to create a false public image of an individual who is crazy, malevolent, and may seem like a hero, but in fact, is the farthest from one. 

I absolutely loved this film! Like me, you may also leave the theater, suddenly craving delicious macaroons.

Score: 8.5/10

I recently had the opportunity to attend an early-access screening for "Challengers," a film directed by Luca Guadagnino, written by Justin Kuritzkes, and starring Zendaya, Mike Faist, and Josh O'Connor.

In this film, Tashi (played by Zendaya), a former tennis prodigy turned coach is married to a champion, Art Donaldson (Mike Faist) on a losing streak. Her strategy for her husband's redemption takes a surprising turn when he must face off against his former best friend and Tashi's former boyfriend, Patrick Zweig (played by Josh O'Connor).

Man, this a tough one. I liked the concept and the overall story. However, I feel as though the film severely misses the mark on several occasions.

The story depicts a passionate, yet messy love triangle, and let's just say, things get complicated--fast.

The performances are decent--it felt like each character had built up chemistry, based in realism. Additionally, the time jumps at the beginning of the film work well, creating suspense, and leaving the viewer unsure of the history shared between our three main characters. However, the time jumps become a bit too rapid, which may make it harder for audiences to keep up with where they are in the story.

On paper, "Challengers" has all of the ingredients required for a gripping, neo-noir drama. The burning chemistry between Zendaya and Faist is undeniable, and the psychological warfare that unfolds between the three leads is initially captivating. However, the film completely fumbles its potential. 

The plot, while intriguing at its core, takes nonsensical turns, leaving the audience to feel lost. Additionally, the dialogue is consumed with clichés and overly dramatic declarations.

The new wave, synth-heavy soundtrack from Trent Reznor and Atticus Ross is outstanding, forcefully elevating every scene dialogue and emotional stakes. There are also moments of visual brilliance, especially the camerawork which mimics the frenetic energy of a high-stakes tennis match.

The saving grace of "Challengers" lies in its central performances, specifically Zendaya, who delivers a fierce and committed portrayal of a woman consumed by ambition and a flicker of unresolved feelings. Unfortunately, for me, the resolution to this game of emotional tug-of-war fell flat.

Sadly, the third act and conclusion really drags. The final scene of the film left me scratching my head, leaving me utterly confused about about what my takeaway should be from the film.

In the end, "Challengers" is an immensely frustrating film to watch. It boasts undeniable star power, intriguing thematic potential, but unfortunately, squanders it all with a torturous plot, puzzling direction, and clumsy writing. 

If you are seeking a thought-provoking sports drama or a steamy love triangle, this film is a missed volley, or at best, a double fault.

Score: 6/10

Written and directed by David Zellner, along with director, Nathan Zellner, and starring Jesse Eisenburg, Riley Keough, Christophe Zajac-Denek, and Nathan Zellner, "Sasquatch Sunset" documents a year in the life of a unique family. It captures the daily life of the Sasquatch with a level of detail and rigor that is simply unforgettable.

This film is categorized as a comedy-drama-action-adventure, depending on your source. Truthfully, if you have the sense of humor of a middle schooler, I can see the fun in it. However, it becomes old VERY quickly.

There is close to zero momentum--nothing occurs other than eating, having sex (or trying to), and pooping. The simple fact that this film was made into a feature film is quite ridiculous.

I could certainly see this being a short film from the filmmakers, but a feature film? No, just no. 

I kid you not, this film has AT LEAST a dozen eating scenes--none of which are substantially different than the others, nor did they have any particular implication.

At the start of the film, you may think to yourself "I wonder what's going to happen?," but sadly, it plays out extremely slow and boring. After waiting the entire film for something really interesting to happen, expecting a plot twist or some kind of reveal, none of this occurs. Instead, this film is exactly what the description says it is, a year-long look into the life of Sasquatch. Nothing more, and nothing less.