Kowalewski, D. A., Song. E. S., Friedman, R. S., & Vuvan, D. T. (2025). Musical contingent self-worth moderates the association between music training and tonal working memory. Psychology of Aesthetics, Creativity, and the Arts, 19, 297–306.
Friedman, R. S., & Kowalewski, D. A. (2024). Interactive effects of presentation mode and pitch register on simultaneous consonance. Musicae Scientiae, 28, 809-826.
Friedman, R. S., Song, S. E., & Cox, G. E. (2024). Aesthetic sensitivity to complexity: Reconsidering the case for modality-based specificity. Empirical Musicology Review, 19, 77-87.
Friedman, R. S., Kowalewski, D. A., & Song, S. (2022). Reexamining the effects of ratio simplicity and familiarity on abstract pattern learning in dyad sequences. Empirical Musicology Review, 17, 59-68.
Kowalewski, D. A., & Friedman, R. S. (2022). Investigating the moderating role of presentation mode on simultaneous consonance. Psychomusicology: Music, Mind, and Brain, 32, 15-23.
Song, S., Kowalewski, D., & Friedman, R. S. (2022). Preference for harmony: A link between aesthetic responses to combinations of colors and musical tones. Psychomusicology: Music, Mind, and Brain, 32, 33-45.
Friedman, R. S., Kowalewski, D. A., Vuvan, D., & Neill, W. T. (2021). Response to invited commentaries on “Consonance Preferences Within an Unconventional Tuning System.” Music Perception, 38, 340–341.
Friedman, R. S., Kowalewski, D. A., Vuvan, D., & Neill, W. T. (2021). Consonance preferences within an unconventional tuning system. Music Perception, 38, 313–330.
Kowalewski, D. A., Kratzer, T. M., & Friedman, R. S. (2020). Social music: Investigating the link between personal liking and perceived groove. Music Perception, 37, 339–346.
Friedman, R. S. (2019). Exploring the impact of continual drones on perceived musical emotion. Psychomusicology: Music, Mind, & Brain, 29, 171-179.
Kowalewski, D. A., Friedman, R. S., Zavoyskiy, S., & Neill, W. T. (2019). A reinvestigation of the source dilemma hypothesis. Music Perception, 36, 448-456.
DeMarco, T. C., & Friedman, R. S. (2018). Reality-based sadness induction fosters affect-congruency in music preference. Psychomusicology: Music, Mind, and Brain, 28, 260-266.
Friedman, R. S. (2018). Reexploring the effects of relative pitch cues on perceived sadness in an unconventionally tuned musical scale. Psychomusicology: Music, Mind, and Brain, 28(2), 108-116.
Friedman, R. S. (2018). Final ritardandi and the expression of musical emotion. Music Perception, 36(1), 53-59.
Friedman, R. S., Neill, W. T., Seror, G. A., & Kleinsmith, A. L. (2018). Average pitch height and perceived emotional expression within an unconventional tuning system. Music Perception, 35, 518-523.
Kleinsmith, A. L., Friedman, R. S., & Neill, W. T. (2017). Reinvestigating the impact of final ritardandi on music evaluation and felt musical tension. Psychomusicology: Music, Mind, & Brain, 27, 267-280.
Kleinsmith, A. L., Friedman, R. S., & Neill, W. T. (2016). Exploring the impact of final ritardandi on evaluative responses to cadential closure. Psychomusicology: Music, Mind, & Brain, 26, 346-357.
Zavoyskiy, S., Taylor, C. L., & Friedman, R. S. (2016). Affect-incongruency in emotional responses to music. Psychomusicology: Music, Mind, & Brain, 26, 247-256.
O’Malley, E., Seror, G. A., & Friedman, R. S. (2016). Reinvestigating mood-congruency in music choice: Does misery really love company? Psychomusicology: Music, Mind, and Brain, 26, 67-78.
DeMarco, T. C., Taylor, C. L., & Friedman, R. S. (2015). Reinvestigating the effect of interpersonal sadness on mood-congruency in music preference. Psychology of Creativity, Aesthetics, and the Arts, 9, 81-90.
Taylor, C. L., & Friedman, R. S. (2015). Sad mood and music choice: Does the self-relevance of the mood-eliciting stimulus moderate song preference? Media Psychology, 18, 24-50.
Taylor, C. L., & Friedman, R. S. (2014). The differential influence of sadness and disgust on music preference. Psychology of Popular Media Culture, 3, 195-205.
Friedman, R. S., & Taylor, C. (2014). Exploring emotional responses to computationally-created music. Psychology of Aesthetics, Creativity, and the Arts, 8, 87-95.
Friedman, R. S., Gordis, E., & Förster, J. (2012). Re-exploring the influence of sad mood on music preference. Media Psychology, 15, 249–266.