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Simone Leigh
Jenny Holzer
On Kawara
Michael Heizer
Alex Da Corte
Jaune Quick-to-See Smith
Iconoclasts: Selections from Glenstone’s Collection
Pedagogy Study Hall
Without Fear
Picturing Mobility: Black Tourism and Leisure during the Jim Crow Era
Artists of the Harlem Renaissance
Vivian Browne: My Kind of Protest (June 28–September 28, 2025)
Essex Hemphill: Take care of your blessings (May 17-August 31, 2025)
Contemporary Art Exhibitions & Installations
Latin American Art / Arte Latinoamericano
The Janet & Walter Sondheim Art Prize Finalists Exhibition
If Books Could Kill
Tribute to the Civil Rights Movement: Quilted Swing Coats by Patricia A. Montgomery
Future Fossils
Color Contradances
Black Earth Rising
Heavy with History: Devin Allen and the Baltimore Uprising
Air Quality: The Influence of Smog on European Modernism
Crosscurrents: Works from the Contemporary Collection
12/10
Frida Kahlo – Picturing an Icon
Cumberland Valley Photographers Exhibition
10/10
10/10
National Juried Exhibition
SILVER: A Journey Through Space and Time
SUMNER CRENSHAW: Old Gods
DEANNA BOYER: Hinterland
In Slavery's Wake: Making Black Freedom in the World
Uncanny
Remix: The Collection
Guerrilla Girls: Making Trouble
Niki de Saint Phalle In Print
Elizabeth Catlett: A Black Revolutionary Artist
The ’70s Lens: Reimagining Documentary Photography
This Morning, This Evening, So Soon: James Baldwin and the Voices of Queer Resistance
Star Power: Photographs from Hollywood’s Golden Age by George Hurrell
The Shape of Power: Stories of Race and American Sculpture
Pictures of Belonging: MikiHayakawa, Hisako Hibi, and Mine Okubo
Sightlines: Chinatown and Beyond
Glenn Kaino: Bridge
Today, I headed down to Annapolis, Maryland, and toured the bdmuseum.maryland.gov/ and then had lunch at the Reynolds Tavern.
The museum and Jabari Jefferson Sacred Spaces exhibit are worth a visit. It is an intimate museum, but one that conveys such important stories.
It can be all too easy to forget all the souls that came from, lived in, and/or escaped Maryland who played significant roles in the anti-slavery to civil rights timeline. Frederick Douglass, Harriet Tubman, Josiah Henson, Benjamin Banneker, and Thurgood Marshall are names that just scratch the surface of the history to which this state has borne witness. All should go, remember, and reflect on what came before us so we can carry it forward.
The postcard for the Jefferson exhibit says, “Join us in exploring Sacred Spaces, where art becomes a vessel for reflection, empowerment, and community.”
It is certainly a sacred space worth visiting, the history worth connecting with, and a cause worth supporting.
11/10
This exhibition brings together such important voices and imagery.... Never before have I had the chance to view Ailey on the screen, while also seeing work by Alma Thomas, Romare Bearden, Kara Walker, Faith Ringgold, Jacob Lawrence, and many more. It encompasses everything everyone should have learned in art history, but all too often didn't. To see snippets of these icons work in one place was like a buffet you never want to end. If you are in Manhattan before February 9 - Strongly recommend adding this to your list.
12/10
ART AMUSEMENT PARK - This is the exhibition that inspired the trip and it did not disappoint. I'm so excited for y'all that they extended its stay through February 23. To see the pieces that folks like Dali, Harding, Basquiat created is to gget more of their personality, their humor, their humanity, and diesire to connect with viewers. The way it was displayed was also fantastic. I was very concerned about how long I was going to be able to stay given my light sensitivity, but the architects and curators provide enough calm amidst the joyous chaos that I was able to take it all in with no ill effects.
8/10
I love Robert Frank’s photographic eye and truly appreciated getting to see his work in person. I have only been able to see a piece or two over the years, so I couldn’t miss the opportunity to see multiple rooms of what he saw. The images and exhibit were incredibly satisfying. But for the second time in my last three visits, I had to leave early because the crowds were just too much. I was there around 2pm which was probably poor planning on my part, but I got to see Frank and a small exhibit of Matisse, before having to make my exit. Everything in the MoMA is worth a visit at some point, but maybe next time I will try to visit first thing in the morning