Mughal E Azam Old Hindi Movie Mp3 Songs Free Download

As with most of Naushad's soundtracks, the songs of Mughal-e-Azam were heavily inspired by Indian classical music and folk music, particularly ragas such as Darbari, Durga, used in the composition of "Pyar Kiya To Darna Kya",[2] and Kedar, used in "Bekas Pe Karam Keejeye".[3] He also made extensive use of symphony orchestras and choruses to add grandeur to the music.[4] The soundtrack contained a total of 12 songs, which were rendered by playback singers and classical music artists. These songs account for nearly one third of the film's running time.[5]

The soundtrack of Mughal-e-Azam received universal acclaim from critics in India. It is often cited as one of the best soundtracks in Bollywood history,[15][16] and was one of the best-selling Bollywood albums of the 1960s.[17] Shahid Khan, writing for Planet Bollywood, gave the soundtrack ten out of ten stars and called the music the "soul of the film".[18] In 2004, Subhash K. Jha reviewed the re-mastered release of the soundtrack, praising the technical quality of the re-release and the original vocals of Lata Mangeshkar.[19] In 2013, Baldev S Chauhan of Sun Post called the songs "some of the greatest songs of Hindi cinema."[20]

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By the end of filming, more than a million feet of negative had been used, necessitating significant editing.[14] A number of songs were edited out owing to the running time, which in the end was 197 minutes.[53] Almost half of the songs recorded for the film were left out of the final version.[44]

The soundtrack was composed by music director Naushad, and the lyrics were written by Shakeel Badayuni. After conceiving the idea of the film, Asif visited Naushad and handed him a briefcase containing money, telling him to make "memorable music" for Mughal-e-Azam. Offended by the explicit notion of money as a means of gaining quality, Naushad threw the notes out of the window, to the surprise of his wife. She subsequently made peace between the two men, and Asif apologised. With this, Naushad accepted the offer to compose the film's soundtrack.[69]As with most of Naushad's soundtracks, the songs of Mughal-e-Azam were heavily inspired by Indian classical music and folk music, particularly ragas such as Darbari, Durga, used in the composition of "Pyar Kiya To Darna Kya",[70] and Kedar, used in "Bekas Pe Karam Keejeye".[71] He also made extensive use of western classical orchestras and choruses to add grandeur to the music.[72] The soundtrack contained a total of 12 songs, which were rendered by playback singers and classical music artists. These songs account for nearly one third of the film's running time.[73]

The first step towards colourisation was the restoration of the original negatives, which were in poor condition owing to extensive printing of the negative during the original theatrical release.[113] Costly and labour-intensive restoration was essential before colourisation could be carried out. The negative was cleaned of fungal growth, damaged portions were restored, and missing parts of frames were re-instated.[114] After cleaning, each of the 300,000 frames of the negative was scanned into a 10 megabytes-sized file and then was digitally restored.[14] The entire restoration work was undertaken by Acris Lab, Chennai.[115] The dialogues in the original soundtrack were also in a bad state of preservation, which necessitated having the sound cleaned at Chace Studio in the United States. The background score and the entire musical track was recreated by Naushad and Uttam Singh.[50] For the songs, the original voices of the singers like Lata Mangeshkar, Bade Ghulam Ali Khan and Mohammed Rafi were extracted from the original mixed track and the same were recreated with re-recorded score in 6.1 surround sound.[116]

In the modern play, the soundtrack and the lyrics were taken from the original film and two newly composed songs were added. During the play, artists sing the songs live on stage as an orchestra and a choral score is played in the background.

Seven years after Anarkali came this K Asif movie that dealt with the same love story on a much grander scale; grandness that reflected in the film's music as well. One of composer Naushad's biggest contributions to film music is the way he incorporated classical music in films; and Mughal-e-Azam's soundtrack stands as a majestic edifice testifying this fact. The songs here made beautiful employment of classical ragas like darbari (Mohabbat Ki Jhooti), gara (Mohe Panghat), kedaar (Beqas Pe Karam) etc. A major coup the composer pulled off was to get Ustad Bade Ghulam Ali Khan to represent Tansen's voice, making this the only instance of the legendary singer recording for a film.

K. Asif's timeless 1960 epic is now a spectacular musical play! Mughal-E-Azam: The Musical is the most expensive theatre production in Indian history. The musical's soul is Indian classical music and Kathak dance, and the songs are performed live from the original film. Produced by Shapoorji Pallonji and directed by Feroz Abbas Khan, Mughal-E-Azam: The Musical has already captivated audiences across Mumbai, Delhi, Ahemdabad, Dubai, Kuala Lumpur, Singapore, Doha, and Muscat. The addition of English subtitles ensures a wider audience can enjoy the performance.

[32] Songs have a distinct role in Indian cinema. Indian film songs are tremendously popular and dominate the music scenes, and even now account for 80 percent of the total music sales (Ganti 2004:78). They circulate in all kinds of contexts and often people sing songs without knowing the film from which it came. Despite the impulse in the West to liken Indian films to Hollywood musicals, their history is altogether different and linked to the important role given to song and dance in Indian theater and religious ceremonies. In the 1930s and the early1940s most actors sang their own songs, the system of playback singing that was entrenched by the late 1940s allowed actors to lip-sync their songs. ff782bc1db