Dr. Beth A. Bauer received her doctorate of music education from the Indiana University Jacobs School of Music. Her dissertation is titled "What is an appropriate approach to piano instruction for students with Down syndrome?" Additional degree work includes a Master of Music from Northern Illinois University where she studied with Bill Koehler, and a Bachelor of Arts in Music from the Wheaton College Conservatory of Music where she was a student of Daniel P. Horn. Additional pedagogy instruction occurred with Karin Edwards, Larry Rast, and Karen Taylor. At the Wheaton College, she currently teaches Music to Special Learners, oversees pedagogy student teachers and music internships, and is the academic advisor and instructor for the pedagogy degree program. In addition to her faculty work in the Conservatory, Dr. Bauer coordinates Beethoven's Buddies, a music program for children with developmental delays at the Community School of the Arts, Wheaton College, and teaches precollege piano to beginning to advanced students in the Community School of the Arts.
Prior to her work at Wheaton College, Dr. Bauer was a visiting guest instructor in music education at the Indiana University Jacobs School of Music. She also was the assistant to the director and an instructor in the Young Pianists Program at Indiana University. Additional positions included the Education Director at the Columbus Indiana Philharmonic and the Program Director at the Suzuki-Orff School for Young Musicians in Chicago.
Her work with students with special needs has been featured in The Chicago Tribune, NBC Nightly News with Brian Williams, the Indiana University Alumni Magazine, The Daily Herald, and the Wheaton College Alumni Magazine. Dr. Bauer is a sought after clinician and speaker to professional teacher's organizations and parent groups. She has been teaching piano for more than 20 years and working with students with special needs for more than 13 years. Dr. Bauer recently received the National Certification for the Music Teachers National Association.
Johnnie Bankens, bass, is known for bringing "high caliber" performances to opera and musical theatre audiences around the US and abroad. Recent engagements include Die Sprecher in Die Zauberflöte (Opera Mississippi & Natchez Festival of Music), Sparafucile in Rigoletto (Mobile Opera), Bass Soloist in J. S. Bach's Tritt auf die Glaubensbahn (Monroe Symphony), Il Commendatore in Don Giovanni (Guest Faculty Artist at FIO-Italia), & Bluebeard in A Kékszakállú herceg vára (Salvage Arts). In the 2025-2026 season, Bankens will perform The King in The Christmas Gift by James Sclater with Opera Mississippi, Il Commendatore in Don Giovanni with Shreveport Opera, and Sarastro in Die Zauberflöte with Mobile Opera.
Bankens has performed leading and secondary roles in the United States, Italy, and San Marino. In 2016, he made his San Diego Opera debut as the Jailer in Tosca alongside Greer Grimsley, Gwynne Hughes Jones, and Alexia Volgaridou. Other roles include Figaro in Le nozze di Figaro, Don Giovanni in Don Giovanni, Falstaff in Falstaff, Don Basilio in Il barbiere di Siviglia, Sarastro in Die Zauberflöte, Prince Gremin in Eugene Onegin, Colline in La bohème, Don Annibale Pistacchio in Il campanello by Donizetti, Frère Laurent in Roméo et Juliette, Uncle in Elizabeth Cree by Kevin Puts, Fredrik Egerman in A Little Night Music, Junius in The Rape of Lucretia, Bob Beckett in HMS Pinafore, The Inn-keeper in The Man of La Mancha, and Orin Scrivello, DDS in Little Shop of Horrors.
Bankens has made professional solo appearances with San Diego Opera, Mobile Opera, Nevada Opera, Opéra Louisiane, Opera Mississippi, Natchez Festival of Music, Blue Lake Opera, The Montefeltro Festival, Starkville Symphony, Monroe Symphony, West End Collegiate Singers, Salvage Arts, Symphony Chorus of New Orleans, The Stonewall Chorale, Lied Society of Minneapolis, and Louisiana Choral Foundation. Bankens has been the Bass Soloist for a number of great masterworks. His favorites include Beethoven's Symphony No. 9, Mozart’s Requiem, Brahms’ Ein Deutsches Requiem, Haydn's Lord Nelson Mass, Handel’s Messiah, and Saint-Saëns’ Christmas Oratorio.
Bankens is an active educator with over twenty years of teaching experience as a voice instructor. He is an Assistant Professor of Voice at Southeastern Louisiana University where he serves as the Voice Area Coordinator and Director of Opera. He has given guest masterclasses at Festival of International Opera in Urbania, Italy, Louisiana State University, Oklahoma State University, University of Mobile, University of Louisiana Monroe, McNeese State University, and William Carey University. Bankens has served on the voice faculties at FIO Italia, Blue Lake Fine Arts Camp, Opera Festival di Roma, and with Stories for Strength in partnership with Baylor College of Medicine. Bankens received both his Master of Music and Doctor of Musical Arts degrees in Vocal Performance, with a minor in Vocal Pedagogy, from Louisiana State University.
Originally from South Korea, Tae-Young Hong is an Assistant Professor of Music at William Carey University where he coordinates music theory classes and serves as staff collaborative pianist. He is pursuing a Doctor of Arts degree in Music Education at William Carey. He holds a Bachelor of Music degree in Piano Performance from the institution and Masters degree with dual emphasis in Music Theory/Composition and Piano Accompanying from the University of Southern Mississippi. He is a published composer of chamber and choral music as well as musical theater and plays multiple instruments including piano, guitar, bass, and drums.
His musical pursuit covers a wide array of genres. Besides composing contemporary classical music, he also directs the Knights of Jazz, a small jazz combo at William Carey that features original arrangements of jazz standards. He also serves as the conductor/repetiteur for musical theater productions.
Pianist Cindy St. Clair has appeared throughout the United States and Europe as a soloist and collaborator, which includes performances in the Classical Music Festival in Eisenstadt, Austria and at the World Piano Conference in Novi Sad, Serbia. She has been a featured soloist with the Huxford Symphony Orchestra, the University of Alabama Symphonic Band, and the Samford University Orchestra. In demand as a collaborative pianist, Dr. St. Clair has a wealth of experience working with vocalists, ensembles, instrumentalists, choirs, and musical theatre groups. She is currently collaborating on several projects with Christopher Jordan, baritone, relating to music by black composers. They recently performed at the 25th Anniversary of the African American Art Song Alliance Conference at the University of California - Irvine and on the Atelier Concert Series at the American Church in Paris, France.
Dr. St. Clair continues to explore her research interests relating to the work of underserved composers and women pedagogues, and relating to mental practice, stamina, and memorization techniques. She has presented lectures at the local, state, and national level. Dr. St. Clair’s research presentation on the “Transference of Theodor Leschetizky’s Legacy to the United States” at the National Conference on Keyboard Pedagogy in July 2021, received an Honorable Mention award.
Dr. St. Clair holds a Doctor of Musical Arts degree and a Master of Music degree both in Piano Performance from the University of Alabama and a Bachelor of Music degree in Piano Performance from Samford University. Dr. St. Clair also holds a Bachelor of Science degree in Paralegal Studies with a concentration in Business from Samford University. She worked 16 years in the legal field prior to pursuing her degrees in music during which time she spent many years serving on the Board of Directors for the Alabama Association of Paralegals, Inc., mentoring students, and presenting lectures at conferences.
Dr. St. Clair is the Area Coordinator of Keyboard Studies and Associate Professor of Piano at Samford University. She previously served as the Interim Chair of the Division of Music at Samford and as the Chair of the Department of Music and Director of the Quality Enhancement Plan for Judson College. In 2019, she received the Mary Gibson Thompson Teaching Award for Excellence at Judson. She has won several piano competitions in the region and is frequently invited to adjudicate piano competitions and give masterclasses.
Dr. St. Clair is the founding President of the World Piano Teachers Association USA-Alabama Chapter. She is a certified teacher in piano by the Music Teachers National Association and serves on the executive board of the Alabama Music Teachers Association. Dr. St. Clair is also the Immediate Past President on the executive board of the Birmingham Metro Music Forum.
Member's Recital
Dr. Olivia Boatman is Assistant Professor of Flute at Mississippi State University, holding a K–12 Mississippi Instrumental Educator License. She actively supports local high school music programs and performs with the Mississippi Wind Symphony, Starkville Symphony Orchestra, and Mississippi Baptist Symphony Orchestra. She serves on the Flute Clubs Committee for the National Flute Association. Her previous roles include teaching positions at Hinds Community College, Kansas Wesleyan University, Belhaven University, and Grambling State University. Dr. Boatman has presented at national and regional events such as the NFA Convention, Florida Flute Association, Wisconsin Flute Festival, and Music by Women Festival. She earned a Doctor of Music from Florida State University, a Master of Music from Arkansas State, and a Bachelor of Music Education from MSU, along with certificates in Music Education, Leadership, and College Teaching.
Member's Recital
Dr. Valentin M. Bogdan has been a professor at The W since 2013. He has performed across Europe, North America, and the Middle East, including the US, Canada, the Netherlands, Great Britain, France, Russia, Italy, Romania, and Jordan. Notable venues include the Assisi Festival (Italy), Moscow Composers' House (Russia), Prokofiev Museum (Russia), Spectrum Festival (Russia), Sala Patria (Romania), and Transilvania University Concert Series (Romania), plus many more in the US. Dr. Bogdan has appeared as a soloist with the Starkville Symphony, the Assisi Performing Arts Orchestra (Italy), the Varna Symphony (Bulgaria), and the Wayne State Symphony (Michigan). His discography includes two solo albums, The Grands of Piano and Live in Concert, and two piano duo albums, Journey for Two and Music by Women, recorded with his partner in the Mortyakova/Bogdan piano duo. Throughout his career, Dr. Bogdan has earned numerous awards, including the Mississippi Arts Commission Artist Fellowship (2018 and 2024), 2nd prize at the Ellis Duo Piano Competition, 2nd prize at the International Varna Symphonic Workshop Concerto Competition, and the WSU Concerto Competition. He received the Livonia Arts Commission Award, the Mu Phi Epsilon Prize, and the ASCAP PLUS Award. Dr. Bogdan earned his Doctor of Music degree from the University of Miami Frost School of Music, two Master of Music degrees from the University of Miami and Michigan State University, and a Bachelor of Music degree from Wayne State University.
Faculty Forum
Cheryl Coker, Emerita Associate Professor of Music was on the faculty of Millsaps College in Jackson, MS, from 1984 until her retirement in August 2022, teaching voice, Vocal Pedagogy, Vocal Literature, Opera History, and Women in Music. Prior to joining the faculty at Millsaps she taught private voice and piano in addition to serving in churches directing Children’s Choirs, continuing the latter for over thirty years. Degrees in Music Education (1969) and a Master of Music in Vocal Performance (1982) from the University of Southern Mississippi were augmented with a DMA in Vocal Performance from the University of Minnesota (2001). She has served as Mississippi Chapter President (1993-1995), Mississippi Governor (2007-2012), and Registrar/Secretary for Southern Region NATS (2006-2020), while presenting and performing in National, Southern Regional, and State NATS Conferences. She was Collegiate Vocal Area Chair for Mississippi Music Teachers Association (1989-1992 and 2005-2007), giving presentations for state and national conferences.
Member's Recital
Dr. Ellen Price Elder serves as Professor of Piano at USM. She has performed as soloist, collaborator, and masterclass clinician throughout the United States, South America, and Europe. She has a thriving piano studio of graduate and undergraduate piano majors, serves as coordinator of the class piano program, and teaches piano pedagogy. In 2011 she founded the Southern Miss Piano Institute, which offers private lessons to pre-college students and adults in the community. Her collegiate and pre-college students receive international, national, and regional awards for their performance, and hold faculty positions throughout the United States, South America, and China. She is the winner of many competitions and awards for performance and teaching including the Ann Arbor Society for the Musical Arts Competition, Lansing Matinee Musicale Competition, Memphis International Beethoven Sonata Competition, MTNA Star Award, HEADWAE Award, and four-time winner of the Steinway & Sons Top Teacher Award. She has released two collaborative CDs and will release her solo album of the piano works of Luigi Zaninelli this fall. She has served as President of the Mississippi Music Teachers Association and President of the Hattiesburg Music Teachers League.
Approaches and Accommodations for Piano Students with Autism
Pianist Joy Parker Graves obtained a B.S. in Music Education from Maranatha Baptist University, a M.M. in Piano Pedagogy and Performance from Westminster Choir College, and a D.M.A. in Piano Performance from The University of Southern Mississippi under the instruction of former president of MMTNA Dr. Ellen Elder. Her dissertation, “Teaching Students Who Have Been Identified with Autism in the Private Piano Teaching Studio: An Application of General Music Resources and Interviews with Specialists in the Field,” involved teaching piano to students with autism. Her teaching background includes both classroom and private teaching. She has taught class piano at USM, general music and keyboard, as well as private piano lessons. Currently, she teaches private piano lessons at the Taylor School of Mississippi College as well as in her in-home piano studio, which is comprised mostly of students with autism. She is becoming known as a piano teacher in the Jackson area who is gifted at teaching students with autism. Joy Graves has studied with internationally renowned teacher and pianist Ingrid Clarfield. She has also studied pedagogy/keyboard literature under Paul Sheftel, and Phyllis Lehrer and observed lessons given by Marvin Blickenstaff at the New School of Music in Kingston, NJ.
Faculty Forum
Lawrence Goldman is a California native and has been a Mississippi resident for the past 45 years, where he was a member of the music faculty at Mississippi Valley State University from 1980 until his retirement in 2024. While there, he was the Keyboard Area Coordinator and departmental collaborative pianist, in addition to his teaching duties in studio piano and class piano. Goldman has appeared as a solo recitalist, chamber musician, and as soloist with orchestra in numerous areas of the United States and performed in over 500 recitals on the MVSU campus. He has served as an adjudicator on numerous occasions for MMTA, the Bach Festival, and the Sonata-Sonata Festival among others, and for over 25 years he founded and coordinated the annual MVSU Piano Festival.
Lecture Recital: Recently Exposed Haitian Music Available in Digital Format And How They Preserve Cross-Rhythms Between The Hands
Member's Recital
Pianist Dr. Bill Harned was born and raised in Starkville across the street from his grandfather’s dairy farm, who served as a state legislator for 24 years. He completed his B.A. at MSU with Dr. Sebba, his M.M. at LSU with Michael Gurt, and his D.A. at the University of Northern Colorado. His dissertation analyzed recently exposed compositions of the Haitian Méringue. More importantly, it provided performance practice for the Haitian quintolet rhythm, which only exists with its inventor from a document from 1882, and discovered how it preserves cross-rhythms to keep duple and tresillo-based triple meters independent between the hands. The traditional cinquillo rhythm cannot support this because it synchronizes to the duple meter. In 2023 Claude Dauphin, co-founder of the SRDMH archive and top Haitian musicologist, asked him to present his findings in Montreal at the symposium “Valorisation des Répertoires Musicaux Classiques Afro-Diasporiques.” These new digital editions from the SRDMH archive (www.srdmh.com) of Haitian music expose compositions going back to 1890 that were unknown outside Haiti. He also presented his findings at the 2023 MTNA National Conference and the 2021, 2022 and 2023 World Piano Conference online editions. Beforehand he presented “An Assessment of Technical Exercises for Piano Majors” in Serbia for the 2017 World Piano Conference.
Faculty Forum
A native of Nova Scotia, Ian Hominick earned his doctorate in Piano Performance from Ohio State University. He studied with and served as assistant to the legendary American pianist Earl Wild and also served as assistant to Tchaikovsky Competition silver-medalist André Laplante. As an active soloist, adjudicator and teacher, he maintained a busy schedule of concerts and master classes across the United States, Canada as well as in Europe and China. He has three critically-acclaimed CD’s to date and is in the final stages of a biography on the career of American pianist Earl Wild. Hominick currently serves as Piano Area Chair at the University of Mississippi; Artistic Director of the World Championship Old-Time Piano Playing Contest and is a past president of the Mississippi Music Teachers Association.
Member's Recital
Dr. Marcos Machado has forged a vibrant international career that bridges performance, pedagogy, and authorship. Praised by the Strad for his “incredibly fluid” technique and by Fanfare for his “musicianship and technical prowess,” Machado brings to his work a rare blend of expressive clarity, technical mastery, and scholarly insight. He is the only South American to hold both “Performance” and “Teaching” diplomas from the L’Institut International de Contrebasse de Paris, where he studied under the legendary François Rabbath. Machado completed his Doctor of Musical Arts degree at the University of Illinois at Urbana-Champaign with Michael Cameron and earned his earlier degrees under Milton Masciadri at the University of Georgia. An advocate for expanding the double bass repertoire, Machado has inspired composers to create new works for the instrument, and has also presented important South American premieres. His discography includes the critically acclaimed albums Metamorfora and Fantasy, recorded with pianist Ney Fialkow for Blue Griffin Recording. Machado is the author of Tao of Bass, a comprehensive four-volume exploration of double bass technique. He serves as Professor of Music at USM, where he directs the Southern Miss Bass Symposium and Bass by the Sea.
Expressivity at the Keys: Rocherolle as a Gateway to Romantic Literature
Dr. Christina Mathis began piano studies at the age of six and quickly fell in love with the instrument. She holds degrees from Judson College, Liberty University, and The University of Southern Mississippi, and is a Nationally Certified Teacher of Music in Piano. With more than a decade of experience as a K–12 music teacher and choral conductor, Dr. Mathis has taught students from preschool through the doctoral level. She is passionate about bringing music to life, introducing even the youngest learners to the joys of piano, and reshaping the often negative perceptions of piano pedagogy. As a collaborative pianist, she has performed with choirs, soloists, and instrumentalists throughout the Southeast and is especially dedicated to highlighting the works of lesser-known female composers. Currently, Dr. Mathis oversees the collaborative piano and piano pedagogy programs in the Winters School of Music, directs the Carey Music Academy, and maintains a thriving studio of both pre-college and college students. She is also the creator and host of the Coffee with Christina podcast, where she shares insight, encouragement, and practical strategies for piano teachers.
The Future of the Piano
Dan McElrath holds a Bachelors degree in Music Education from Furman University. He received his concert technical training at the C.F. Theodore Steinway Academy at the Steinway piano factory in Queens, N.Y., and the Yamaha Concert School in L.A. Dan has been a piano technician since 1983 and a Registered Piano Technician since 1996 where he served as the Pacific Northwest Regional Vice President (2010-2012) and a Tuning/Technical Examiner (2000-2010). He resides in Biloxi, MS. Dan serves as the Conductor and Artistic Director of the Mississippi Coast Chorale in his free time. He also continues to service pianos in Alaska and Maui and throughout the US.
Member's Recital
Critics praise pianist Elizabeth Moak’s Art Fire Soul: Piano Music of Judith Lang Zaimont for Moak’s “brio, assurance, and remarkable talent” (ResMusica, France) and “musicianship and panache” (Classical Net). Additionally, Romantic Transcriptions with flutist Danilo Mezzadri—featuring Franck, Hahn, Schumann—garnered favorable reviews. Moak studied at the Neuchâtel Conservatoire, Switzerland, and Peabody Conservatory with Leon Fleisher, Julian Martin, and Ann Schein. Winner of the ΜΦΕ International Competition, Moak has performed throughout the USA (including Hawaii and Puerto Rico) and internationally (Asia, Europe, Canada, South America---2025 in Colombia and Peru). Moak’s honors include a Teaching Fellow (Peabody), the Outstanding Young Faculty Award (Millsaps), Outstanding MMTA Teacher, and masterclasses across the USA, as well as in Taiwan, Peru, Brazil, Colombia, and China. Her students have been accepted into graduate programs in the USA, England, and France. Moak’s students have also won numerous competitions and awards (including multiple concerto competitions; an artist residency in Peru; and a performance in Steinway Hall as well as Carnegie’s Weill Recital Hall in New York) and are currently on the faculties of music schools including the New School for Music Studies founded by Frances Clark, University of West Georgia, and the Sichuan Conservatory of Music (China).
Member's Recital
Pianist Julia Mortyakova maintains an international performing career. She is the recipient of the 2026 and 2022 Performing Arts Fellowships from the Mississippi Arts Commission, the 2023-2024 MUW Excellence in Creative Activity Award, and the 2023 Programming Award from the International Alliance for Women in Music. She is a proud member of the Mississippi Artist Roster. 2025 performance schedule includes solo recitals, appearances with orchestras and lecture recital conference presentations in Colombia, Italy, Ireland as well as throughout the United States. Dr. Mortyakova serves as Professor and Chair of the Department of Music at the Mississippi University for Women and Artistic Director of the International Annual Music by Women Festival. Dr. Mortyakova’s teaching was recognized by the 2025 Kossen Faculty Excellence Award (MUW), the 2023-2024 MUW Excellence in Teaching in Creative Spaces Award, and the 2023 Steinway Top Piano Teacher Award. The Mortyakova/Bogdan Piano Duo are prize winners of the 2017 Ellis Duo Piano Competition. Professor Mortyakova is the author of Class Piano textbook method of individual and group piano study, in its second edition from Kendall Hunt publishing. She has released multiple solo and piano duo albums featuring music by women composers and available on all major streaming services.
Faculty Forum
Bret Pimentel teaches clarinet and saxophone at Mississippi State University. He is also Emeritus Professor of Music at Delta State University, where he taught oboe, clarinet, bassoon, saxophone, and jazz courses. Bret is the author of Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone, and a popular blog for woodwind players and educators. Bret has degrees in woodwind performance from the University of Georgia, Indiana University, and Brigham Young University.
Guest Artist Recital
Dr. Sanchez, NCTM, has been a faculty member at Jones College since 1995. She has received several teaching awards over her nearly 29 years of music and piano instruction, including the 2003 HEADWAE award, 2007 Humanities Teacher of the Year, and 2010 Faculty Excellence Award. She is a past president of the Mississippi MTA and the Hattiesburg Music Teachers League. Sanchez was a Southern Division winner in the MTNA Collegiate Artist Competition and served as an official accompanist for the Southern Division competitions for more than 30 years. She is music coordinator for FestivalSouth in Hattiesburg and an avid chamber music performer. Sanchez holds Bachelor of Music and Doctor of Musical Arts degrees from The University of Southern Mississippi and she earned her Master of Music degree at Louisiana State University.
Additionally, Dr. Sanchez has performed numerous solo and chamber music recitals and has been a soloist with the Mississippi Symphony Orchestra in addition to Meridian Symphony and the USM Symphony Orchestra and Wind Ensemble. She currently serves as Chamber Music Coordinator for the Hattiesburg Concert Association and FestivalSouth in Hattiesburg and has been active in arts management with the Vicksburg Chamber Music Festival.
She is listed on the Touring Artist Roster of the Mississippi Arts Commission and performs frequently with the Impromptu Piano Trio. In addition, she is Principal Keyboard with the Meridian and Gulf Coast Symphony Orchestras. Sanchez has been a long-time Official Accompanist for Southern Division competitions for that organization.
Member's Recital
Rosângela Sebba is Professor of Piano at Mississippi State University, coordinating the piano area and Community Music School. Her piano students earn top honors at competitions and conferences across regional, national, and international stages. An active clinician and adjudicator, she presents workshops, recitals and lecture-recitals in the Americas, Europe and Asia. Her performance career spans solo and chamber music, including the 2010 release Eight Sonatinas and Sonata for Piano Solo by M. Camargo Guarnieri and the 2017 Centaur Label CD Millennia Musicae. She reviews for American Music Teacher Magazine, College Music Society Symposium and Frances Clark Center for Keyboard Pedagogy. Dr. Sebba is a Steinway Artist and recipient of multiple accolades including Steinway Teacher of the Year (2022 and 2023), Mississippi Music Teachers Association Outstanding Teacher Award, and the 2024 MSU Grisham Master Teacher Award. A Mississippi Arts Commission Fellow, she remains a committed educator and advocate for Brazilian music.
Connecting Tradition to Contemporary: Pedagogical Approaches to Hee-Young Yang’s Piano Works Inspired by Korean Folk and Children's Songs
Jung-Won Shin, has appeared as an active piano teacher and solo and collaborative pianist at recitals and concerts in the U.S. Korea, Canada, and Europe. Her presentations and performances were featured in international and regional conferences of the College Music Society, the Music Teachers National Association (MTNA) TEMPO Virtual Conference, the New Music on the Bayou Festival in Monroe and Ruston, Louisiana, the Music in Action Conference in Los Angeles, the Lives of the Piano concert series at the Manhattan School of Music and the Beethoven Sonata Recital Series at the Yamaha Artist Services both in New York, Rising Stars Concerts at the Orford Summer Music Academy and Festival, the AIMS in Graz, Austria, and several recital and concert series in Korea. Her two collaborative CDs with soprano Amy Yeung and violinist Sue-Jean Park respectively have been released. The recipient of the 2023 S. E. Kossman Outstanding Teacher Award at Delta State University, Shin served as Professor of Music and Coordinator of the Piano Preparatory Program the University. She is currently Assistant Professor of Piano at New Mexico State University, a Nationally Certified Teacher of Music, and Immediate Past President at the Mississippi Music Teachers Association.