Ms Word Logo Design Download

Word logo designs are a great way to visually communicate a simple message. Logo design is an art all in itself and can be used to express the main message of your business. In fact, word logos have been around since the 1800s, when bottling companies designed their logos to tell what kind of product was inside the bottle without even needing to elaborate further.

Word logo makers allow the individual to create a well-designed logo from scratch. Not only does this eliminate the need to pay a designer, but also gives you full control over your design and allows you to see what it will actually look like as a finished product. The free word logos provided by GraphicSprings have all been designed by professional designers.

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When selecting a font for your word logo, it is important to pick something that is easy to read. Sans serif fonts are often not as legible as their serif counterparts, but can help convey an artistic or casual feel. Serif fonts are great for business logos because they give them a professional look and feel.

It is important to ensure that your word logo design fits in the area you would like it displayed. The size of your logo will largely depend on its use, but logos should never be less than 0.8 inches (20px) in height or width.

Our free online logo generator gives you hundreds of logo design options at no cost. Customize them and download your brand logo for free in high-resolution formats such as PNG, SVG vector files, and more.

Stitch is our custom design tool with hundreds of templates to help you launch, build, and grow your brand. These templates already include your logo and other branding elements. You can easily edit or modify your designs, or create new ones, at any time.

LOGO.com generates logo options from millions of different inputs (color, icons, font, size, layout, text), so the likelihood of someone recreating your exact logo is slim to none.

We do not remove the icons or other elements used in your logo after you have used them in our editor. But we are drawing from a pool of over five million icons so the chances of someone choosing the same icon as you are slim.

Need a logo for your site or business

cards? Forget all the hassles of going through a web agency... Try out our easy to use free logo maker and create a company logo by yourself in under 5 minutes! Create a logo in three easy steps: Enter your company name, choose your icon and customize your logo with our logo creator using our next level tools and styling effects.

Logo design doesn't get any easier then this! Our logo generator lets you experiment with different icons, fonts, and colors. Create multiple version of your logo and download high definition graphics files directly from your account! Keep track of your orders and manage your work on your user account. Need to make adjustments? Use our logo creator and modify your logo in minutes.

Our customer support team is at your service! Feel free to contact us about your logo design and get the advice you need from our friendly staff. Contact us by email or through our logo generator chat system and get answers instantly! Each and every icon available on Logogenie's logo generator have been custom designed by our team of graphics designers to give you the most unique templates.

In the days of hot metal typesetting, a logotype was one word cast as a single piece of type (e.g. "The" in ATF Garamond), as opposed to a ligature, which is two or more letters joined, but not forming a word.[2] By extension, the term was also used for a uniquely set and arranged typeface or colophon. At the level of mass communication and in common usage, a company's logo is today often synonymous with its trademark or brand.[3]

The Arts and Crafts Movement of late-19th century, partially in response to the excesses of Victorian typography, aimed to restore an honest sense of craftsmanship to the mass-produced goods of the era.[13] A renewal of interest in craftsmanship and quality also provided the artists and companies with a greater interest in credit, leading to the creation of unique logos and marks.

By the 1950s, Modernism had shed its roots as an avant-garde artistic movement in Europe to become an international, commercialized movement with adherents in the United States and elsewhere. The visual simplicity and conceptual clarity that were the hallmarks of Modernism as an artistic movement formed a powerful toolset for a new generation of graphic designers whose logos embodied Ludwig Mies van der Rohe's dictum, "Less is more." Modernist-inspired logos proved successful in the era of mass visual communication ushered in by television, improvements in printing technology, and digital innovations.

The current era of logo design began in the 1870s[citation needed] with the first abstract logo, the Bass red triangle. As of 2014[update], many corporations, products, brands, services, agencies, and other entities use an ideogram (sign, icon) or an emblem (symbol) or a combination of sign and emblem as a logo. As a result, only a few of the thousands of ideograms in circulation are recognizable without a name. An effective logo may consist of both an ideogram and the company name (logotype) to emphasize the name over the graphic, and employ a unique design via the use of letters, colors, and additional graphic elements.

Ideograms and symbols may be more effective than written names (logotypes), especially for logos translated into many alphabets in increasingly globalized markets. For instance, a name written in Arabic script might have little resonance in most European markets. By contrast, ideograms keep the general proprietary nature of a product in both markets. In non-profit areas, the Red Cross (varied as the Red Crescent in Muslim countries and as the Red Star of David in Israel) exemplifies a well-known emblem that does not need an accompanying name. The red cross and red crescent are among the best-recognized symbols in the world. National Red Cross and Red Crescent Societies and their Federation as well as the International Committee of the Red Cross include these symbols in their logos.

Branding can aim to facilitate cross-language marketing.[14] Consumers and potential consumers can identify the Coca-Cola name written in different alphabets because of the standard color and "ribbon wave" design of its logo. The text was written in Spencerian Script, which was a popular writing style when the Coca-Cola Logo was being designed.[15]

Since a logo is the visual entity signifying an organization, logo design is an important area of graphic design. A logo is the central element of a complex identification system that must be functionally extended to all communications of an organization. Therefore, the design of logos and their incorporation in a visual identity system is one of the most difficult and important areas of graphic design. Logos fall into three classifications (which can be combined). Ideographs, such as Chase Bank, are completely abstract forms; pictographs are iconic, representational designs; logotypes (or wordmarks) depict the name or company initials. These elements can be combined in a set position and relative size in a logo lock-up, so named because elements are "locked" together and should not be broken apart or resized individually.[16] Because logos are meant to represent companies' brands or corporate identities and foster their immediate customer recognition, it is counterproductive to frequently redesign logos.

The logo design profession has substantially increased in numbers over the years since the rise of the Modernist movement in the United States in the 1950s.[17] Three designers are widely[18] considered the pioneers of that movement and of logo and corporate identity design: The first is Chermayeff & Geismar,[19] which is the firm responsible for many iconic logos, such as Chase Bank (1964), Mobil Oil (1965), PBS (1984), NBC (1986), National Geographic (2003), and others. Due to the simplicity and boldness of their designs, many of their earlier logos are still in use today. The firm recently designed logos for the Library of Congress and the fashion brand Armani Exchange. Another pioneer of corporate identity design is Paul Rand,[20] who was one of the originators of the Swiss Style of graphic design. He designed many posters and corporate identities, including the famous logos for IBM, UPS, and ABC. The third pioneer of corporate identity design is Saul Bass.[21] Bass was responsible for several recognizable logos in North America, including both the Bell Telephone logo (1969) and successor AT&T Corporation globe (1983). Other well-known designs were Continental Airlines (1968), Dixie (1969), and United Way (1972). Later, he would produce logos for a number of Japanese companies as well.An important development in the documentation of logo design is the study of French trademarks by historian Edith Amiot and philosopher Jean Louis Azizollah.[22]

Color is a key element in logo design and plays an important and potentially vital role in brand differentiation. Colors can have immense consequences on our moods. They are remarkably dominant to the point that they can psychologically manipulate perspectives, emotions, and reactions.[23] The importance of color in this context is due to the mechanics of human visual perception wherein color and contrast play critical roles in visual detail detection. In addition, we tend to acquire various color connotations and color associations through social and cultural conditioning, and these play a role in how we decipher and evaluate logo color. While color is considered important to brand recognition and logo design, it should not conflict with logo functionality, and it needs to be remembered that color connotations and associations are not consistent across all social and cultural groups. For example, in the United States, red, white, and blue are often used in logos for companies that want to project patriotic feelings but other countries will have different sets of colors that evoke national pride. e24fc04721