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The app got corrupted while I had my phone on idle, which meant I couldn't find the app on my normal home menu and if I checked my storage, only a weird file (which must of been my data) appeared. So I had to uninstall and reinstall, and I made the mistake of uninstalling my data instead of the app in google play. It deleted all my drawings and WIPs, which has been extremely devastating for me. Is there any way I can restore this data and get my files back?

Clip Studio Paint is optimized for drawing and painting, making it ideal for illustrators. The painting brushes are highly customizable and easy to use. There's a thriving community of users who constantly contribute to the online materials library. Clip Studio Paint is also ideal for illustrators who specialize in linework. The smoothness of lines, lack of lag while drawing, as well as the vector output make drawing very fun and efficient.

Ms Paint Drawings Download

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CSP is a versatile digital painting program great for painting and inking with many unique features.

One of my favourites is the perspective ruler which is super useful and convenient for planning or drawing backgrounds!

I use paint.net (obviously) to clean up and resize the drawing; however, I am very new to paint.net. I understand most of the basic tools but I am very inexperienced at some of the more powerful features.

A (nasty) workaround for the question would be overriding the necessary paint method of JFrame, draw your upper part, translate the graphics context by some 100 pixels and call inherited paint methods to draw the bottom part. (Note that you'll have layout manager issues, as the layout manager won't see the 100px height of the upper part. However, if you're using an absolute layout, it could work. Hacks, hacks hacks :(

In archaeology, cave paintings are a type of parietal art (which category also includes petroglyphs, or engravings), found on the wall or ceilings of caves. The term usually implies prehistoric origin. These paintings were often created by Homo sapiens, but also Denisovans and Neanderthals; other species in the same Homo genus. Discussion around prehistoric art is important in understanding the history of the Homo sapiens species and how we have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.

In November 2018, scientists reported the discovery of the then-oldest known figurative art painting, over 40,000 (perhaps as old as 52,000) years old, of an unknown animal, in the cave of Lubang Jeriji Salh on the Indonesian island of Borneo.[9][10] In December 2019, cave paintings portraying pig hunting within the Maros-Pangkep karst region in Sulawesi were discovered to be even older, with an estimated age of at least 43,900 years. This remarkable finding was recognized as "the oldest known depiction of storytelling and the earliest instance of figurative art in human history."[11][12]

Nearly 350 caves have now been discovered in France and Spain that contain art from prehistoric times. Initially, the age of the paintings had been a contentious issue, since methods like radiocarbon dating can produce misleading results if contaminated by other samples,[13] and caves and rocky overhangs (where parietal art is found) are typically littered with debris from many time periods. But subsequent technology has made it possible to date the paintings by sampling the pigment itself, torch marks on the walls,[14] or the formation of carbonate deposits on top of the paintings.[15] The subject matter can also indicate chronology: for instance, the reindeer depicted in the Spanish cave of Cueva de las Monedas places the drawings in the last Ice Age.

The oldest known cave painting is a red hand stencil in Maltravieso cave, Cceres, Spain. It has been dated using the uranium-thorium method[15] to older than 64,000 years and was made by a Neanderthal.[8] The oldest date given to an animal cave painting is now a depiction of several human figures hunting pigs in the caves in the Maros-Pangkep karst of South Sulawesi, Indonesia, dated to be over 43,900 years old.[12] Before this, the oldest known figurative cave paintings were that of a bull dated to 40,000 years, at Lubang Jeriji Salh cave, East Kalimantan, Indonesian Borneo,[16] and a depiction of a pig with a minimum age of 35,400 years at Timpuseng cave in Sulawesi.[5]

The earliest known European figurative cave paintings are those of Chauvet Cave in France, dating to earlier than 30,000 BC in the Upper Paleolithic according to radiocarbon dating.[17] Some researchers believe the drawings are too advanced for this era and question this age.[18] More than 80 radiocarbon dates had been obtained by 2011, with samples taken from torch marks and from the paintings themselves, as well as from animal bones and charcoal found on the cave floor. The radiocarbon dates from these samples show that there were two periods of creation in Chauvet: 35,000 years ago and 30,000 years ago.[19] One of the surprises was that many of the paintings were modified repeatedly over thousands of years, possibly explaining the confusion about finer paintings that seemed to date earlier than cruder ones.[citation needed]

In 2009, cavers discovered drawings in Coliboaia Cave in Romania, stylistically comparable to those at Chauvet.[20] An initial dating puts the age of an image in the same range as Chauvet: about 32,000 years old.[21]

In Australia, cave paintings have been found on the Arnhem Land plateau showing megafauna which are thought to have been extinct for over 40,000 years, making this site another candidate for oldest known painting; however, the proposed age is dependent on the estimate of the extinction of the species seemingly depicted.[22] Another Australian site, Nawarla Gabarnmang, has charcoal drawings that have been radiocarbon-dated to 28,000 years, making it the oldest site in Australia and among the oldest in the world for which reliable date evidence has been obtained.[23]

Other examples may date as late as the Early Bronze Age, but the well-known Magdalenian style seen at Lascaux in France (c. 15,000 BC) and Altamira in Spain died out about 10,000 BC, coinciding with the advent of the Neolithic period. Some caves probably continued to be painted over a period of several thousands of years.[24]

The next phase of surviving European prehistoric painting, the rock art of the Iberian Mediterranean Basin, was very different, concentrating on large assemblies of smaller and much less detailed figures, with at least as many humans as animals. This was created roughly between 10,000 and 5,500 years ago, and painted in rock shelters under cliffs or shallow caves, in contrast to the recesses of deep caves used in the earlier (and much colder) period. Although individual figures are less naturalistic, they are grouped in coherent grouped compositions to a much greater degree. Over a long period of time, the cave art has become less naturalistic and has graduated from beautiful, naturalistic animal drawings to simple ones, and then to abstract shapes.

Cave artists use a variety of techniques such as finger tracing, modeling in clay, engravings, bas-relief sculpture, hand stencils, and paintings done in two or three colors. Scholars classify cave art as "Signs" or abstract marks. [25] The most common subjects in cave paintings are large wild animals, such as bison, horses, aurochs, and deer, and tracings of human hands as well as abstract patterns, called finger flutings. The species found most often were suitable for hunting by humans, but were not necessarily the actual typical prey found in associated deposits of bones; for example, the painters of Lascaux have mainly left reindeer bones, but this species does not appear at all in the cave paintings, where equine species are the most common. Drawings of humans were rare and are usually schematic as opposed to the more detailed and naturalistic images of animal subjects. Kieran D. O'Hara, geologist, suggests in his book Cave Art and Climate Change that climate controlled the themes depicted.[26]Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal. Sometimes the silhouette of the animal was incised in the rock first, and in some caves all or many of the images are only engraved in this fashion,[citation needed] taking them somewhat out of a strict definition of "cave painting".

Similarly, large animals are also the most common subjects in the many small carved and engraved bone or ivory (less often stone) pieces dating from the same periods. But these include the group of Venus figurines, which with a few incomplete exceptions have no real equivalent in Paleolithic cave paintings.[27] One counterexample is a feminine figure in the Chauvet Cave, as described in an interview with Dominique Baffier in Cave of Forgotten Dreams.[28]Hand stencils, formed by placing a hand against the wall and covering the surrounding area in pigment result in the characteristic image of a roughly round area of solid pigment with the uncoloured shape of the hand in the centre, these may then be decorated with dots, dashes, and patterns. Often, these are found in the same caves as other paintings, or may be the only form of painting in a location. Some walls contain many hand stencils. Similar hands are also painted in the usual fashion. A number of hands show a finger wholly or partly missing, for which a number of explanations have been given. Hand images are found in similar forms in Europe, Eastern Asia, Australia, and South America.[29] One site in Baja California features handprints as a prominent motif in its rock art. Archaeological study of this site revealed that, based on the size of the handprints, they most likely belonged to the women of the community. In addition to this, they were likely used during initiation rituals in Chinigchinich religious practices, which were commonly practiced in the Luiseo territory where this site is located.[30] 2351a5e196