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Such Pretty Forks in the Road is the upcoming ninth studio album by Canadian-American singer-songwriter Alanis Morissette, set to be released on July 31, 2020, through Epiphany Music and Thirty Tigers in North America, and by RCA and Sony Music in the United Kingdom and Europe.[2] It is Morissette's first studio album in eight years, following 2012's Havoc and Bright Lights.[3] The album was preceded by the singles "Reasons I Drink"[4] and "Smiling", the latter being a new song written for the Jagged Little Pill stage musical.
Each song on the record has been produced with the utmost care, aided by producers Alex Hope (Troye Sivan, Carly Rae Jepsen) and Catherine Marks (Foals, The Big Moon). You can feel the weight of the piano keys and sense the reverb on the mic, or its absence when Morissette lays her isolated vocals bare to stunning effect on “Her”. Opener “Smiling” nods to Radiohead’s “My Iron Lung”; Morissette’s lilting vocal melody in particular recalls Thom Yorke’s keening falsetto.
As with the rest of humanity, Alanis Morissette’s big plans for 2020 haven’t quite worked out. With the hit musical of Jagged Little Pill running strong on Broadway as the year began, she was going to release her first album in eight years, the wrenching Such Pretty Forks in the Road, in May and then tour for the 25th anniversary of her debut. The new album is still coming out — now on July 31st — but the rest of it has evaporated. “It’s the classic stages of grief,” says Morissette. As for the nearly decade-long wait between studio albums, there’s an all-too-simple explanation, she adds with a laugh: “I think it’s straight-up having three children.”
TRACKLIST >>>
1. Smiling
2. Ablaze
3. Reasons I Drink
4. Diagnosis
5. Missing The Miracle
6. Losing The Plot
7. Reckoning
8. Sandbox Love
9. Her
10. Nemesis
11. Pedestal
“Such Pretty Forks in the Road” arrives three months later than its originally scheduled May 1 debut. Morissette has no doubt pushing the release was the right call. It's a decision numerous other artists have made as well.
"It felt really counterintuitive to be putting anything out," she says. "It was like, 'Do they really want to hear some brunette girl from Ottawa, Canada, share her crises