At D-Generation X: In Your House on December 7, 1997, Stone Cold Steve Austin defeated the Rock in under six minutes to retain the Intercontinental Championship.[83] The next night on Raw Is War, Austin was ordered by Mr. McMahon to defend the title in a rematch, but forfeited it to the Rock instead, handing him the title belt before hitting him with the Stone Cold Stunner.[84][85] The Rock feuded with Austin and Ken Shamrock through the end of 1997 and beginning of 1998.[86][87] On January 19, 1998, at the Royal Rumble, the Rock defeated Shamrock by disqualification to retain the Intercontinental title. Later that night, he entered the Royal Rumble match and lasted until the final two before he was eliminated by Stone Cold Steve Austin. On March 29, at WrestleMania XIV, he defeated Shamrock by disqualification once again to retain the title. The next night, on Raw is War, the Rock debuted a new Intercontinental Championship design and would later overthrow Faarooq as leader of the Nation of Domination to spark a feud between the two. He then successfully defended the Intercontinental title against Faarooq at Over the Edge: In Your House on May 31. The stable would then refer to themselves as simply "The Nation".[88]

The Rock and the Nation then feuded with Triple H and D-Generation X, with the two stable leaders first meeting in the quarter-final of the 1998 King of the Ring tournament, which the Rock won. At King of the Ring, the Rock defeated Dan Severn in the semi-final match and lost to rival Ken Shamrock in the final. The Rock then resumed his feud with Triple H, as the two had a two out of three falls match at Fully Loaded: In Your House for the Intercontinental title, which the Rock retained in controversial fashion.[89] This led to a ladder match at SummerSlam on August 30, 1998, where the Rock lost the title.[90]

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The Rock made a surprise return on a June episode of Raw before going to his assigned brand of SmackDown!. There, he was named the number one contender for the WWE Undisputed Championship, which he won for a record-setting seventh time at Vengeance, on July 21, by defeating Kurt Angle and then-champion The Undertaker in a Triple Threat match.[157][158] The Rock successfully defended the title at the Global Warning event against Triple H and Brock Lesnar after pinning Triple H.[159] On August 25, at SummerSlam, after interference from Lesnar's manager Paul Heyman, the Rock lost the WWE Undisputed Championship to Lesnar along with the record for the youngest WWE Champion, which he had set in 1998.[160] In 2018, writing for ESPN.com, Sean Coyle noted in a retrospective review of the event, that following his victory over Hulk Hogan at WrestleMania X8, the Rock "started to see a dip in fan support" and "that dip turned into a plunge" by the time Rock had his match with Lesnar at SummerSlam because fans knew he was leaving WWE to pursue an acting career, as evidenced by the negative crowd response during his match with Lesnar.[161][162] After SummerSlam ended, the Rock was visibly angry at the crowd reaction. When he tried to do a post-show speech for the crowd, the fans booed him.[163] The Rock then took time off to kickstart his acting career.[164]

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock"[3] period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock with extended artistic elements, glam rock, highlighting showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s.

Rock has also embodied and served as the vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the U.K., the hippie movement and the wider Western counterculture movement that spread out from San Francisco in the U.S. in the 1960s, the latter of which continues to this day. Similarly, 1970s punk culture spawned the goth, punk, and emo subcultures. Inheriting the folk tradition of the protest song, rock music has been associated with political activism as well as changes in social attitudes to race, sex, and drug use, and is often seen as an expression of youth revolt against adult consumerism and conformity. At the same time, it has been commercially highly successful, leading to accusations of selling out..mw-parser-output .toclimit-2 .toclevel-1 ul,.mw-parser-output .toclimit-3 .toclevel-2 ul,.mw-parser-output .toclimit-4 .toclevel-3 ul,.mw-parser-output .toclimit-5 .toclevel-4 ul,.mw-parser-output .toclimit-6 .toclevel-5 ul,.mw-parser-output .toclimit-7 .toclevel-6 ul{display:none}

The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll.[5] It was also greatly influenced by the sounds of electric blues guitarists.[6] The sound of an electric guitar in rock music is typically supported by an electric bass guitar, which pioneered in jazz music in the same era,[7] and by percussion produced from a drum kit that combines drums and cymbals.[8] This trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, the Hammond organ, and the synthesizer.[9] The basic rock instrumentation was derived from the basic blues band instrumentation (prominent lead guitar, second chordal instrument, bass, and drums).[6] A group of musicians performing rock music is termed as a rock band or a rock group. Furthermore, it typically consists of between three (the power trio) and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer, and often keyboard player or other instrumentalist.[10]

Rock and roll was conceived as an outlet for adolescent yearnings ... To make rock and roll is also an ideal way to explore intersections of sex, love, violence, and fun, to broadcast the delights and limitations of the regional, and to deal with the depredations and benefits of mass culture itself.

Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, sex, rebellion against "The Establishment", social concerns, and life styles.[11] These themes were inherited from a variety of sources such as the Tin Pan Alley pop tradition, folk music, and rhythm and blues.[18] Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, and asserts that rock's primary "function" "pertains to music, or, more generally, noise."[19] The predominance of white, male, and often middle class musicians in rock music has often been noted,[20] and rock has been seen as an appropriation of Black musical forms for a young, white and largely male audience.[21] As a result, it has also been seen to articulate the concerns of this group in both style and lyrics.[22] Christgau, writing in 1972, said in spite of some exceptions, "rock and roll usually implies an identification of male sexuality and aggression".[23]

Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has usually been contrasted with pop music, with which it has shared many characteristics, but from which it is often distanced by an emphasis on musicianship, live performance, and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development.[24] According to Simon Frith, rock was "something more than pop, something more than rock and roll" and "[r]ock musicians combined an emphasis on skill and technique with the romantic concept of art as artistic expression, original and sincere".[24]

The foundations of rock music are in rock and roll, which originated in the United States during the late 1940s and early 1950s, and quickly spread to much of the rest of the world. Its immediate origins lay in a melding of various black musical genres of the time, including rhythm and blues and gospel music, with country and western.[27]

Debate surrounds the many recordings which have been suggested as "the first rock and roll record". Contenders include "Strange Things Happening Every Day" by Sister Rosetta Tharpe (1944);[28] "That's All Right" by Arthur Crudup (1946);[29] "The House of Blue Lights" by Ella Mae Morse and Freddie Slack (1946);[30] Wynonie Harris' "Good Rocking Tonight" (1948);[31] Goree Carter's "Rock Awhile" (1949);[32] Jimmy Preston's "Rock the Joint" (1949), which was later covered by Bill Haley & His Comets in 1952;[33] and "Rocket 88" by Jackie Brenston and his Delta Cats (in fact, Ike Turner and his band the Kings of Rhythm), recorded by Sam Phillips for Chess Records in 1951.[34] 0852c4b9a8

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