However, after months of speculation, while discussing the album's direction in interview with Jimmy Kimmel Live!, Grande revealed that she was no longer sure of the name, and that she might re-title the album after another song on the album.[15] "A really long time ago I was convinced that it was going to be called Moonlight because its [sic] one of my favorite songs that we did for the album," the singer explained. "And now, as we're wrapping things up, of course I've been writing and singing, we're at the final stretch... now there's this other song that has thrown me for a whirlwind and I love it so much, it's changed everything."[16] She announced the new title of the album, Dangerous Woman, on February 22, 2016, through her Snapchat and Twitter accounts.[17] The following day, she posted a photo on Instagram with a caption quoting Egyptian feminist writer Nawal El Saadawi's 1975 novel, Woman at Point Zero as follows: "They said, 'You are a savage and dangerous woman.' I am speaking the truth. And the truth is savage and dangerous".[18] As to why the album name was changed, Grande stated that it had to do with portraying herself as a stronger person and to empower fans, saying:

"'Moonlight' is a lovely song, and it's a lovely title. It's really romantic, and it definitely ties together the old music and the new music, but 'Dangerous Woman' is a lot stronger. ... To me, a dangerous woman is someone who's not afraid to take a stand, be herself and to be honest."


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In October 2015, Grande released "Focus" as the intended lead single from her third studio album, titled Moonlight at the time.[3] The song was an immediate success, reaching the top ten on various charts worldwide.[4] Although stating that the song was the perfect transition from her previous record to the new one, Grande ended up changing the album's title to Dangerous Woman, following which the title track was made available for digital consumption.[5][6] On February 25, 2016, Grande launched a website titled dangerouswoman.com to promote the album and its lead single.[7] Later, on March 1, 2016, she released the song's first preview, containing few of the recording's lyrics and some "studio chatter".[8] On March 10, 2016, Grande premiered a one-minute preview during CBS' Victoria's Secret Swim Special, before finally releasing "Dangerous Woman" for digital download the next day.[9][10] Four days later, the track was sent to United States contemporary hit radio.[11]

The arena rock chorus[6] consist of the line, ""Somethin' 'bout you makes me feel like a dangerous woman", with Grande repeating the phrase's beginning at the end of each line. The refrain is backed by distorted synths and the guitar riff present during the first verse.[20][28][10][29][30] Following the second chorus, Grande sings the hook, "All girls wanna be like that/Bad girls underneath, like that/You know how I'm feeling inside" accompanied by an electronic riff[10] reminiscent of trap music.[22][31] A reviewer from Sputnikmusic noted that the track's lyrics are "a cross between sexually charged and fully empowering."[32] Commenting about the lyrical content of "Dangerous Woman", Grande stated: "This song is about an empowered woman who meets another person that brings out a different side of her. It's her decision to put her fears aside and explore these new feelings. It's about letting someone into your life in an intimate and vulnerable way and not letting that take away from your independence and strength."[27]

The song received critical acclaim. Carolyn Menyes of Music Times complimented the song's time signature for adding "a bit of a waltz flavor, channeling the old school Ariana that fans first fell in love with", adding that "a sultry, distorted guitar line and Grande's passionate, soaring vocals add a sense of texture and modernity that makes 'Dangerous Woman' feel as powerful as the title."[33] A writer of NME felt that Grande "shows herself as someone who continues to be determined to challenge the norm." The publication as well pointed out that "[the song] does sound empowered, even if it doesn't sound especially dangerous for her in the wake of her 2014 collaboration 'Love Me Harder' with The Weeknd."[34] Writing for Idolator, Robbie Daw, Carl Williot and Mike Wass reviewed "Dangerous Woman" during their "Pop Perspective" article, with Daw calling it "one walk of danger worth taking", Williot praising her vocal performance and highlighting the "clever little flip of '(You Make Me Feel Like) A Natural Woman'", and Wass naming it a "decent song" but noting that "[she] still hasn't found her own lane."[16] Lewis Corner from Digital Spy praised Grande's vocals, describing as "angelic" and completed writing it "almost sound too pure over the seductive guitar line and prowling beat, which threatens to blindfold you and tie up your wrists within one listen.".[24] Reviewing the album with the same name, the editor from Sputnikmusic described the song as "the first moment that the album really shows flashes of becoming something special," and continued, "as it sways to a seductive beat that feels like it was extrapolated from the most revealing scene of a James Bond film."[32] Quinn Maryland of Pitchfork shared similar opinion, the reviewer described it as "a slinky, empowered, Bond theme of a belter;"[35]

Brennan Carley of Spin opined that "without a doubt, the most mature piece of music she's released to date. [...] The song is smart, sexy, captivating, and sung to total perfection."[18] Tufayel Ahmed from Newsweek as well praised the song's maturity.[36] Vulture.com's Sean Fitz-Gerald expressed that "Dangerous Woman" "flaunts the pop star's vocal control, starting out as a seductive whisper and slowly swelling into a heavy, swaying ear worm".[37] Writing for AXS, Lucas Villa compared the song to The Weeknd's 2014 single "Earned It", saying that Grande "embrace[s] her grown woman side." He also added that "Ariana's powerful pipes take femme fatale to a whole new level."[22] Maeve McDermott of USA Today considered it "her own version of a slinky Bond theme",[38] while Jessie Morris of Complex called it "enchanting".[39] Ailbhe Malone from Irish Times described the recording as "slinky and sexy, but tongue-in-cheek too. Imagine it as part of a Spotify playlist with Selena Gomez's 'Hands to Myself' and you're on the right track."[40] Rolling Stone wrote that "the thrush-size diva with the five-alarm vocal power knocks out a sumptuously bluesy ode to her own awesomely lethal ladyhood."[41] The magazine also named "Dangerous Woman" one of the thirty best songs of the first half of 2016: "This sultry, clever, bluesy stalk is full of unlikely patterns and pitch jumps, not to mention a guitar solo that explodes into Nintendo pixels and a vocodered outro. But for all its unique filigrees, there's an unstoppable chorus for one of pop's most pyrotechnic voices."[25]

On January 11, 2016, Grande removed "moonlight" from her Twitter bio which made fans suspicious. She responded by saying "you'll see" and then revealed she was debating to rename the album over a new song she had recorded.[21] On January 14, Grande appeared on Jimmy Kimmel and confirmed that she was still deciding to change it. On January 21, 2016, Grande posted a picture on Instagram that said "dw" hinted to fans at the possible new title.[22] On January 31, 2016, Grande posted a photo on Instagram of her shirt covered up saying, "I can't tell you what this shirt says yet."[23] On February 3, 2016, Grande performed new music at the iHeartRadio Summit (although it's closed to the public and only a few pictures were released).[24][25] Grande was seen playing the guitar and using a vocoder, which are both new for her.[26][27] The shirt she wore (which was the shirt previously mentioned) could only be partially seen although fans concluded it said, "Dangerous Woman" which they presumed could be the new title. On February 22, 2016, Grande confirmed the name of the album to be "Dangerous Woman" on Snapchat.[28] On February 24, 2016, Grande launched a new website (dangerouswoman.com) to dedicate to album updates. The next day she revealed via the website that she would be performing "Dangerous Woman" and "Be Alright" on Saturday Night Live on March 12, 2016. On February 29, 2016, Grande held a live stream in which she confirmed that there would be 15 tracks on the US edition of the album, with more on special editions. In addition, she revealed that there would be 3 features (later it was changed to 4).

She plays a woman named Martha, who is slow, or somewhat retarded, or whatever word you want to use. She can function in the world, and even hold a job at the dry cleaners, but she is odd in her behavior, and children in the street feel safe to follow and mock her. Her home is the guest cottage next to the big house occupied by a close relative, Frances (Barbara Hershey), who has sort of inherited Martha as a responsibility.

I guess human stories have to be linked up to the mechanics of a plot in order to get financed, or to find an audience. No one would have wanted to see a movie that simply watched and listened with sympathy to the events in the daily life of a moderately retarded woman. But why is it that violence has to be involved? Why do so many plots depend on violence as the shortcut for creating dramatic tension. What do Martha and her job and her simple hopes have to do with all these distraught scenes in the police station, and all that blood? Look at another current movie, "Ruby in Paradise," which by setting itself free from the contrivances of sensational plotting allows itself to be deep and true.

But he functions too much as an invention of the plot, dropped into the story to busily make speeches and love. He doesn't have much to do with the real lives of the two women. Then there is another character handled carelessly: the wife of Frances' politician lover, who drove her car into the porch. This woman reappears in the movie at an important juncture and takes her husband back, and it's all handled in long shots, without explanation, so that we can see she's just a convenience for the screenwriter. e24fc04721

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