Mokoto Glitch 2 Font is an experimental font that gives the appearance of a digital glitching effect. Inspired by modern fonts and slicing images in error systems, to create something different and compelling.

Magz is very smooth and beautiful font that is perfect for all commercial designs. This font is suitable to use in a variety of case designs, like banners, t-shirts, logos, name cards and etc.


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The Westwood Font Editor is an editor specifically designed for editing indexed bitmap fonts. It is developed by Nyerguds. It can edit fonts from a very wide variety of games, though the majority of supported types are those from the games developed by Westwood Studios and Sierra/Dynamix.

The tool was originally created to edit the font files in Command & Conquer, but was soon expanded to support all known indexed bitmap font types created by Westwood Studios. After a request from the translation community at OldGamesItalia, research was started on implementing the fonts of the Sierra/Dynamix games. As cooperation with OldGamesItalia continued, increasingly more fonts of old DOS games were added.

It is a straightforward pixel editor, with tile selection on the left, the editor in the middle, and colour selection on a palette to the right. In addition to a series of generated palettes, palettes can be added in classic 6-bit RGB 256-colour palette format, the format used by most Westwood Studios games. For 4-bit fonts, one such 256-colour palette can be used as a 16-entry set of 16-colour palettes, with names for these sub-palettes given by an accompanying ini file.

The font editor can open and edit fonts, can convert fonts between all the supported types, and, starting from v1.12, also contains the ability to create new font files from scratch. There is currently no import or export function to normal image types, though the font editor does have clipboard support for both copying and pasting symbols, and for copying the bitmap generated by the editor's preview pane.

Since the Font Editor's main purpose is translations of games to languages that require new characters or new character variations with diacritics, it features a list of all known 8-bit ASCII-compatible text encodings, so the list at the side can accurately show the characters to create no matter the targeted code page. The preview pane, likewise, adapts to this chosen text encoding to convert the typed text to 8-bit font indices, so the preview text can be generated correctly.

Note that like many game files, fonts are often stored in game archives that require them to be extracted first. In fact, some of the supported games have no external font files, and the font data needs to be extracted from the exe file to allow editing it, and reinserted afterwards.

Because the font editor's preview pane offers the ability to copy the generated preview text, the editor is also frequently used for reconstructing text used on images that is not in the games as actual font files. The basic method is to reconstruct the font using the available text and generate the new text using the preview text box. This technique was first used on the build icons of Command & Conquer in the Ukranian translation pack.

Some new features were added specifically for this use. The preview pane got an added option to copy its contents with transparent background, and as of version 1.12.3, the editor has a "drop shadow" function which can generate shadow under text by adding copies underneath it at specified offsets in a specified colour. Notably, this allows adding shadows that could not be added in the font itself because they overlap with neighbouring symbols.

They are fully installable font files, able to be used in any software program for testing and comping purposes. They are not allowed to be used in a final project (whether personal or commercial) without purchasing a license.

Offroad grabs hold of that unique pseudo-unicase style and runs with it to create a range of widths and weights that are perfect for historical through modern use. It embodies the hardcore motocross rigidity from the limited inspiration of the original logotype and expands to include a full and expansive glyph set, and a comprehensive range of widths and weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers.

Great graphic design is powered by great font selection. But picking great fonts is a challenge for most people. Luckily, Canva has made adding great fonts to your designs much easier. In this tutorial, our team of design experts will cover the best racing fonts in Canva.

Racing fonts, often seen on car logos, racing team branding, or sports merchandise, are characterized by their dynamic, bold, and striking attributes. Here are some characteristics typically associated with racing fonts:

Racing Sans One is a display font designed by Impallari Type. The font is a tribute to the high contrast sans-serif typefaces that were used in the late 18th century, before the introduction of Helvetica and Univers. Racing Sans One features a bold and distinctive style with thick and thin lines that create a strong contrast. The font is perfect for use in branding, posters, headlines, and other design projects where a bold and eye-catching font is desired.

Carter One is a bold and condensed display font with strong geometric letterforms. It features sharp corners and angular strokes, giving it a modern and edgy look. The letters have a high contrast between thick and thin lines, creating a visually striking impact. Carter One is often used for headlines, titles, and other attention-grabbing typography.

Bungee Shade is a display font that features a unique 3D shading effect. The characters appear as if they are popping out of the page, with a shadow cast below them. The font has a bold and playful style, with rounded edges and thick strokes. It is designed to be attention-grabbing and is well-suited for use in headings, titles, and other large text settings.

Magz is a sans-serif font designed by Fontfabric. It has a modern and minimalistic look with clean lines and rounded edges. The letters are slightly condensed with a generous x-height, making it easy to read even at small sizes.

Gennaro Rough is a distressed and grungy font with a hand-drawn appearance. It features irregular and rough edges, simulating the look of ink or paint applied with a brush or pen. The letters have an organic and textured feel, giving a sense of artistic expression and rebelliousness. Gennaro Rough is often utilized in designs that require a rugged and edgy style.

Rubik One is a sans-serif font designed by Philipp Hubert and Sebastian Fischer at Hubert and Fischer. It is part of the Rubik font family, which was designed as part of the Chrome Cube Lab project. Rubik One is a monospaced variation of the Rubik font family, which means that each character has the same width. The font features a clean and modern design with a slightly rounded corners and a geometric structure. Rubik One is perfect for use in branding, logos, headlines, posters, and other design projects where a modern and sophisticated look is desired.

Hounder Font is a display font with old school and rough style font. This font is carefully crafted on each letter so we can make sure it looks good and delivers the perfect base case. This one should make your designs instantly professional and jaw-dropping!

Thank you for looking this font. This is a chunky bold typeface, the geometric, tempered by softened edges and vibrant shapes. Perfect for any fun quirky design work! Introducing Hanson Bold Font! HANSON BOLD Is the latest font from Hanson Method. Works well for bold strong brand identities

Rough Splash Font is a handwritten bold and rough typeface with dry brush texture. With strong and expressive characters, this font creates a unique and striking appearance, perfect for capturing the attention of the target audience.

The Oakley official logo today uses a custom bold sans-serif font. The official font is copyrighted and owned by the company. But you can find similar fonts online through various custom font websites. Keep reading for older Oakley fonts in the companies history.

In 1975, Jim Jannard, an avid motocross fan, revolutionized the sport with an entirely new grip. In the end, he created an entirely new rubber material to use on the grips. This meant the handles no longer got slippery when wet or sweaty. Today this rubber is known as Unobtainium and is found on just about every pair of Oakleys! Eventually, the company transformed into the eyewear mega brand they are today. Be sure to check out our History of Oakley, Luxottica, and your Sunglasses.

The thumbprint icon appeared around 2000 mainly in Oakley stores and marketing materials. It features a metal riveted look that gives it a steampunk design. Similar to other logos from the 2000s, this is similar to the Coda Caption Heavy font.

The behavior seems to be triggered by the "Helvetica Neue" font family, I have verified this now on several websites. If I remove the "Helvetica Neue" reference from the CSS via the Developer console, the text is rendering just fine?

Uniform design in sport is not solely about the colors, patterns, and logos being thrown together to create the perfect combination; selecting the right font can be the cherry on top of a stellar design.

The name says it all. This powerful and energetic font by ANDR35 is designed with the sports industry solely in mind. Triton is designed around working well on sporting jerseys and its unique shape and sharpened edges could really tie a stellar jersey design together.

The strong and rugged edges of Integral give this font a rugged yet authentic look that can lend a design confidence. It features 6 different weights and obliques and arrives in a titling/all caps design. ff782bc1db

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