Serif fonts are the ones that have decorative strokes extending from the edges, or the feet of the letters. These fonts exude a traditional and elegant vibe, and are normally used in traditional print, such as newspapers and magazines.

Glamor was designed by Hendrick Rolandez as an entire type family and is available in four weights: light, regular, medium and bold. Glamor is a perfect elegant font for any stylish design that needs a little bit more sophistication. It looks great in large titles and intertwined with background elements.


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This calligraphy style serif font designed by Bernd Montag in 2007 has become one of a few classic elegant web fonts available for free. Chantelli Antiqua is great for text in invitations or titles in labels and tags. It works great paired with a simple sans font as well.

This long serif font designed by Japanese Sora Sagano is reminiscent of classic calligraphy fonts brought to a digital format. Medio works great for headers and titles and long-form text in a medium size. This font is perfect for both print and web.

Oranienbaum is a tall font with angled serifs and delicate curves. Russian designer Oleg Pospelov was inspired by classic elegant fonts like Bodoni in his creation of Oranienbaum. The number glyphs in this font are particularly unique.

Goudy Bookletter is a serif font with elegant angles in both serifs and bars. Designer Barry Schwartz was inspired by the Kennerley Old Style fonts, variants of the Goudy style fonts used in Italian and Dutch printing traditions. Goudy Bookletter works great in both titles and text and is available with glyphs for many languages.

Bodoni is one of the classic style fonts which has inspired hundreds of other elegant fonts. Bodoni is also one of the fonts that costs lots of money, so designers Casady and Greene created Bodoni FLF as a free alternative. This elegant font is great for all sorts of projects and designs.

This luxurious font family is available in two elegant styles; stencil and sans. This means that both versions of the font can be used together as a perfect pairing. The stencil style has a special way of connecting the parts of the letters which makes it a great option for your stylish projects. The sans serif style is perfectly geometric and comes only in uppercase.

This modern elegant font, inspired by classic Didot fonts, can be used with or without flourishes. Wonderful for titles, subtitles and longer form texts, Luxia is a very stylish font with lots of possibilities for all sorts of creative projects.

Sans fonts like simplifica are considered elegant fonts because of their simplicity. The uppercase letters have straight lines and perfectly angled diagonals. The lowercase letters have curved terminals, creating a special tone in longer texts.

Coves is that type of elegant font that works pretty much with any style of project. Not committing to any particular era or movement, the elegance in Coves comes from the perfectly geometric weight in both light and bold, uppercase and lowercase. Designer Jack Harvatt created one of the most versatile elegant fonts available today.

Script fonts are calligraphy-style fonts. These are decorative and have fluid strokes similar to handwriting. These fonts can be hard to read as body text, but can enhance your designs when used as headers in invitations and announcements.

Calligraphy has always been the most elegant of all the fonts, ever. This calligraphy style font, The Cardinal, has plenty of ornaments and swashes to design beautiful wedding invitations and ornate typographic compositions. With inspiration from all the European classics, this font will make any design extra elegant.

This ornate font inspired by classic vintage hand-lettering is great for signatures, logos and name cards. Capital letters include swashes resembling delicate brush strokes. The Monsieur La Doulaise fonts is a digital version of one created as part of the Charles Bluemlein Script Collection, a series of fonts with names of people which all look like signatures.

Miss Fajardose is another font from the Charles Bluemlein Script Collection. The ornate swashes are more feminine in style than other classic script fonts and have a bit of whimsy to them. This font is great for invitations but could also look great on labels for natural health care products.

A calligraphy font does not have to be classic to be elegant. Modern style hand-lettered fonts are beautifully elegant as well. Frutilla, designed by Ian Mikraz is perfect for Instagram, feminine lifestyle websites and modern style elegant wedding invitations.

Japanese designer Toshi Omagari created Tangerine inspired by the chancery fonts of the 16th and 17th century. The most notable aspect of this elegant font is the long ascender slanted at the top and the short lowercase letters. Tangerine is great for titles and short bits of text.

Southampton is one of the favorite elegant script style fonts from the Creatype Studio. Both modern and elegant, the ligatures are delicate and classy. This font is perfect for signature style logos, unique packaging labels and business cards.

Italianno is a tight script font from the same designers as Great Vibes and Allura. This elegant font comes in only one weight but includes over 600 glyphs for most languages and plenty of different compositions. Unlike most script fonts, Italianno works quite well in longer text as long as the line height is a bit wider than usual.

Looking for a stylish font to take your design project up a notch? Perhaps you need to convince a client of a concept at pitch level; maybe the final execution needs a touch of typographic magic to communicate your message more effectively

Serif fonts are mostly used for large chunks of text, especially in books and newspapers. Thanks to serifs a.k.a. small strokes at the ends of letters, this kind of typeface appears particularly traditional, refined, and sophisticated.

Famous type designer Erik Spiekermann, who designed Berlin Grotesk, FF Meta Serif, Fira Sans, Nokia Sans, and many other fonts, has described EB Garamond as one of the best open source fonts. Its popularity comes as no surprise and many brands have opted to use it in their projects.

This transitional typeface was created by Claus Eggers Srensen, a type designer based in Amsterdam. Playfair Display is one of the most common elegant fonts that designers use whenever they want to play things safe. When paired with some less bombastic typefaces, its high-contrasting letters with delicate lines typical of the 18th century become even more prominent.

Inspired by the Garamond type, the beautiful shapes of old fonts, and the works of Jan Tschichold, Robert Slimbach, and Jonathan Hoefler, the best feature of the Crimson Text font family is its functionality.

Libre Baskerville is another Open Source typeface modelled after American Type Founders Baskerville from 1941, which is one of the most popular classic book fonts, known for its sophistication and readability. Libre Baskerville is optimized for the body text, it has a slightly taller x-height, and less contrast than ATF Baskerville, which ensures better on-screen readability.

Both typefaces were created by Sudtipos, an Argentinian type foundry that modelled these fonts after old calligraphic and handwritten characters. In our Lumire theme, we also went with the Mrs Saint Delafield font and used it in a completely unobtrusive way. We opted for delicate colors, too, and this particular combination of letters and hues gave the whole theme an archaic vibe.

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