Minsara Kanavu Song Download

AVM Productions wanted to make a film to celebrate their golden jubilee in 1997. The project, which would be titled Minsara Kanavu, was produced by M. Saravanan, M. Balasubramanian, and M. S. Guhan. Menon responded to an advertisement for a director and cinematographer, and made his directorial debut with the film. Venu and Ravi K. Chandran completed the principal photography, and Prabhu Deva choreographed the film. A. R. Rahman composed the soundtrack, which received positive reviews, and the songs "Mana Madurai", "Strawberry", "Thanga Thamarai", and "Vennilave" became popular.

Minsara Kanavu's soundtrack album includes six songs that were composed by A. R. Rahman with lyrics by Vairamuthu.[39][40] Recording of the tracks took place at Panchathan Record Inn. The film used different ragas (melodic modes) throughout the soundtrack, with the choral music being written in Sankarabharanam,[41] and the song "Anbendra Mazhayile in Anandabhairavi.[42] In an interview with Frontline Balasubrahmanyam said of the recording session of "Thanga Thamarai": "[I]t required a tone that reflected the feelings of someone totally smitten and intoxicated by love. The character singing the song in the film is on a high after finding his girl." He said he tried to imitate the composer, who helped to record vocals for the singer.[43] Rahman chose K. S. Chithra for the song "Mana Madurai", also known as "Ooh La La La". He advised Chithra not to sing as she usually does but to completely open her voice to sing the track.[44] The re-edited version of the track was featured on the international musical Bombay Dreams.[45]

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The soundtrack album was released on 25 December 1996,[39] with the cast and crew attending the event and M. K. Stalin, the then-Mayor of Chennai, as the chief guest.[46][15] Lyrics for the dubbed-Telugu soundtrack were written by Vennelakanti.[47] Javed Akhtar wrote lyrics for the Hindi version of the soundtrack and a new song titled "Teri Meri Baat" was added.[48]

Minsara Kanavu received mixed response from critics.[22][58] S. R. of Kalki praised the film's cinematography and music but criticised the plot and found the climax tiring.[59] K. N. Vijiyan, who reviewed the film for the New Straits Times, likened its plot with that of a Hollywood film, finding it to be "vaguely similar. But even so, it has been adapted well to suit Indian culture." Calling the film "good entertainment", he lauded its screenplay and Kajol's performance, adding that she was at her best when she is "her naughty self or belting out songs" such as "Maana Madurai".[60] Writing for The Indian Express, M. S. M. Desai was ambivalent about the Hindi dubbed version Sapnay, saying it is filled with many songs and dances that make "the pace of the narrative dull and drab".[61]

Initial responses to the soundtrack were unfavourable; The Indian Express said Rahman "fails miserably to come up with catchy numbers",[61] but reception improved in the 21st century. The songs "Mana Madurai",[62][63] "Strawberry",[64] "Thanga Thamarai",[65] and "Vennilave" became popular.[66] A critic from Behindwoods stated Rahman's work is "an electrifying effort", noting it as one of the rarest albums in which all of the songs were chartbusters.[67]

I finally watched it! After feeling vaguely like I had watched it for years, and then realizing I had only seen the songs a bunch of times and read the plot summary. And it was just as delightful and lovable and wonderful as I had heard, and the songs were even better in context.

I prefer his Kandukondein to this film. I only watched it because I love all the exuberant songs, and ended up being so annoyed. The songs are beautiful music videos and except them the movie is a dud. 2351a5e196