KORG believes that the way to foster a true sense of value is to be in contact with true quality from the very beginning. A truly valuable present for our children must be of a quality that will satisfy the adult who chooses the gift. The tinyPIANO lets you play the deep, rich tones of a sampled grand piano with the stable pitch that you expect from a digital piano. With an emphasis on safety and durability, moving parts have been reduced to the minimum and the volume has also been adjusted to a modest level that will be appropriate for a child's ears.

The cute design is essentially a miniaturized upright piano, with a fallboard just like on a real piano, and a miniature 25-note keyboard made by KORG for ease of playing. The body makes extensive use of wood for a solid feel when touched, giving it a sense of quality and sophistication that elevates the instrument above the category of toy piano, thus making it ideally suit the decor of any room.


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Music plays such an important part in a child's life. This beautiful toy piano will help your little one develop motor skills, dexterity, coordination, listening and timing, rhythm, sequencing, creativity and imagination.

Important to remember: This wooden piano is a toy and is made for play. It is not a professional musical instrument, so it might not sound exactly as a real musical instrument. However, your little one will still have just as much fun with it!

It has a single sample for almost every note. Sadly the recording of some notes went wrong so I used surrounding notes to cover. It has a very real upright sound for a very small memory usage. I hope you like it. The nuts have all been tuned though the piano was tuned before recording as well.

The minipiano is a very small upright piano patented by the Brasted brothers in 1934 under the name of their company Eavestaff Ltd.[1] The primary factor that sets a minipiano apart is the fact that the action is positioned below the keyboard, allowing an economical use of space.

The minipiano contrasted with existing forms of piano produced in London at the time. Relatively small and inexpensive, it enjoyed enormous popularity from the mid-thirties until the fifties. As a result, other manufacturers brought similar forms of diminutive piano onto the market to compete with Brasted's design.[3]

The development of the pianoforte included many experiments in the size and layout of the instrument. As Hammered Dulcimers developed into Clavichords which in turn influenced the development of the Harpsichord, many sub-families developed as instrument-makers experimented with new techniques and ideas. The minipiano was one of these.

In addition to ambiguities about what one can define as a minipiano, there also exist discrepancies among various sources as to who first obtained the patent for the minipiano and whether or not they had the right to do so as it was not, in fact, invented by the Brasted brothers who had by then taken over the Eavestaff piano company. Apart from patenting the design in 1934, Robert Percy Brasted came up with the name 'Minipiano', and therefore there are those that claim that he either invented the piano or stole the invention from someone else and put his name to it.[4] Neither of these facts is true and the whole affair occurred quite amicably. In fact, the Swedish designer Lundholm of Stockholm sold the rights and the minipiano in the form it was patented was produced only in England. Lundholm imported them to Sweden and received royalties for every minipiano sold.[1]

The minipiano, despite its name and the elegant appearance of the 'Pianette' model, is a sturdy and heavy instrument; it appears small only because it differs in appearance from an upright which takes up more room and is more bulky because the chamber in which the strings are held is situated in front of the player and above the keys. On the minipiano, the soundboard and the strings are neatly positioned underneath the keys at the back of the piano, protected by a simple wooden frame to which fabric is attached to prevent dust getting in. When a key is pressed, a long thin metal rod which reaches halfway down the back of the instrument is lifted. This lifting motion causes the piano wires to be struck and then stopped by damper pads when the key is released similar to an upright piano (although on a minipiano, the highest 13 notes do not have dampers).

There are 73 keys on a minipiano. A metal soundboard extends beneath the keyboard and is hidden behind the set of 73 metal rods which enact the piano action mechanism that produces sound on the instrument. Sound is produced by the striking and stopping of a set of piano wires which are strung to the soundboard. In a minipiano, two types of piano wire are used; bass strings which are all monochords and treble strings which are bichords. Like on an upright piano, an economical use is made of the space within the instrument by crossing different groups of strings. The first 29 keys counting from the lowest note form the first group and as mentioned they are all monochords. The second group consists of 44 keys. The first two keys counting from the lowest notes strike monochords, but the rest of the keys strike bichords. A standard piano consists largely of trichords although the lower notes use bichords and then monochords as the notes get progressively lower. Monochords extend between two pins at opposing sides, whereas bichords extend between two tuning pins one which is a little higher than the other, and the piano wire actually extends down to a nail around which it is tightly strung. The two strings are tightened so that they are tuned at exactly the same pitch. A piano makes use of trichords where three alike tuned strings are struck to produce its well-known rich tones.

What made most models of the 'Pianette' so innovative was the positioning of the tuning pins. On any other type of piano, tuning pins are pounded into holes which are sufficiently, deliberately and exactly smaller than the pins so that a long-lasting tightness will keep them from sliding, no matter what force is put upon them while stretching the wires into tune. These holes are positioned beneath a metal soundboard and have a specified depth. On many models of the 'Pianette' minipiano, however, these tuning pins have to be longer so that they can emerge at the front of the instrument just below the keyboard. By allowing a wooden flap to fall positioned neatly beneath the keyboard, tuning pins are revealed at the front. These pins can be adjusted with a standard star-shaped piano wrench. The monochords used on the lowest 31 strings are relatively easy to tune. The bichords are somewhat more difficult but if the pins are still tight enough, they can be adjusted with slight movements of the wrench until the desired tone is reached. Unfortunately, however, this system which involved the use of specially made tuning pins specific to the minipiano, has proven to be its greatest problem to people attempting to salvage the instruments today. Although all pianos suffer to some degree from a natural loosening of these pins over time the minipiano is most highly criticized for the tendency of all the pins, especially those belonging to bichords, to loosen and slide much more quickly especially if they are not kept in a warm stable environment.[4]

Although it is possible to access the tuning pins from the back as well, it is infinitely preferable to be able to tune the minipiano from the front because in order to open the back one has to entirely detach the wooden lid, remove a whole set of metal rods, some screws above and across the wooden contraption holding the striking pad mechanism as well as two wooden rods attached to the pedals controlled by the player's feet. This is done to allow the central striking mechanism to pivot outwards on an axis pivoting on two large screws at the bottom of the wooden contraption. But before the wooden structure can pivot on the screws attaching it firmly to the instrument, two curved metallic 'handles' that connect two wooden bars passing horizontally just behind the row of metal rods have to be detached as well by the removing the screws holding them to the higher of the two bars. After this, the whole structure should gracefully pivot outwards, allowing access to both the piano wires and the tuning pins.

A minipiano differs from an upright piano in many ways. The primary factor that sets it apart from types of piano still manufactured today is the fact that the soundboard, the piano wires and the piano action mechanism which produces sound by striking the wires, are extended beneath the instrument rather than above it (as in an upright piano) or behind it (as in a grand piano). It is also well known for its 'braceless' removable back. Braces are wooden pieces designed to support the structure of the instrument,[7] but are entirely unnecessary when the back consists of a single removable wooden frame with a central support beam. Fabric is firmly stapled to the inside of this removable back to prevent dust getting through. What makes the minipiano exceptional is the way the tuning pins extend from behind the metal soundboard at the back into which the tuning pins are inserted through to the front, allowing the instrument to be tuned without actually having to remove the braceless back. Unfortunately these pins are no longer made making them difficult to replace.

In addition the minipiano has fewer keys; pianos made today extend down 8 semitones lower than the minipiano, and 7 semitones higher. As a result a lot of modern piano music is simply unplayable on minipianos.

A minipiano has striking contrasts in both design and action to an upright or a grand piano. Unfortunately the metal rods and pins which make up the complex piano action mechanism haven't been made for decades. An instrument that has a smaller tessitura, produces a less impressive sound and that is difficult to tune or repair thanks to irreplaceable parts, is bound to be compared less positively to the forms of piano which are still popular today. 17dc91bb1f

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