✓ Facilitate dialogue to aid first-year writing students in refining
their literacy practices and their writing processes
✓ Facilitate dialogue to aid first-year writing students in refining
their literacy practices and their writing processes
As a Writing Mentor, I had the opportunity to help students contemplate the effectiveness of their writing through a dialogical feedback practice. Specifically, I used open-ended questions to help students arrive at their own conclusions about how to refine their writing — which helped inform their progress for the ENG 102: First-Year Composition course projects. Additionally, I often encouraged students and referenced assignment goals and criteria to motivate students while ensuring that their writing processes relied on intentionality.
The “collaborative attitude” promoted by Alyssa-Rae Hug in “Two’s Company, Three’s A Conversation” relates to my approach to facilitating dialogue to aid writing students. For example, Hug advocates for a feedback approach that “returns some authority to the writer” — which aligns with my belief that student authors should maintain their autonomy throughout their learning journey (Hug). I made attempts to help students identify their intentions, their audience, and their approach to ensure that students recognized that compelling writing is guided by purpose and intent. I reminded the students I assisted of the importance of the speaker-audience-message relationship and prompted them to consider how to improve their writing through messaging that targets their intended audience. Thus, I supported the writing development of first-year writing students by pointing out areas for improvement through suggestive feedback. Rather than telling students what to change in their approach to writing, I encouraged students to consider how their writing could be developed. Overall, I guided students toward clear, purposeful writing through dialogical feedback and, therefore, helped students refine their literacy practices and writing processes.
I used feedback to engage students in a dialogue about their feedback through suggestive feedback. My feedback comments often emphasized the assignment goals and challenged students to consider how their writing may be improved.
“Well done, [Student]! I appreciate your keen awareness of the speaker-audience-message relationship and your desire to ensure you are communicating in the right way for the right audience. I had the opportunity to read your home page and I think it is a great foundation that you may choose to develop as your portfolio progress continues. You mention how the portfolio could be used to “showcase [your] growth and development, either in [your] educational life or [your] professional life” — which is great, and I agree. I would recommend determining how you might use your portfolio as it relates to those intended goals though it is not required. Will this be used to showcase your progress to future graduate school admission committees, or might it demonstrate your adeptness to a future employer? Considering those things might help this portfolio transcend its functional purpose as a graded course assignment and transform it into something you can reference continually in the future. Also, it’s great that you took the time to respond to more peers than required — I am sure that was much appreciated.” — a comment I wrote to a student on the Writing Community and Portfolio Creation assignment (ENG 102)
“[Student] — nice work. I think your new topic is both relevant and interesting. The idea you express about how “[there] are many that wander around the streets jobless and […] not given a proper second chance to make an actual life for themselves” is compelling. I found your analysis of the article to be a bit cursory, as you provided little rationale to explain why you perceived the article in the way you did. However, you seem to demonstrate an understanding of how the author effectively communicated their message to the target audience — which is good. Although I have not read the article, it is safe to assume that there is a specific audience the author meant to target rather than “anyone who is wanting to be informed about this topic.” For example, there might be a specific population or demographic among the general public that the author hoped to elicit a compassionate response from. I would recommend narrowing your audience since thinking of your audience as “the public” will prevent you from crafting a tailored response. Consider who (precisely) you want to know about this issue. You might also consider: Who is in the best position to do something about this problem? Overall, this is good progress to inform Project 1.” — a comment I wrote to a student on the Real-World Genre Analysis assignment (ENG 102)