MDHS 52nd Anniversary
明道故事——繽紛之眼
朱魯青藝術展
MDHS 52nd Anniversary
明道故事——繽紛之眼
朱魯青藝術展
尺寸:5OF
1949年,上海,月夜,兵荒馬亂。
黃浦江邊,推擠著衣衫襤褸的士兵,蜂擁的逃難人潮擠得水洩不通。
「蕭大哥,求求您把我們家魯青一起帶上船吧!」朱媽媽懇切地拜託。
朱爸爸還在前方作戰,周遭無情的戰火,紛亂的景象,讓他倆心裡早有準備,魯青這一去就是永別。
兩歲的朱魯青,還不懂世界上的戰爭是什麼,懵懵懂懂的跟著大人上了船。
火炮聲此起彼落,處處是轟天巨響,燃燒的天際線搖曳著不安與不祥,痛苦的呼聲與叫喊不絕於耳。逃難船摸黑離岸,駛向一片漆黑,載浮載沉。
朱魯青閉起雙眼,耳邊吵雜漸止。
「咻——」砲彈變成煙火。
搖曳的心海裡,朱魯青彷彿看到片片燦爛的煙花,倒影也若朵朵盛開的蓮花。轉瞬間,餘燼落入水中,化作隻隻美麗的錦鯉,圍繞船邊。天上一絲皎潔月光倒映在海中,閃閃滅滅,朱魯青望著月影在江海浮浮沈沉。
這幅情景在他小小的心海中烙下深深的印記。
雖然經歷戰爭逃難帶來的殘酷、焦急、悲痛與生離死別,在他的藝術靈魂中,却透過美麗的濾鏡,發現世界的希望與夢想、愛情、美好。
數十載後,一幅《月影翻江海》成為朱魯青藝術創作的初心。
In 1949, a moon night. Shanghai was in turmoil of war.
The Huangpu Riverside was crammed with ragged soldiers and people trying to board the boats.
"Please Hsiao, take my son with you on the boat!" Mrs. Chu begged.
Mr. Chu was still at battle front. In wartime,for the family Chu, this farewell could be a lifetime long.
Little Chu was two years old. He didn't know what the war was, only following the adults to go on board.
The loud noise of shotguns and bombs- dropping was everywhere. The ominous burning skyline was shaking, people crying and yelling of misery on the ground, while the boats sailed off the shore, unsteadily heading into the dark ocean.
Little Chu closed his eyes, and the noise around gradually reduced.
Suddenly, the bombing became firework.
Swaying, in little Chu's mind, he saw splendid freworks and the shadows reflected on the water were just like blooming lotuses. In the meantime, the embers turned into colorful carp swimming around his boat.
This scene imprinted a deep mark on his little heart.
Although he experienced the cruelty,anxiety, sorrow and death of war, in his artistic soul, through the aesthetic filter, he discovered the hope, dreams, love, and glories of the world.
After decades, a painting named "Moonlight Reflection on the Sea"has become the original intention of Idea Chu's artistic creation.
尺寸:5OF
1987年,中國大陸與台灣消弭敵對,海峽兩岸開放探親。那年,朱魯青迫不及待地踏上中國返鄉尋根之旅,熱切地專程趕往心中所惦記的上海黃浦江,來來往往搭船遊歷,浮浮沈沈追思尋訪,探索著38年前,他2歲時在戰火中驚濤駭浪,顛簸流離、死裡逃生的慌亂情景。
災後重生,萬分幸運的朱魯青將自己羽化成巨大的《非凡達》,穿過時空,飛越江海,在物換星移中,時而隱於白雲深處,時而傲嘯煙霞彩虹,鳥瞰著黃浦江的浦東城西,這裡已是地靈人傑、山敏水秀,繁華似錦的大上海。他體認到愛、自由與和平的美好,將這股能量化作無限的藝術創作。
朱魯青以謙卑的態度,感恩的情懷順應大自然,安於小處境,不停地塗塗畫畫、雕雕塑塑,以純粹的藝術創作魅力影響人們,改變世界。
一幅油彩《飛越大上海》的隱喻,象徵著命運的海闊天空,無限可能。
In 1987, China and Taiwan both eliminated their hostility, and the two sides of the Taiwan Straits opened their doors to people visiting their relatives.
That year, Idea Chu could not wait to embark on the journey of home-coming and to find family roots of China.
After arrival, he eagerly rushed to Huangpu River in Shanghai, which was remembered in his youth heart.He traveled by boats back and forth,searching for the proof of existence of his family,and the scene of the war, the runaways, and the death and goodbyes he saw 38 years ago when he was 2 years old.
Fortunately survived from the war, Idea Chu turned himself into the giant Avatar, flew through seas and oceans beyond the time. The Majestic and ghty Avatar sometimes hid in the clouds, crossed the rainbow in mountains, and watched down the great Shanghai city with gorgeous natural views,huge population and commercial activities.
There, he learned the precious of love, freedom and peace, and turned this power into limitless art creation.
Now, with a humble attitude and grateful feelings, Idea Chu conforms to nature and settles in a humble situation. He constantly paints and sculptures,and influences people and changes the world with pure artistic creation charm.
The metaphor of the beautiful oil painting "Flying over the Great Shanghai "tells the boundlessness and possibilities of destiny.
尺寸:5OF
這幅《彼得兔的湖區》這幅畫作,描繪彼得兔作者碧雅翠絲‧波特(Beatrix Potter)在英國西北大湖區保留的生態風景典範,美麗的風景因為波特小姐的善念,捐出彼得兔著作所有的產權,買下這龐大土地,並交付公益信託,美麗風景才得以延續後代,這種大公無私及愛護生態的胸懷,令人敬佩。
本幅作品以盎格魯藍代表湖區,酪黃色調描繪童真可愛之兔子與孩童,天真浪漫嬉遊之幻夢。在充滿綠意之森林中,孩童與可愛兔子互相追逐,彷彿可以聽見銀鈴般的笑聲,迴盪於大自然之間。彼得兔作者碧雅翠絲‧波特因為看到兔子啟發靈感,寫下了著名童話作品,流傳後世,愛護大自然之公益精神更與朱老師《敬天、護土、愛人》的人生理念不謀而合,也以這幅畫向作家致敬。
尺寸:5OF
本幅作品之緣起是朱老師賢伉儷2019年,攜手在人間仙境克羅埃西亞旅遊,當時滿滿的浪漫至今依然,畫了許多愛戀的作品,走過了克羅埃西亞慢慢金秋之旅,心中滿是落日彩虹,夢幻的橙紫海影。有若熟女微醺之滋味,猶似帥男悠然浪漫的情懷。
本幅作品以斑斕的色彩呈現當時朱老師賢伉儷在克羅埃西亞所觀看的風景,如夢如幻的色調,也呼應了老師當時之心境,人生晚景之燦爛晚霞,尤是美麗醺然,依依情懷,蕩漾於畫作情調之中,令人低迴不已。
尺寸:5OF
這幅畫作《雙鬼湖之戀》來自於老師年少時一趟屏東聖山北大武山之旅。這趟旅行歷時八天七夜,由當地原住民擔任響導,當年十九歲的朱老師初生之犢不怕虎,雄偉聖山標高三千多公尺。當時一行人由屏東出發,攀登大鬼湖及小鬼湖,雲霧繚繞,雲深不知處,視線竟不見自己下半身,令人心驚膽跳。
在這幅畫作中,朱魯青老師以半具體半抽象的形式,以彩色的線條描繪了雙鬼湖之煙雲瀰漫,詭奇萬變,自由潑畫的技法描繪出雙鬼湖豐富的色彩,層層疊砌,中央以一抹油彩點出巴冷公主的絲巾,巴冷公主為了愛情告別族人,與百步蛇靈郎君,漸漸沉入湖底,成為這人蛇戀傳奇的一個句號。這幅畫作以類似潑彩方式自由揮灑,在非想非非想之中,呈現潛意識之情緒符號。
尺寸:5OF
本幅創作是以老莊哲學為主題,象徵虛靜無窮,生生無息的本來。『逍遙』以逍遙遊鯤鵬之喻的靈感,擊水而起乘風飛。『逍遙』是與造化同游創作的心境,抽象的美則美矣。『老子』能嬰兒乎沒有妄念及心機,隨遇而安的逍遙。『莊子』逍遙自在灑脫放達及愉悅,與造化者同逍遙。
本幅作品以揮灑自如的線條呈現空靈自由的心境,色彩雅致和諧,遼闊無際的海中天,大鵬展翅飛揚如幻化雲彩,巨鵬、大鯤身寬數千長萬里,背負皇天又順應天地,逍遙自在遊於蒼穹裡,無罣礙地超越名利窮達,行止與我應天地同流。
尺寸:5OF
本幅作品以柔美的色調及線條呈現櫻花漫漫山谷間,情人儷影雙雙,徜徉戀戀花海中之情景。櫻花粉紅之色調,雨天曼陀羅華,充滿淒涼浪漫情調,也呼應了戀人愛情之纏綿。
本幅作品以粉紅色系大膽塗描,層層疊疊有如思念之堆疊,深淺色調形成微妙之漸層,愛戀有如櫻花般飄飄然,有如微風輕拂過心田,令人不飲而醉。詩經有云:「蒹葭蒼蒼,白露為霜。所謂伊人,在水一方。」古今對於愛情之美好,多所詠嘆,本幅作品也藉由油彩揮灑出愛情之斑斕樣貌。
尺寸:5OF
以半具體半抽象之方式呈現心靈朝聖之旅。在畫面左方,底色的橙紅色調呈現生命之熱情與求道之虔誠;以藏青色深淺堆疊出奇峰疊翠,迂迴之小徑象徵旅人朝聖之道,行行復行行,每個人都在自己的英雄之旅途中,尋求自己生命的香格里拉,渴求生命豐盛的聖杯。在歷經試煉及苦難之中,宇宙之子學會謙卑及往內心的智慧,不斷逶迤而上,由左而右漸漸進入色彩斑斕之聖山,達到天人合一之智慧。