The Afterlife of John Brown, one of two recent volumes dealing with the cultural memory of John Brown, attempts to survey that battleground, placing the Old Hero in many new and some thoroughly worn analytical contexts.1 To be sure, there will always be new angles from which historians can view John Brown, and The Afterlife attempts to bring several related disciplines to bear on the question of the Harpers Ferry mastermind and his place in the American historical landscape. In this collection of essays, edited by Andrew Taylor and Eldrid Harrington, readers view Brown variously through children's literature, French working class radicalism, and various American poets, as well as several other contexts. Unfortunately, like too many essay collections, there are a few pieces in this volume that provoke significant interest, but the majority do not warrant sustained attention.2
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