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The masquerade module is designed as a tool for site designers and site administrators. While masquerading, a field is set on the $user object, and a menu item appears allowing the user to switch back. Database log (watchdog) entries are made any time a user masquerades or stops masquerading as another user.

They became popular throughout mainland Europe in the 17th and 18th centuries, sometimes with fatal results. In 1792 Gustav III of Sweden was assassinated at a masquerade ball by the disgruntled nobleman Jacob Johan Anckarstrm, an event which Eugne Scribe and Daniel Auber turned into the opera Gustave III. The same event was the basis of Giuseppe Verdi's opera A Masked Ball, although the censors in the original production forced him to portray it as a fictional story set in Boston. Most masks came from countries like Switzerland and Italy.

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A Swiss count who arrived in Italy in 1708, is credited with introducing to London the Venetian fashion of a semi-public masquerade ball, to which one might subscribe, with the first being held at Haymarket Opera House.[2] London's public gardens, like Vauxhall Gardens, refurbished in 1732, and Ranelagh Gardens, provided optimal outdoor settings, where characters masked and in fancy dress mingled with the crowds. The reputation for unseemly behavior, unescorted women and assignations motivated a change of name, to the Venetian ridotto, but as "The Man of Taste" observed in 1733:

A standard item of masquerade dress was a "Vandyke", improvised on the costumes worn in the portraits of Van Dyck: Gainsborough's Blue Boy is the most familiar example, and a reminder of the later 18th-century popularity in England for portraits in fancy dress.

Throughout the century, it is thought that masquerade dances became popular in Colonial America, however, portraits featured the subjects dressed as if they were attendees, but evidence is scant, according to Jennifer Van Horne, that colonials in North Americans actually had the events.[3] Its prominence in England did not go unchallenged; a significant anti-masquerade movement grew alongside the balls themselves. The anti-masquerade writers (among them such notables as Samuel Richardson) held that the events encouraged immorality and "foreign influence". While they were sometimes able to persuade authorities to their views, particularly after the Lisbon earthquake of 1755, enforcement of measures designed to end masquerades was at best desultory, and the masquerades went on as semi-private "subscriptions".[4] In the 1770s, fashionable Londoners went to the masquerades organized by Teresa Cornelys at Carlisle House in Soho Square, and later to the Pantheon.

Masquerade balls were sometimes set as a game among the guests. The masked guests were supposedly dressed so as to be unidentifiable. This would create a type of game to see if a guest could determine each other's identities. This added a humorous effect to many masquerades and enabled a more enjoyable version of typical balls.

Masquerade masks were worn delicately by the prosperous class at balls. Masquerade masks had many uses including hiding one's identity, and using different colour to express one's freedom of speech and voice one's emotions and opinions without judgement.[1] There were two types of base masquerade masks; black masks and white masks.[7] Designs and patterns were created over the base that was chosen. The main types of masks included masks with a stick (which one could hold to keep the mask in front of their face), the head mask, the full-face mask, and the half face mask.[7] Masquerade masks have been used in classics such as The Phantom of the Opera, Romeo and Juliet, Lone Ranger, and Gossip Girl. They are still used in many types of media today.[8]

A new resurgence of masquerade balls began in the late 1990s in North America. More recently, the party atmosphere is emphasized and the formal dancing usually less prominent. In present times, masquerade masks are used for costumes during Halloween. Masquerade masks are sold in a wide range of stores in different designs, and colors.[7]

The book sold hundreds of thousands of copies worldwide, many in the United Kingdom, but some also in Australia, South Africa, West Germany, Japan (where the book was called kamenbutoukai, meaning a masquerade ball or masked ball), France and the United States. Searchers often dug up public and private property, acting on hunches. One location in England named "Haresfield Beacon" was a popular site for searchers, and Williams paid the cost of a sign notifying searchers that the hare was not hidden nearby. Real-life locations reproduced in the paintings were searched by treasure hunters, including Sudbury Hall in Derbyshire and Tewkesbury, Gloucestershire.

Have you ever wondered, whenever we wash our face and look into the mirror, are we checking if we have cleaned ourselves or are we checking if the mask that we masquerade around with is intact or not! More often than not, it is the latter, though it happens subconsciously.

We recently replaced some legacy LTM platforms with VEs in VMware. When VEs were activated, pools were green but virtual servers were unreachable. I figured out the problem was related to MAC masquerade ( ).

I've disabled MAC masquerade in all virtualized deployments. The benefits of MAC masquerade are not that huge in contrast to impact that enabling promiscous mode may have on the remaining network environment.

Masquerade describes the resemblance of an organism to an inedible object and is hypothesized to facilitate misidentification of that organism by its predators or its prey. To date, there has been no empirical demonstration of the benefits of masquerade. Here, we show that two species of caterpillar obtain protection from an avian predator by being misidentified as twigs. By manipulating predators' previous experience of the putative model but keeping their exposure to the masquerader the same, we determined that predators misidentify masquerading prey as their models, rather than simply failing to detect them.

Contestants are expected to respond to emails in a timely manner (within one week or given deadline). Any further instructions or confirmations will be conducted via email. Lack of communication could result in disqualification. If you are expected to be unavailable for a certain period of time, please be sure to notify the AX Masquerade Team by emailing masquerade@anime-expo.org.

1. Costumes must be from an anime, manga, video game, or tokusatsu of Japanese origin or of obvious Japanese pop culture influence. Please feel free to contact the AX Masquerade Team for any inquiries at masquerade@anime-expo.org.

2. Costumes based on fan-art, custom creations, or a design that deviates greatly from the original source should reach out to masquerade@anime-expo.org to be considered for eligibility for the competition. These will be handled on a case-by-case basis. The AX Masquerade Team reserves the right to deny eligibility.

6. Costumes that have previously won awards from a major convention (20,000 attendees or more) or costume contest are subject to review and must contact the AX Masquerade Team at masquerade@anime-expo.org when they apply AND must list their awards when applying.

Masquerade definitely reminds me of Lush's Karma (which I love) but it's more complex than that. It's sort of like Orange Spice tea, only sexier. Like the name, it masquerades in the bottle. I thought it would be nondescript, a muddle of notes pulling in different directions. Instead, it's turned out to be a most harmonious blend of carnation, orange blossom, and patchouli.

The relative paucity of cases, in addition to common misdiagnosis and a dearth of published reports on UMS cases, has made it challenging to accurately report epidemiology and clinical characteristics of UMS. However, there have been two large retrospective studies within the literature that reported frequency of masquerading syndromes within large uveitis centers. In 2001 Rothova found that UMS was diagnosed in 5% of patients within a tertiary uveitis clinic (40/828 patients), and furthermore 48% of those UMS cases were found to have intraocular malignancy (19/40 patients).[2] Similarly Grange reported a UMS prevalence of 2.5%, as 21/853 patients reporting to the National Eye Institute with uveitis between 2004 and 2012 were diagnosed with a neoplastic masquerade syndrome.[3]

While rare, Uveitis Masquerade Syndromes represent an important clinical entity. Awareness of the clinical conditions and presentations that mimic uveitis, and timely diagnosis of the underlying pathology, is essential to preserve visual acuity, and, in cases of neoplastic masqueraders, can be life-saving. Masquerade syndromes can mimic more common ocular inflammatory conditions such as sarcoidosis, toxoplasmosis, syphilis, tuberculosis, intermediate uveitis, acute retinal necrosis, birdshot chorioretinitis and idiopathic retinal vasculitis. Herein we provide an overview of the conditions that can mimic uveitis, with a focus on clinical presentation, incidence, and clinical strategies for appropriate and timely diagnosis.

Primary Uveal Lymphoma is an exceptionally rare type of intraocular lymphoma involving the choroid, iris, or ciliary body. Typically of B-cell origin, uveal lymphoma is classified as primary when the uvea is the initial or only site of neoplastic infiltration. Much like PVRL, primary uveal lymphoma has a wide range of non-specific symptoms and can masquerade as multiple ocular conditions, including the various uveitides. However this condition differs from vitreo-retinal disease as presentation is often low-grade and non-aggressive, rarely manifesting systemically.[5]

Rhegmatogenous retinal detachments (RRD) have the potential to present as a masquerade in both the acute and chronic form. While rare, this atypical presentation typically consists of proliferative vitreoretinopathy associated with intraocular inflammation, hypotony, and choroidal detachment. In the setting of severe inflammation, identification of retinal breaks can be especially challenging due to posterior synechiae formation.[12] Therefore, one must always consider retinal detachment in the setting of ocular inflammation, particularly in patients that have a contralateral rhegmatogenous pathology, or have negative labs that would indicate immune mediated uveitis. While RRD is typically associated with low intraocular pressure, Schwartz-Matsuo syndrome is a condition where one sees elevated pressure with cells in the anterior chamber likely representing photoreceptor outer segments and inflammatory cells.[13] 2351a5e196