Mashup Video Download

A mashup (also mesh, mash up, mash-up, blend, bastard pop[1] or bootleg[2]) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary.[3] Such works are considered "transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law.[4]

The 1967 Harry Nilsson album Pandemonium Shadow Show features what is nominally a cover of the Beatles' "You Can't Do That" but actually introduced the "mashup" to studio-recording.[5] Nilsson's recording of "You Can't Do That" mashes his own vocal recreations of more than a dozen Beatles songs into this track. Nilsson conceived the combining of many overlaying songs into one track after he played a chord on his guitar and realized how many Beatles songs it could apply to.[6] This recording has led some to describe Harry Nilsson as the inventor of the mashup. Other recordings regarded as early examples of, or forerunners to, the mashup include Buchanan and Goodman's "The Flying Saucer" (1956),[7][8] Marshall McLuhan's The Medium Is the Massage (1967),[9] the John Benson Brooks Trio's Avant Slant (1968),[10] Grandmaster Flash's "The Adventures of Grandmaster Flash on the Wheels of Steel" (1981),[11][12][13] Paul McCartney's "Tug of Peace" (1983),[14] the "Hip Hop Mix" of Climie Fisher's "Rise to the Occasion" (1987),[15] and Jive Bunny and the Mastermixers' Jive Bunny: The Album (1989).[16]

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Although described as a medley in its title, "Do It Again Medley with Billie Jean" by Italian music project Club House could be described as one of the first ever commercially released mashups in 1983.[17] The song combines elements of "Do It Again", a 1973 top 10 hit in the US and Canada by Steely Dan, with Michael Jackson's #1 hit from earlier in the year, "Billie Jean". It reached #11 in the UK, and the top 10 in Belgium, Ireland and the Netherlands.

In 1990, Norman Cook reached #1 on the UK charts with his act Beats International with "Dub Be Good to Me", essentially a mashup of re-recorded vocals of the SOS Band's "Just Be Good to Me" with the Clash's "The Guns of Brixton", making it the first mashup to achieve significant mainstream success.[18]

In 1991, the Source featuring Candi Staton released "You Got the Love", based on a mashup created by DJ Eren Abdullah that had been an underground club hit since 1989, placing a Candi Staton a cappella over an instrumental version of Frankie Knuckles and Jamie Principle's house classic, "Your Love".[18] It reached #4 on the UK charts, and had continued success over subsequent years with several remixes and a cover by Florence + the Machine.

In 1994, the experimental band Evolution Control Committee released the first modern mashup tracks on their hand-made cassette album, Gunderphonic. These "Whipped Cream Mixes" combined a pair of Public Enemy a cappellas with instrumentals by Herb Alpert and the Tijuana Brass. First released on home-made cassettes in early 1992, it was later pressed on 7" vinyl, and distributed by Eerie Materials in the mid-1990s. The tracks gained some degree of notoriety on college radio stations in the United States.[20][third-party source needed]

Pre-empting the rise of the mashup in the 2000s, German trance act Fragma reached #1 in the UK and the top 10 in Australia and across Europe with "Toca's Miracle", a mashup of their previous single "Toca Me" and Coco Star's 1996 single "I Need a Miracle", initially created by British DJ Vimto in 1999.[22]

The mashup movement gained momentum again in 2001 with the release of the 2 Many DJs album As Heard on Radio Soulwax Pt. 2 by Soulwax's Dewaele brothers, which combined 45 different tracks; the same year a remix of Christina Aguilera's "Genie in a Bottle" was also released by Freelance Hellraiser, which coupled Aguilera's vocals with the guitar track of "Hard to Explain" by New York's the Strokes, in a piece called "A Stroke of Genie-us".[23]

In 2001, English producer Richard X had created a bootleg mashup of Adina Howard's "Freak Like Me" and Tubeway Army's "Are "Friends" Electric?", titled "We Don't Give a Damn About Our Friends", which became a successful underground dance track under his alias Girls on Top. He could not get permission to use the original vocals to release the mashup commercially, so he enlisted the English girl group Sugababes to re-record the vocals. It was released in April 2002, giving the group their first UK #1 single, and drawing further recognition, acclaim and mainstream success for the mashup genre. Richard X had continued success with two more mashups reaching the UK top 10: "Being Nobody" (#3), with pop group Liberty X combining vocals of Chaka Khan and Rufus's "Ain't Nobody" with the Human League's "Being Boiled", and "Finest Dreams" (#8), featuring American vocalist Kelis singing the vocals from the SOS Band's "The Finest" over an instrumental of the Human League's "The Things That Dreams Are Made Of".

At the 2002 Brit Awards held on 20 February 2002, Australian pop singer Kylie Minogue performed a mash-up version of her #1 hit "Can't Get You Out of My Head", combined with New Order's song "Blue Monday". The live performance is cited as one of the first by a mainstream recording artist to utilise a mashup, and was ranked at number 40 on The Guardian's 2011 list of 50 Key Events in the History of Dance Music.[24] The mashup, titled "Can't Get Blue Monday Out of My Head", was later released as the B-side to "Love at First Sight" and was included on Minogue's 2008 remix album Boombox. In the years that followed, mash-ups became more widely used by major artists in their live performances, particularly to update previous material to meld with the themes and sounds of their more recent work. For example, on her 2006 Confessions Tour, Madonna incorporated elements of the Trammps's "Disco Inferno" in the performance of her 2000 hit "Music", to assist the song in blending in with the tour's disco theme. On her 2008 Sticky & Sweet Tour, she performed a mash-up of her 1990 hit "Vogue" with the instrumental of her recent single "4 Minutes", to update it with the more urban sound of her Hard Candy album.

The mid-2000s saw a massive surge in popularity for the mashup, including single releases that climbed high into the dance charts and even the mainstream top-40 charts. Such hits include Linkin Park and Jay-Z's "Numb/Encore", Party Ben's "Boulevard of Broken Songs", Alex Gaudino's "Destination Calabria", Mousse T. vs the Dandy Warhols' "Horny as a Dandy" (originally mixed and produced by Loo & Placido) and Mylo vs Miami Sound Machine's "Doctor Pressure". In 2001, Henry Mancini produced a mashup version of "Every Breath You Take" by the Police for the 27th episode of The Sopranos, "Mr. Ruggerio's Neighborhood". The Grey Album, which mashed up recordings by Jay-Z and the Beatles, also became notoriously popular.

With the release of Rock Band in 2007 and its sequels later on, numerous mashup artists discovered that every song in the games had each instrument stored on separate tracks to each other, meaning that song instrumentals, acapellas and even individual instruments could easily be sampled and kept uncompressed and clear. Among others, American comedian Neil Cicierega used this method to produce his four mashup albums, Mouth Sounds, Mouth Silence, Mouth Moods and Mouth Dreams.

DJ Earworm's annual "United States of Pop" mashups became season events, with his 2009 edition alone garnering critical acclaim as well as racking up more than 53 million views on YouTube. Mashups also helped launch the careers of acts such as Girl Talk and Madeon, with the latter's "Pop Culture" accruing more than 55 million views. Acts such as DJs from Mars and Mashd N Kutcher would go on to make mashups a huge part of their creative output.

Launched in San Francisco in 2003, Bootie was the first recurring club night in the United States dedicated solely to the burgeoning art form of the bootleg mashup, and as of 2019 hosted monthly parties in cities around the globe, including Los Angeles, Paris, Boston, Munich, and New York City. The party's slogan, "Music for the A.D.D. Generation" also inspired the creation of "A.D.D", Israel's first mashup-dedicated party.[26] The Best of Bootie mashup compilation series is produced by Bootie creators A Plus D. Released every December since 2005, the compilations are annual Internet sensations, with each album requiring 5,000 GB+ of download bandwidth.[27]

Even though mashups mostly remained underground and barely got noticed aside from a few exceptions (notable examples include Bill McClintock[28]), people have never stopped remixing other artists' music without getting their prior agreement. It's been increasingly difficult to get noticed in the music industry due to a combination of relative obscurity and an increasing difficulty in keeping them available online due to automatic copyright detection (through Content ID) and cease and desist orders from the original artists.[29]

youuuuuuuuuuuuuuWatch Charli perform this mashup live at "Femmebot Fantasy" here: _S-6Wes4Listen on Youtube: =FDdWVOnsGzkDownload this track on the "Downloads" link in my bio or through Bandcamp, where you can also support my work: playlist: -treatsMy Youtube channel:youtube.com/TufosMashupsFollow me on social media:linktr.ee/tufosmashups

Hi. I'm taking on my first attempt to building a "object based" display/mashup that's basically a mashup with 5+ contained mashups, widgets, a menu, and security. I'm hoping to start off with some best practices that everyone can share. My goal is to be able to make modifications to the contained mashups so that I wouldn't have to make changes "everywhere". Here's what I'm trying to achieve and have gathered from reading on discussions here and some trial and error. e24fc04721