The Klingon makeups in Star Trek VI had to work well in sync with the lighting. Cinematographer Hiro Narita offered, "Sometimes in a warm ambient [light], the Klingons looked too red, so the makeup people had to adjust it or I'd adjust my lighting here and there." (The Making of the Trek Films, UK 3rd ed., p. 116) This was despite the fact that the Klingons had, by now, a red color scheme. It was used for ship interiors in Star Trek VI as well as in earlier films and briefcases in the sixth film, though not for a judge's gavel in the same movie. (The Making of the Trek Films, UK 3rd ed., pp. 116, 129 & 128)

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