Although the promotional images appear to show a black and white striped look, reminiscent of a Newcastle shirt, it is understood the colour scheme is actually that of a very dark green, with detailing in cream and red.
With Manchester United preparing to embark on a victory parade to celebrate their 20th title and Sir Alex Ferguson's retirement, Sportsmail has dug through the archives to find some classic historical images.
Manchester United Images Free Download
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"Some are born here, some are drawn here but all call it home"- Tony Walsh this line will probably echo through me for the next few days, it perfectly summed up my thoughts up as I walked to the #vigil And encapsulates this image and the epic-ness of these guys. thank you for showing up and helping us show those "losers" that this is our #manchester
It was beautiful today to be together, united against the hate. Sharing and caring and loving in the face of violence. #westandtogether #wearemanchester #? #unitedwestand #weareallone #manchestervigil #lovewins #staystrongourkid
To what extent do observers' judgments of surface color with natural scenes depend on global image statistics? To address this question, a psychophysical experiment was performed in which images of natural scenes under two successive daylights were presented on a computer-controlled high-resolution color monitor. Observers reported whether there was a change in reflectance of a test surface in the scene. The scenes were obtained with a hyperspectral imaging system and included variously trees, shrubs, grasses, ferns, flowers, rocks, and buildings. Discrimination performance, quantified on a scale of 0 to 1 with a color-constancy index, varied from 0.69 to 0.97 over 21 scenes and two illuminant changes, from a correlated color temperature of 25,000 K to 6700 K and from 4000 K to 6700 K. The best account of these effects was provided by receptor-based rather than colorimetric properties of the images. Thus, in a linear regression, 43% of the variance in constancy index was explained by the log of the mean relative deviation in spatial cone-excitation ratios evaluated globally across the two images of a scene. A further 20% was explained by including the mean chroma of the first image and its difference from that of the second image and a further 7% by the mean difference in hue. Together, all four global color properties accounted for 70% of the variance and provided a good fit to the effects of scene and of illuminant change on color constancy, and, additionally, of changing test-surface position. By contrast, a spatial-frequency analysis of the images showed that the gradient of the luminance amplitude spectrum accounted for only 5% of the variance. 0852c4b9a8
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