Sound Forge Pro (Magix or SCS) has about five (or more) EQs included.. Graphic, Paragraphic, Parametric, ect., ect. The are literally hundreds of others for free or otherwise. Everyone has their personal favorites. My 'newest' current favorite is a free wide band "7Q" equalizer, the 1.5 octave 7Q was inspired by the Kjaerhus Classic... another nice sounding graphic.
EQ560 is a faithful digital emulation of the 1967 classic API 560 10-Band graphic equalizer. With its low CPU usage and extremely small memory footprint, it is perfect for use on multiple channels across the mix without any performance drop.
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The Langevin Model EQ-251A was the first equalizer to use slide controls.[when?] It featured two passive equalization sections, a bass shelving filter, and a pass band filter. Each filter had switchable frequencies and used a 15-position slide switch to adjust cut or boost.[9] The first true graphic equalizer was the type 7080 developed by Art Davis's Cinema Engineering.[when?] It featured 6 bands with a boost or cut range of 8 dB. It used a slide switch to adjust each band in 1 dB steps. Davis's second graphic equalizer was the Altec Lansing Model 9062A EQ. In 1967 Davis developed the first 1/3 octave variable notch filter set, the Altec-Lansing "Acousta-Voice" system.[8]
A graphic equalizer also implements second-order filter functions in a more user-friendly manner, but with somewhat less flexibility. This equipment is based on a bank of filters covering the audio spectrum in up to 31 frequency bands. Each second-order filter has a fixed center frequency and Q, but an adjustable level. The user can raise or lower each slider in order to visually approximate a "graph" of the intended frequency response.
In the graphic equalizer, the input signal is sent to a bank of filters. Each filter passes the portion of the signal present in its own frequency range or band. The amplitude passed by each filter is adjusted using a slide control to boost or cut frequency components passed by that filter. The vertical position of each slider thus indicates the gain applied to that frequency band, so that the knobs resemble a graph of the equalizer's response plotted versus frequency.
The range of second-order filter functions is important because any analog filter function can be decomposed into a (usually small) number of these (plus, perhaps, simpler first-order responses). These are implemented directly by each section of a parametric equalizer where they are explicitly adjusted. And each element of a graphic equalizer based on a filter bank includes one such element whose Q is not adjustable by the user.
Equalizers can correct problems posed by a room's acoustics, as an auditorium will generally have an uneven frequency response especially due to standing waves and acoustic dampening. For instance, the frequency response of a room may be analyzed using a spectrum analyzer and a pink noise generator. Then a graphic equalizer can be easily adjusted to compensate for the room's acoustics. Such compensation can also be applied to tweak the sound quality of a recording studio in addition to its use in live sound reinforcement systems and even home hi-fi systems.
Marvel GEQ is a free linear-phase 16-band graphic equalizer AudioUnit, AAX, and VST plugin with multi-channel operation support (supporting up to 8 input/output channels, audio host application-dependent) for professional music production applications. Marvel GEQ offers extensive internal channel routing capabilities, and supports mid/side channel processing.
Every track includes real time equalization and dynamics processing to sweeten and fine tune your mix. This is in addition to your six real time track effects, making Fairlight far more powerful than other digital audio workstation software! Simply double click in the EQ area above any channel strip in the mixer to open the 6 band parametric equalizer. There are graphic controls and knobs for equalizing and filtering different tonal ranges. Double clicking the dynamics area will open the dynamics window which features expander, gate, compressor and limiter dynamics processing. Use the interactive controls to sweeten your tracks, save presets and even copy settings from one track to another. be457b7860
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