The Addams Family is a fictional family created by American cartoonist Charles Addams. They originally appeared in a series of 150 standalone single-panel comics, about half of which were originally published in The New Yorker between 1938 and their creator's death in 1988. They have since been adapted to other media, such as television, film, video games, comic books, a musical, and merchandise.
The Addamses are an odd old money clan who delight in the macabre and are seemingly unaware or unconcerned that other people find them bizarre or frightening. The family members were unnamed until the 1964 television series. The Addams Family consists of Gomez and Morticia Addams, their children, Wednesday and Pugsley, and close family members, Uncle Fester[b] and Grandmama,[c] their butler Lurch, and Pugsley's pet octopus, Aristotle. The dimly seen Thing (later a disembodied hand) was introduced in 1954, and Gomez's Cousin Itt, Morticia's pet lion Kitty Kat and Morticia's carnivorous plant Cleopatra in 1964. Pubert Addams, Wednesday and Pugsley's infant brother, was introduced in the 1993 film Addams Family Values.[d]
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The franchise has become a staple of popular culture. It has spawned a video game series, academic books, and soundtracks which are based around its Grammy-nominated theme song. They have had a profound influence on American comics, cinema and television, and are seen as an inspiration for the goth subculture and its fashion.
The first Addams Family cartoon was published in 1938, in a one-panel gag format. Charles Addams became a regular contributor to The New Yorker, and drew approximately 1,300 cartoons between then and his death in 1988. 58 of these would feature the Addams Family, almost all of which were published in the 1940s and 1950s. Members of the family were introduced one by one, with Morticia first, Gomez (based on Thomas E. Dewey) joining four years later, Pugsley, and finally Wednesday and Fester shortly after. Addams indicated that Fester resembled himself, "plus a little more hair."[3] A Christmas 1946 strip, showing the family pouring boiling oil on carolers, was well received and was later sold on Christmas cards.[5] Outside of The New Yorker, Addams also published several collections, the most notable being Dear Dead Days: A Family Album in 1959. The family members were initially not named; Wednesday was first given a name in 1962 for a licensed doll collection, while the others were named during the development of the television series in 1963.[6] The editor of The New Yorker, William Shawn, prevented any further Addams family cartoons from being printed after the 1964 launch of the television franchise.[6]
Science fiction writer Ray Bradbury created a series of tales chronicling a family of Illinois monsters, the Elliotts, that bear a strong resemblance to the Addams family. These stories were anthologized in From the Dust Returned (2001), with a connecting narrative, an explanation of his work with Addams, and a 1946 illustration Addams drew for Bradbury's short story "Homecoming" in Mademoiselle magazine, the first in the Elliot family series.
The 1964 television adaptation brought the series to a much wider audience and was well received publicly. Producer Nat Perrin took a "less evil" approach to the characters and stories than Addams had in the cartoons, emphasizing lighter, more comedic elements. Stephen Cox later referred to the series as "more zany than spooky". The popular series, broadcast on the ABC network, ran only two seasons. No official reason was given for the cancellation, though Smithsonian Magazine speculated that it was due to the adoption of colour programming on the network the following year.[6] Charles Addams himself was less happy with the series, criticising the characters for being "half as evil" as in the comics.
The sudden cancellation in 1966 also brought issues for Charles Addams, as he faced a sudden drop in income with the show no longer in development, the rights to future television and film adaptations were owned by his second wife Barbara Barb following their divorce,[8] and Shawn would not allow any further strips to be printed in The New Yorker. He became bitter towards the magazine "for disowning his family".[5] Barb would ultimately remain in possession of adaptation rights until she sold it to allow the development of the 1991 film.[7] The franchise remained in the popular consciousness even after the series concluded, with the "Lurch" dance move remaining popular through the 1960s. The television series was often re-run through television syndication for years afterward, particularly in Australia.
Hanna-Barbera parodied the show in November 1964 by introducing a family named "The Gruesomes" to The Flintstones, and the Gruesomes appeared occasionally in Flintstones media into the early 1970s.[3] The studio later animated a 1972 Addams Family crossover with Scooby-Doo, which led to a 1973 animated series. The animated incarnation featured a new cast except for Felix Silla, who returned as Cousin Itt. The show had good ratings and spawned a line of children's merchandise, but only aired 16 episodes. A pilot was also produced that year for a new live action series entitled The Addams Family Funhouse, using a different cast. The pilot was aired in 1973 but never picked up for a full series.[3]
Charles Addams married Marilyn Matthews Miller in 1981, in an Addams family themed ceremony conducted in a cemetery.[4] Filmways, the production company of the 1964 series and holder of some franchise rights, was purchased in 1982 by Orion Pictures. The 1987 retirement of William Shawn allowed a brief return of the cartoons to The New Yorker, though Addams himself died only a year later. While largely inactive in the United States, the franchise did however see a wave of popularity in Australia, brought on by widely watched reruns on TCN-9. New merchandise was released in Australia and a "Morticia Boutique Dress Shop" opened in Melbourne in 1988. A satellite-linked interview with surviving members of the original cast was also aired on Australian television. A fan quoted by Cox credited the tone of the Addams family for its success in 1980s Australia, noting that the characters were "less American" than the Munsters, and that Australians had a different life-style. Astin reprised his role as Gomez for a 1989 episode of Nick at Nite's Sitcom Zone, in which he introduced reruns of shows for a two-hour programming block. A 1989 video game Fester's Quest was developed by Sunsoft, and is now considered among the worst games of all time. To promote the game some black-and-white advertisements were filmed using the characters.[9][3]
The head of production at 20th Century Fox, Scott Rudin, pitched an Addams Family film but Fox did not have the rights to the franchise. The rights were at the time split between two parties: The late Addams' second wife Barbara Barb, and Orion Pictures. The latter were in possession of film rights in particular after purchasing Filmways in 1982. Fox attempted to purchase those rights but failed, as Orion had plans for a new TV series. The studio's plans changed however after Barb sold her rights to Orion, and the studio brought Rudin on board to produce a film. Caroline Thompson and Larry Wilson wrote a script, and faced many re-writes early on. Tim Burton was considered for director, but the role ultimately went to Barry Sonnenfeld. The film featured a new cast. Production on the film was troubled, with Sonnenfeld blacking out on set, and a burst blood vessel in Raul Julia's eye further delaying the shoot. Director of photography Owen Roizman quit the production three months from completion, forcing Sonnenfeld to take on the role in addition to his existing responsibilities. Orion faced financial issues and sold the project and Addams family rights to Paramount mid-production- though the deal did not include overseas home media rights, which harmed distribution after release. Orion retained those, and those rights passed to Metro-Goldwyn-Mayor when the studio was bought out in 1997.[7]
The family appears to be a branch of an extensive Addams clan with relatives all over the world. In the original television series they are said to be related to "those one-D Adamses", a fact the family are deeply ashamed of. According to the film version, the family credo is, Sic gorgiamus allos subjectatos nunc (pseudo-Latin: "We gladly feast on those who would subdue us"). Charles Addams was first inspired by his hometown of Westfield, New Jersey, an area full of ornate Victorian mansions and archaic graveyards.[14] In the original comics series they live in a gothic house on Cemetery Ridge. According to the television series, the residence is a gloomy mansion adjacent to a cemetery and a swamp located in an unspecified American town. In the musical (first shown in Chicago in 2009), the house is located in Central Park.[15] In the 2019 film, the Addamses live in an abandoned asylum located in the outskirts of the state of New Jersey which is haunted by a disembodied resident who demands the property to remain undisturbed.
Although most of the humor derives from the fact that they share macabre interests, such as putting each other and themselves in the way of bodily harm (none of which seems to have an effect), the Addamses are not evil. They are a close-knit extended family. Morticia is an exemplary mother, and she and Gomez remain passionate towards each other; as established in the television series, she calls him "bubbeleh",[16] to which he responds by kissing her arms, behavior which Morticia can also provoke by speaking a few words in French (their meanings are not important; any words in French will do). The parents are supportive of their children (except in the 2019 film when Wednesday arrives home wearing a pink dress). The family is friendly and hospitable to visitors; in some cases, it is willing to donate large sums of money to causes (television series and films), despite the visitors' horror at the Addamses' peculiar lifestyle. The characters were unnamed until the advent of the 1964 television adaptation, except for Wednesday and Morticia who were first named for a 1962 licensed doll collection.[6] be457b7860
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