Simultaneously a tribute to the mythic Old West and an affectionate parody, the comics were created by Belgian artist Morris, who drew Lucky Luke from 1946 until his death in 2001. The first Lucky Luke adventure, Arizona 1880, appeared in the French version of the Franco-Belgian comics magazine Spirou in October 1946.[4] It later appeared in the Almanach issue of Spirou on 7 December 1946.[5]
Apart from the collections mentioned below, Lucky Luke comics were published in British comic book magazines such as Film Fun Comic or Giggle (in 1967). The Giggle version had Luke's name changed to "Buck Bingo".[18]
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In the Belgian Comic Strip Center in Brussels the permanent exhibition brings homage to the pioneers of Belgian comics, among them Morris. In the room dedicated to his work the entry has saloon doors and Luke's shadow can be seen on the floor and on the wall.[36]
This approach reminds me a bit of early Vertigo comics, or DC's Black Label of late - take the familiar concept and see if you can give it new life in the form of a fresh coat of paint. Wanted: Lucky Luke specifically feels like something from the early Vertigo school: a story that is mostly about the nature of Lucky Luke stories. If not self-reflexive, it is at least highly self-aware. The plot involves Lucky Luke helping three sisters take their cattle through hostile territory, while himself being hunted by unknown forces (it appears that someone has a put a bounty on his head).
Both elements would disappear as the character grew in popularity; Luke would become even more saintly than the Lone Ranger, and the familiar straw piece would appear in his mouth instead of a cigarette. Just as the Hollywood image of the cowboy became more detached from the real thing as time went on and audiences learned to expect a great degree of mythic baggage from a western, so did Lucky Luke became detached from his original comics self.
P.S. :- After opening this subreddit I saw someone has posted about a lucky Luke comic called "rantanplans arche". It doesn't have a volume number so I searched it up, and from my understanding it's a very new release. Is there a way (site or something) where I can keep up with new releases and/or find out about all lucky Luke comics?
I saw the topic of the Terence Hill movie. But I think these comics dont deserve this kind of adaptation. I loved and still love them(unfortunately my sister took them with her when she moved). I think they are even better than the Asterix comics. So i am interested who red them too. Are they just a european phenomenom???
The Lucky Luke Comics are very good, but you should only read the ones written by Rene Goscinny.
He was a real genius, unfortunately he died early in 1978. His brillant comics (amongst them Asterix and Isnogud) had lost thereafter most of their quality.
Even the animation Lucky Lukes are not so good. They are not able to transport the humor of the comics into filmic humor.
Like most films after novels they try to copy it, but by trying to be close they miss the point completely.
Same goes for the Asterix films I have seen.[/quote]
I like the one animated asterix film where they have to surpass 12 testings to conquer Rome. The dubbing is very funny and the humor is great. But Lucky Luke was never transported well to the screen in my opinion.
I havent seen the asterix films with real actors, but it has laetitia casta. The lucky luke one sucked even with Terrence Hill, but to be honest i would prefer laetatita over him too.
Unlucky Luke/Jonathan amundsen/Emil andersen is the titular main protagonist of the Lucky Luke franchise. He is a brave and lonesome cow-boy known for being the fastest shooter in the Wild West, being able to outdraw even his own shadow, and for chasing the Daltons.
Graphically, Morris quickly developed a style that differed from the Marcinelle School. He realised that comics required a completely different approach than animation films and experimented with page layout and ways to suggest movement. He did away with excess scenery and used bold colouring to enhance the readability of his stories.
For example, they initially omitted a page from the album Billy the Kid, in which Billy is sucking on a revolver as a baby. Morris found these interventions annoying and regretted that his publisher did not want to bring out a hardcover Lucky Luke, like most other French editions of comics in Spirou. It led to a break in 1968. Lucky Luke moved to the French publisher Dargaud and to the magazine Pilote, led by scriptwriter Ren Goscinny. The frivolous barmaids in Dalton City (the first story for Dargaud) alone showed that the authors felt liberated by the change.
Education Francaise de Sacramento has the pleasure to invite you to a Lucky Luke Soiree, homage to Morris, the creator of the Lucky Luke's comics.
Contest for the best Costumed Luke Luky's party.
ACHD, Lucky Luke Comic Artist will be coming to Sacramento during the Festival BD USA organized by Sjj Agency.
Lucky Luke is a Belgian comics series created by Belgian cartoonist Maurice De Bevere, better known as Morris, and for one period written by Ren Goscinny. Set in the American Old West, it stars the titular character, Lucky Luke, the Cowboy known to "shoot faster than his shadow".
Along with The Adventures of Tintin and Asterix, Lucky Luke is one of the most popular and best-selling comic-book series in continental Europe.[1] About half of the series' adventures have been translated into English. Lucky Luke comics have been translated into 23 languages, including many European languages, some African and Asian languages.
Both a tribute to the mythic Old West and an affectionate parody, the comics were created by the Belgian artist Morris who drew Lucky Luke from 1946 until his death in 2001. The first Lucky Luke adventure named Arizona 1880 appeared in the Almanach issue of the Franco-Belgian comics magazine Spirou on December 7, 1946.[2] After several years of solitary work on the strip, Morris began a collaboration with Ren Goscinny who became the series' writer for a period that is considered the golden age of the series. This started with the story Des rails sur la Prairie published on August 25, 1955 in Spirou.[3] Ending a long run of serial publications in Spirou, the series shifted to Goscinny's Pilote magazine in 1967 with the story La Diligence, subsequently leaving publisher Dupuis for Dargaud.
Lucky Luke comics have been translated into Afrikaans, Arabic, Bengali, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, German, Greek, Hebrew, Hungarian, Icelandic, Indonesian, Italian, Norwegian, Polish, Portuguese (both in the Brazilian and Portuguese forms), Serbian, Slovene, Spanish, Swedish, Tamil, Turkish, Vietnamese and Welsh.
Lucky Luke is a Belgian comics series created by a Belgian cartoonist Morris, and was for one period written by Rene Goscinny also. Set in the American Old West, it stars the titular character, Lucky Luke, the cowboy known to "shoot faster than his shadow". His name is inspired by that of Luciano Locarno, an Italian American sheriff who lived between 1860 and 1940.
Along with The Adventures of Tintin and Asterix, Lucky Luke is one of the most popular and best-selling comic-book series in continental Europe. About half of the series' adventures have been translated into English. Lucky Luke comics have been translated into 23 languages.
Starting from the early 70s and continuing into the 80s, young people in Egypt who felt a little too old for the popular Mickey comics, yet too young to confine their reading exclusively to picture-free books, were drawn to this weekly magazine that contained a variety of stories, comics, facts, and quizzes alongside the iconic Belgian bande dessine, The Adventures of Tintin, by the artist Herg.
Upon their arrival in Egypt, these comics became an excuse for children and teenagers to bond with one another. Afnan Shehata, whose childhood and youth were in the 60s and 70s, says that she would often read the comics to her younger siblings.
However, among Baby Boomers and members of Generation X the cultish love for the comics remain and the nostalgia around the iconic illustrated stories continue to be a source of fond memories and timeless laughs immortalised in reminiscent conversations and countless Facebook fan groups. 589ccfa754
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