Get Out - A New Perspective in Horror
The TERRIFYING Sleeping Disorder That Inspired A Nightmare On Elm Street
My Top 10 Buffy or Angel Episodes (to pair with wine and a good cry)
My Monster Boyfriend
The Greatest Character Intro Ever
Ronald Reagan: American Slasher
I Can't Stop Thinking About MALIGNANT
The Art of TEXAS CHAINSAW MASSACRE: Making Daylight Scary
The (Stephen) King of Horror - Lindsay Ellis
THE WITCH - The Art of Terror
GREEN ROOM: Why Dumb Decisions Matter | Horror Explored
How John Carpenter Scares You With Rhythm
Men: Rhyme Over Reason
The Babadook: The New Physicality of Ghosts in Horror
Pennywise: How to Make a Horror Villain
Why Queer Audiences Love Horror
Bright: The Apotheosis of Lazy Worldbuilding
When the Audience Doesn't Get the Joke
How Wong Kar Wai Made Chungking Express With $0
ALIEN and Ridley Scott
FERRIS BUELLER: When the Editor has to Fix it in Post
Composition in Storytelling
How BROKEBACK MOUNTAIN Conveys Emotion
Tough Love: BUFFY Season 5, Ep 19
No Country for Old Men Explained
Joel & Ethan Coen - Shot | Reverse Shot
How Does an Editor Think and Feel?
Everything Wrong With Every Alien Movie EVER
Everything GREAT About Get Out! (Pt 1)
Using the Story Circle to Structure Your Screenplay
Script-to-Screen: EVERYTHING EVERYWHERE ALL AT ONCE
What is Method Acting — It's Not What You Think It Is
Women in Horror: Exploring the Monstrous Feminine Theory
The Key to Writing Freakishly Good Dialogue
A $4M Period Film Shouldn’t Look Like This
Heath Ledger talks about playing The Joker
Chloe Zhao: When You Only Cast Non-actors in Your Movies
Why NOMADLAND Won Best Director
Fincher's MANK: when a modern director makes a fake old movie
Writing Subtext — The Secret to Writing What's Under the Surface
Saturday Night Live Neoliberalism
When an Audition Changed Cinema Forever - Andy Serkis
When an Actor Is Too Dedicated - Christian Bale
Mad Men: We Are All Pete Campbell
Mad Men: Peggy Olson, the New Girl
Mad Men: Joan Holloway, Subversive Venus
The Wire: Omar Little - A Man Got to Have a Code
How The Wire Uses Character Moments to Convey Its Themes
How I Wrote The Wire (David Simon's Writing Process)
The Wire: Stringer Bell - It's Business
Queer Horror: Understanding Gender as Body Horror
Analyzing Evil: Tony Soprano From The Sopranos
The Effective Scoring of Requiem for a Dream
In Praise of Great Exposition
How Denis Villeneuve created one of the greatest characters of all time
Roy's Quest for Humanity | Blade Runner Video Essay
Breaking Bad Video Essay: Self Acceptance Isn't Enough. Guilt is Good (Jesse Pinkman)
Why Jesse Pinkman Is Breaking Bad's Most Tragic Character (Video Essay)
Taxi Driver: A Study of Masculinity & Existentialism
The Art of Overanalyzing Movies