Although inspired by Romeo and Juliet, Swift felt the play could have been "the best love story ever told" had it not been for Shakespeare's tragic ending in which the two characters die.[14] She thus made the narrative of "Love Story" conclude with a marriage proposal, which she deemed a happy ending the characters deserved.[14][15] Swift wrote "Love Story" on her bedroom floor in approximately 20 minutes, feeling too inspired to put the song down unfinished.[11] According to Swift, the song represents her optimistic outlook on love, which is inspired by her childhood fascination with fairy tales.[15] Looking back on "Love Story" after she released her seventh studio album Lover (2019), which is about her first experience of "love that was very real", Swift said the track is "stuff I saw on a movie [and] stuff I read mixed in with some like crush stuff that had happened in my life".[16]

The lyrics of "Love Story" narrate a troubled romance between two characters, drawing from the lead characters in Shakespeare's Romeo and Juliet.[27] According to psychologist Katie Barclay, the song explores feelings of love in the contexts of pain and joy.[28] "Love Story", save for the final refrain, is narrated from Juliet's perspective.[1][29] In the verses, Juliet tells the story of hers and Romeo's challenged courtship, of which her father disapproves.[30] The first verse introduces Juliet in a scene, "We were both young when I first saw you / I close my eyes and the flashback starts, I'm standing there / On a balcony in summer air", which references the balcony scene in Act II, scene ii of Shakespeare's play.[1] In the refrains, which alter slightly as the song progresses to accompany the narrative, Juliet pleads for her love interest to appear, "Romeo, take me somewhere we can be alone / I'll be waiting / All there's left to do is run."[28][29]


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In the second verse, Juliet meets Romeo again in a garden and learns he must leave town because of her father's disapproval.[10] Their relationship encounters difficulties, "'Cause you were Romeo, I was a scarlet letter", referencing Nathaniel Hawthorne's The Scarlet Letter (1850).[31] According to media-and-film scholar Iris H. Tuan, Hawthrone's "scarlet letter" imagery represents the female protagonist Hester Prynne's sin and adultery, whereas Swift's use symbolizes the forbidden love between Romeo and Juliet.[31] Juliet pleads, "This love is difficult, but it's real", which Swift said was her favorite lyric in the song.[32]

After the bridge, with accelerated drums and the harmonization of melody and vocals, the final refrain incorporates a key change up a whole step.[33] The final refrain is narrated from Romeo's perspective and tells of his marriage proposal to Juliet after he has sought her father's approval, "I talked to your dad, go pick out a white dress."[34] Whereas Shakespeare's Romeo and Juliet are secretly married without their parents' approval and both commit suicide, the characters in "Love Story" depart from that ending.[35] According to Tuan, by projecting her feelings and fantasy on a Romeo and Juliet-inspired narrative, Swift created a song that strongly resonates with an audience of teenage girls and young women.[36] Journalist Deborah Evans Price of Billboard agreed but also said "one doesn't have to be a lovestruck teen" to enjoy the song's emotional engagement.[37]

Some critics were more reserved in their praise and took issue with the literary references. In a four-stars-out-of-five rating of the song for the BBC, Fraser McAlpine deemed the Shakespearean reference not as sophisticated as its premise and the lyrics generic, but he praised the production and wrote, "It's great to see a big pop song being used as a method of direct story telling."[27] Musicologist James E. Perone commented: "the melodic hooks are strong enough to overcome the predictability of the lyrics."[44] Jon Bream from the Star Tribune deemed the single inferior to Swift's debut country-music single "Tim McGraw" (2006) but commended the production as catchy.[22] In a Slant Magazine review, Jonathan Keefe was impressed by Swift's melodic songwriting for creating "massive pop hooks" but found the references to Romeo and Juliet "point-missing" and The Scarlet Letter "inexplicable". Keefe deemed the lyrics lacking in creativity and disapproved of Swift's "clipped phrasing" in the refrain.[45]

In a retrospective review, English-language professor Robert N. Watson deemed "Love Story" evidence of Swift's status as "the twenty-first-century's most popular songwriter of failed love affairs", specifically due to the Shakespearean narrative.[46] Critics have rated "Love Story" high in rankings of Swift's songs; these include Hannah Mylrea from NME (2020), who ranked it fifth out of 160 songs,[47] Jane Song from Paste (2020), 13th out of 158,[48] and Nate Jones from Vulture (2023), 11th out of 214.[49] In another ranking of Swift's select 100 tracks for The Independent, Roisin O'Connor placed "Love Story" at number 15 and said it showcases Swift as a songwriter who "understands the power of a forbidden romance".[50] Alexis Petridis from The Guardian placed it second, behind "Blank Space" (2014), on his 2019 ranking of Swift's 44 singles. He said of the literary references: "[If] the references to Shakespeare and Hawthorn seem clumsy, they are clumsy in a believably teenage way."[51] The song was included on best-of lists including Taste of Country's Top 100 Country Songs (2016),[52] Time Out's 35 Best Country Songs of All Time (2022),[53] and Billboard's Top 50 Country Love Songs of All Time (2022).[23]

Spin noted the video appears to have been filmed on an "HBO-looking budget" with "elaborate, pseudo-medieval set pieces"; according to the magazine, rather than alluding to Shakespeare's Romeo and Juliet, the narrative resembles "Rapunzel", especially the part in which Swift's character waits for her lover atop a castle.[95] According to Glamour, Swift's fashion in the video reinforces the lyrical theme, "[She] literally wore a medieval ball gown while playing the Juliet to an actor's Romeo."[96] In a 2010 Billboard interview, Swift reflected on the video's fairy-tale-inspired wedding setting: "I'm not really that girl who dreams about her wedding day. It just seems like the idealistic, happy-ever-after [moment]."[97]

The Hero: Love Story of a Spy is a 2003 Indian Hindi-language spy thriller film directed by Anil Sharma and produced by Time Magnetics. It stars Sunny Deol, Preity Zinta and Priyanka Chopra in her Bollywood film debut. Written by Shaktimaan, the film tells the story of an undercover Research and Analysis Wing (RAW) agent who must gather intelligence about cross-border terrorism and stop the terrorist responsible for it and his separation from his fianc.

Arun Khanna is an army intelligence officer working for the Indian Secret Service agency Research and Analysis Wing (RAW) who has been sent to the Indo-Pakistan border in Kashmir. Under the identity of Major Ravi Batra, he sets up a spy network to obtain information about Pakistani terrorist activities across the border. In a nearby village, he meets Reshma, an orphan. Reshma joins the network to help Batra, and they fall in love. He reluctantly sends her into Pakistan to work as an undercover maid in Colonel Hidayatulla's house. Hidayatulla is associated with ISI head Isaq Khan and terrorist Maulana Azhar.

Sify gave The Hero: Love Story of a Spy film three out of five, writing, "The central theme gets more spice with a love story giving much role to play for Zinta and Chopra. The action sequences are well shot and Deol essays his role with his usual skill."[36] Kevin Thomas of the Los Angeles Times called the film "straightforward escapist fare" with the sensibility of an "old-fashioned comic-book", and said it "may be corny" and "unintentionally amusing at times" but it is also "a lot of fun" and has "all the classic elements of a Bollywood blockbuster taken to a spectacular level".[37] The BBC's Manish Gajjar called the film "great escapist" cinema and praised the performances, writing that, "the role of Ravi Khanna was tailor-made for Deol. He got a chance to exhibit the various looks of a secret agent ... Zinta is radiantly refreshing throughout the film, whilst ex-Miss World Chopra appears natural considering that this is her debut film."[38]

Lolita was already much talked about in cultural circles by the time it was optioned for the screen. Published in Paris to both fanaticism and furore, before finally finding a home three years later in the US in 1958, contemporary reviews were split down the middle about this lyrical tale of a tortured paedophile. New York Times critic Orville Prescott dismissed the novel as "florid and archly fatuous" surmising: "Perhaps [Nabokov] thinks of his book as a satirical comedy and as an exploration of abnormal psychology. Nevertheless, Lolita is disgusting." Others were moved; even famously sharp-tongued Dorothy Parker described it as "the engrossing, anguished story of a man, a man of taste and culture, who can only love little girls".

Perhaps it is unfair to entirely blame Kubrick's film for adding comic levity to the story, when many argued it was in the book in the first place. Much of the moral outrage surrounding the novel focused on how the attempts at comedy were crude and ill-suited to the subject matter, noting a sour taste left by Humbert's swooning, sickly prose. This was a factor that hindered the book getting published in the United States for three years, forcing Nabokov to publish his work with Olympia Press, the Parisian publisher helmed by Maurice Girodias that specialised in books which could not be published (without legal action) in the English-speaking world. But certain contemporary reviews made note of the book's jocular tone: Charles J Rolo deemed it "one of the funniest serious novels I have ever read" that "parodies everything it touches" with its "charge of comic genius". Many couldn't get past what they saw as an excuse to detail child abuse; others found it impossible not to give in to a wry smile as the unreliable narrator performed Olympic-standard mental gymnastics in order to justify his actions. 17dc91bb1f

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