Love and Hate in Dub is first remix album by English industrial metal band Godflesh released on 24 June 1997 through Earache Records. The remixed songs are sourced from their 1996 album Songs of Love and Hate, and they adopt a more ambient, dub and drum and bass flavor.[1]

"A lot of that spite and shit from Columbia deal and everything really came into play on Songs of Love and Hate. I think that Love and Hate in Dub is a better record than Songs of Love and Hate [...] Just for our own amusement, we were fucking around with the mixes, we were seeing how far we could go with different mixes, and it seemed really attractive. I remember saying to G.C. Green that we should do something with this, and I love remix culture anyway, but there's a lot of tokenism with dance remixes that's quite horrible. That's why we do it ourselves because we have a vision of what we want to achieve, instead of having to draft in other people to give us a vision."[5]


Love Me Or Hate Me Song Download Remix


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Finally, in Verse 3, The Game gives a shout-out to Dr. Dre, whom he credits for giving him his start in the industry. Despite inheriting beef from Dre, he stuck by him and proved himself loyal. He also takes shots at Tony Yayo and Olivia, two other members of the G-Unit crew, who he feels have betrayed him. In the end, the song is all about perseverance and the ability to overcome whatever obstacles come your way.


"Irresponsible Hate Anthem" (Venus Head Trap Remix) is a 2005 remix of "Irresponsible Hate Anthem", a song featured on the 1996 release Antichrist Superstar. The song was remixed by Charlie Clouser and Danny Lohner with Joshua Eustis and Wes Borland. Due to the original masters from Antichrist Superstar being lost, this remix was in fact made using the vocal track from the live version of the song found on The Last Tour on Earth.

I got up and scream-sang along, joking that they could turn off the screen in the karaoke room because I knew this shit by heart. Being in that karaoke room 3,000 miles away from home, with new friends from Atlanta, New Jersey, New Hampshire, Minnesota, and a bunch of other places, I was surprised to learn that Sublime had permeated the culture in their hometowns too. Maybe the lifestyle Sublime championed was more aspirational for them in their landlocked states, but even so, their backyard keggers and raucous after-school drives to a fast food joint were also soundtracked by the band. They shared that love-hate relationship, or had a straight up love-love one. Many more nights singing Sublime followed, and at some point it became a marker for me as the resident Southern Californian in the house. e24fc04721

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