Love Birds is a 1996 Indian Tamil-language romantic drama film directed by P. Vasu. The film stars Prabhu Deva and Nagma with Raja, Vadivelu and Sarath Babu playing other pivotal roles. The film's score and soundtrack composed by A. R. Rahman was highly successful. The film was released on 15 January 1996 and had an average performance commercially.[1] The film is a remake of the 1986 Kannada film Ratha Sapthami for which P. Vasu was the co-screenplay writer.[2][3][4]
After accidentally meeting, Mridula (Nagma) and Arun (Prabhu Deva) fall in love. The young couple both come from affluent families, and so, to test whether they will be suited for a long-term relationship, they both decide to live together. However, a few months into their relationship, Arun and Mridula get in an accident and Arun dies. A devastated Mridula is unable to get over his absence, and before long starts seeing Arun in strange visions everywhere she goes. Her family eventually decide that relocating to another country might help Mridula move on, and so they send her to the UK. Once she arrives there, she meets Mano (Raja), a young man attracted to her. She knows that her parents expect her to fall for Mano. But as she can't move on, she runs away. She meets David who looks exactly like Arun. She follows him and finds out where he lives and works. Whenever she tries to talk to him, he denies his relationship with her and says he doesn't know her. However, she later finds out that her father had Arun sent away as he had helped with Arun's sister's marriage and had threatened to let it all go downhill for her. Arun moves to the UK in hopes that he can forget about Mridula but he can't and when he meets her, he realises this. When Mridula's father finds out Arun is still alive, he tries to kill him. However, he realises his mistake and lets the lovebirds reunite.
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Prabhu Deva was signed to work on the film after working in Shankar's 1994 hit Kadhalan, and his pair from that film, Nagma, was also signed on. British Indian musician Apache Indian was also signed on to sing and dance for a music video in the film.[6]
The film was predominantly shot across London, with scenes also canned at Buckingham Palace and at a Hilton Hotel. The producers had earlier location scouted in the city and took music director, A. R. Rahman along to get a feel of the city.[7]
The soundtrack was composed by A. R. Rahman, with lyrics by Vairamuthu for the original Tamil version, by Sirivennela Seetharama Sastry for the Telugu version and by P. K. Mishra and Mehboob for the Hindi version.[8] The song "Malargaley" is set to the raga Hamir Kalyani.[9]
The film opened in January 1996. The film opened days earlier in Malaysia than India and was shown across 27 theatres in the country, a figure only usually exceeded for Tamil films starring Rajinikanth, and this mirrors the large release the film received.[7] K. Vijiyan of New Straits Times gave a positive review saying, "This movie seems made for courting couples, especially those who are facing problems with disapproving parents" and added that "strong dialogue makes the film rise slight above the ordinary".[7] Kalki was more critical, calling it yet another blowback for Prabhu Deva.[10] The Hindu wrote "To bank on the Kathalan team of Prabhu Deva and Nagma to deliver the goods without a powerful story to back their effort has cost Pyramid Films International, the makers of Love Birds, dearly despite shooting most part of the second half in England. Experienced director P. Vasu has written the story, dialogue, screenplay and somehow he is not able to infuse his usual sentiment oriented touches because the scope is very minimal in the plot" but praised Rahman's music and Sekar's cinematography.[11] Love Birds became an average grosser at the box office but was a little better than Prabhu Deva's next, Mr. Romeo. The actor thus had to go through a slump in his film career.[12]
Last but not least, most birds can sing, sometimes beautifully. This, in itself, is a wonderful thing. Imagine a world without bird song? It heralds your morning and closes your day as the dusk draws in. When the robin begins singing, we know autumn is in full swing and winter is on its way. When you hear your first chiffchaff, we know that spring is no longer a far-off dream and before we know it the summer will be here, lush grass beneath our feet and glorious hot sunny days (just kidding, we live in England). And what would dusk be, without the chinkchinkchinks of blackbirds as the light fades?
Over the six weeks with my ten students, we covered the basics of birding, which were put to the test during our last class, a visit to Dead Creek Wildlife Sanctuary in Addison, Vermont. During our first class, I asked everyone why they had signed up for the course. Unsurprisingly, many signed up because they needed the science credit, not because they loved birds. I could relate. I also took a birding course because I needed the credit, not because I liked birds, and look at me now, working for Audubon! Throughout the program we focused on birds that we encountered in Burlington. I wanted to start local to build their birding confidence. In the classroom, we covered field markings (wing bars, crests, spots, eye rings, etc.), bird songs and calls, and the habitats of Burlington birds. We then spent time outside walking through neighborhoods of Burlington, along the bike path, and through parks to see what birds we could spot and hear.
I tried to learn the warblers a few years ago so that I would be ready for spring migration. I live in NE Ohio. Some very experienced birders told me to slow down and try to learn no more than 5 per week. That worked much better than trying to go through the whole list of warblers songs. A lot of them sound similar.
The Ohio Department of Natural Resources has CDs of bird songs with booklets of the birds. But, you should be able to use other resources. This page in the Cornell website allows you to find birds by family. The linked pages to the families of birds have photos and songs for each species. So, you could go through the thrushes or warblers a little bit at a time.
The Audubon app and the website, and Merlin app also have songs with a species accounts. The Audubon app and website have a lot more variations for a bird. Warblers, for instance have a dawn song in addition to a normal song.
Lately I have been using BirdNET on my phone to record songs/calls and hopefully identify them. I have not used this a lot but the relatively few times I have, I have been happy. It produces a sonogram which allows me to visually crop the recording and save the specific grouping of notes that are of interest. The app can analyze the recording and give one or more suggestions. I am not sure how intercontinental this is but it can record and sonogram and crop and save which in itself is a good tool.
I have even used it to help identify birds which were left as unknown on iNat by recording the song/call from my computer, altering the place. If I have or recieve an impression of species, I have used the sonogram to compare on the Macaulay Library to find something that is very close to sounding like the observation. I have then used that external reference in my comments so that the OP can compare themselves.
yes - we try to pair songs with descriptors of tones: flute like, whistle like, twittery, chit chit, peep, buzzy, metallic. That helps with common local birds a lot like Blue Jay vs Northern Cardinal.
I just downloaded BirdNET to my iPhone and tried it in my backyard. Despite our clucking chickens trying to mess with my recording, it correctly IDed Lesser Goldfinch singing in the background and at some distance away. Very cool.
[Edit-With android] The list at the upper left (hamburger) gives you a choice to Show observations. Open that. Select your saved observation. That gives you a choice to share. Share to iNat - it does not seem to share meta data so you need to manually fill in location, date, time, and what you saw. Wish I knew a work around to this.
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Thanks for the great post Lang! This was really a treat as I have been anxiously awaiting to hear my first gray catbird song here in far western New York. These are one of my favorite birds because of the high variability of their song, and their seemingly joyful mood to greet the coming day!
It looks as though in between phrases the bird is listening to what is happening around him. So, if the bird is listening to the environment and that is part of his performance, the environment should be audible to us, as well. Great video, Lang!
The silhouetted movement seems to transmit more body energy accompanying his song. The little flicks of wings and fluttering throat are great. He seems to be listening to the other songs as he pauses fur red wing, yellow warbler etc as though considering them for his own repertoire.
Before setting foot in Ho Chi Minh (HCMC), Vietnam I knew very little about Vietnamese culture. Whilst I have an Asian background (my parents were born in Sri Lanka) my connection with Vietnam was surface level at best, our love of seafood and our ability to get on with life even though it is always bloody humid!
A month and half later, I have appreciated so many things that Vietnam has to offer as a country to visit or possibly live in at some point in the future. The country precariously juggles between communistic and capitalistic ideologies whilst balancing traditional culture with the need to modernise to compete in global markets.
One of the more traditional ways of life is the vietnamese love of birds. This becomes apparent when you visit a vietnamese market. There is a strong possibility that you will see someone selling birds. 152ee80cbc
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