Ghantasala's first break as a singer came from All India Radio. Later on, Peketi Siva Ram from HMV studios recorded Ghantasala's private songs. Ghantasala debuted as a chorus singer and for a character role in Seeta Rama Jananam by Pratibha Films. After this, he worked with well-known music directors Gali Penchala and C. R. Subbaraman. Ghantasala's first film as a music director was Laxmamma. He introduced the technique of changing the vocal pitch and diction to suit the actor singing the songs. Ghantasala was peerless at Padyam renderings and his way with the Telugu padyam was incomparable.
The Thevaram (Tamil: , Tvram), also spelled Tevaram, denotes the first seven volumes of the twelve-volume collection Tirumurai, a Shaiva narrative of epic and Puranic heroes, as well as a hagiographic account of early Shaiva saints set in devotional poetry.[1] The Thevaram volumes contain the works of the three most prominent Shaiva Tamil poets of the 7th and 8th centuries: Sambandar, Appar, and Sundarar.[2][3][4] The three poets were not only involved in portraying their personal devotion to Shiva, but also engaged a community of believers through their songs. Their work is an important source for understanding the Shaiva Bhakti movement in the early medieval South India.[5][6]
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The Thevaram helped structure a devotional tradition with its own authoritative canon, and thereby negated the primacy of Vedic orthodoxy and Smartha tradition, states Champakalakshmi.[18] Yet they extend rather than reject the Vedic tradition. The hymns, states Peterson, directly praise the four Vedas and Sanskrit, adding that devotion to Shiva is same as these. For example, in Appar VI.301.1, the Thevaram states "See him who is Sanskrit of the North, and southern Tamil, and the four Vedas". Such themes appear repeatedly in this text. Thus, Thevaram is not antagonistic to the Vedic tradition, it compliments and redirects the devotee to bhakti through songs and music, for the same spiritual pursuit.[19][note 2] e24fc04721
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