Jack and his followers set up an offering to the beast in the forest: a pig's head, mounted on a sharpened stick and swarming with flies. Simon, who often ventures into the forest alone, has an imaginary dialogue with the head, which he dubs the "Lord of the Flies". The head tells Simon that there is no beast on the island, and predicts that the other boys will turn on Simon. That night, Ralph and Piggy visit Jack's tribe, who have begun painting their faces and engaging in primitive ritual dances. When Simon realises that the beast is only a dead pilot, he rushes to tell Jack's tribe, but the frenzied boys (including Ralph and Piggy) mistake Simon for the beast and beat him to death.

Birds and planes (and angels?) are airborne on wings shaped in such a way as to create lower pressure above the wings, to create graceful lift. Not so with flies: Their wings are constantly flapping, 200 times a second, attached to their bodies in such a way as to create a ceaseless buzzing. Most disturbing is the way they fly: jerky and frenetic darting, almost insane in their random trajectories.

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Aside from the bees, there were tsetse flies, which can cause sleeping sickness, a disease characterized by fever, inflammation of the lymph nodes, and profound lethargy. Sleeping sickness is often fatal.

A pygmy who looked a little like a short, dark version of Jerry Lewis showed me the way to kill tsetse flies. Simple thing. Put a hand on your body some small distance from the fly and roll right over the son of a bitch from the side, like a steamroller. This produces a nasty swatch of blood and bug guts, and is immensely satisfying.

When an amateur stunt performer is killed while performing a daring act for a local cable reality show, Scully, Doggett and Reyes discover that the culprit was apparently a swarm of killer flies hidden in the victim's brain.

A group of teenagers are filming one of their friends, "Captain Dare", doing stunts for their cable TV show, Dumbass. After a stunt fails and Dare falls out of a shopping cart, he is found dead with part of his head having collapsed. The local coroner calls in FBI Special Agents John Doggett and Monica Reyes, due to them being "specialists" in the unexplained. As Reyes examines the boy's body, flies erupt from his eye socket. The two immediately bring Dr. Scully in to examine the body. She discovers the caving-in of the head was not the result of an impact injury but because insects fed on the inside of Dare's head to such a degree that it simply collapsed.

Dylan and his mother drive away, with Dylan looking visibly depressed. Natalie looks out her window to see fireflies forming the words "I Love You," while Scully overtones that, sometimes, the heart wants what the heart wants.

As an allegory about human nature and society, Lord of the Flies draws upon Judeo-Christian mythology to elaborate on the novel's sociological and political hypothesis. The title has two meanings, both charged with religious significance. The first is a reference to a line from King Lear, "As flies to wanton boys, are we to gods." The second is a reference to the Hebrew name Ba'alzevuv, or in its Greek form Beelzebub, which translates to "God of the Flies" and is synonymous with Satan. For Golding however, the satanic forces that compel the shocking events on the island come from within the human psyche rather than from an external, supernatural realm as they do in Judeo-Christian mythology. Golding thus employs a religious reference to illustrate a Freudian concept: the Id, the amoral instinct that governs the individual's sense of sheer survival, is by nature evil in its amoral pursuit of its own goals. The Lord of the Flies, that is, the pig's head on a stick, directly challenges the most spiritually motivated character on the island, Simon, who functions as a prophet-martyr for the other boys.

Hook's visual sense is not acute here; he doesn't show the spontaneous sense of time and place that made his first film, "The Kitchen Toto" (1988), so convincing. He seems more concerned with telling the story than showing it, and there are too many passages in which the boys are simply trading dialogue. The color photography tends to turn many scenes into travelogues; this is a film that needs black and white to contain the lush scenery. The "lord of the flies" itself - the rotting head of a wild boar - never becomes the focus of horror it is intended as, and the surprise ending of the film is somehow over before we have the opportunity to be surprised. The acting is workmanlike. 0852c4b9a8

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