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Exposure and response prevention (ERP) is a form of CBT. When the song pops up (exposure) patients learn to inhibit their usual compulsive thoughts and behaviour (response prevention). Despite increased short-duration stress, eventually the songs may cease.1

When I look up a song on Spotify I press play and the song plays and that's nice but then when the song ends this song gets repeated and that's not nice I don't want to listen to the song I just listened to so does anyone know how to stop this it started happening the last few days thank you in advance

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This feature works great with albums and playlist as it has several songs to use to create different suggestions. However, when you search for a song and play only that song, the app will only have one song to choose from to create the new playlist, so this is the reason why that the new playlist will start with the same song sometimes.

When you search a song and you still have the repeat function on (the repeat for a playlist not for 1 song) it will keep playing the song you searched for. However I just turned it off and now it plays songs that match the song I searched for.

I hope this helped you guys out.

I recently upgraded from pixel 5 to pixel 8 pro. On my old phone i had an older Spotify build songs never repeated after searching. Now on my pixel 8 repeat constantly turns on...even after turning it off. Happens several times a day, frankly its super annoying and makes me want to cancel my premium plan. I sincerely doubt whoever signed off on this being a feature has no idea what UX is. Give us back the option to have it off by default.

The search bar allows you to search the songs in your Planning Center library. Type in the search bar and tap on the Search button to begin the search. This will filter the songs in this menu for import based on their title.

Tap on the songs to place a checkmark next to the items you would like to import. Tap again to remove the checkmark and not import the song. This will be one of the song's attachments based on a list of priorities. To change the version of the song that is imported, preview it first. Tap on the Import button to begin the import.

For many songwriters and artists, trying to figure out what publishers look for in songs can often feel like stumbling through an endless maze. Often this search for what someone else is looking for leaves an artists or writer losing touch with their own talent and uniqueness.

All the Way... A Decade of Song is the first English-language greatest hits album by Canadian singer Celine Dion. Released by Sony Music on 12 November 1999, it features nine previously released songs on most editions and seven new recordings on all editions. Dion worked on new tracks mainly with David Foster. Other producers include Max Martin, Kristian Lundin, Robert John "Mutt" Lange, James Horner, and Matt Serletic. It is the best-selling greatest hits album in the US during the Nielsen SoundScan era.[1] All the Way... A Decade of Song has sold over 22 million copies worldwide, including over nine million in the United States, five million in Europe, two million in Japan and one million units in Canada.

After ten years of standing in the spotlight, Celine Dion decided to go on vacation. "I'm looking forward to having no schedule, no pressure, to not caring about whether it's raining or not, just visiting with family and friends, cooking at home, trying to seriously have a child. I want no pressure for a while," she said.[3] Before Dion embarked on her two-year respite from the music industry beginning 1 January 2000, she prepared All the Way... A Decade of Song to cap a ten-year period in which she had sold over 100 million records worldwide.[4] In the '90s, Dion transformed herself from a regional Canadian success into one of the world's most successful pop artists. In that time, she released six English-language albums, from 1990's Unison to All the Way... A Decade of Song, and six newly recorded French albums, picking up numerous awards, including five Grammys.[3][4]

The process of putting together All the Way... A Decade of Song was laborious for all involved, from balancing the number of hits and new songs to ensuring that each of the latest tracks showed a new side of Dion. "We had hourly conversations, back and forth, about what the combination should be," said John Doelp, the album's co-executive producer. He added, "We wanted to make sure we had some new sounds and that we were able to go to new places". Co-executive producer Vito Luprano added: "The first idea was to record three new songs, then Dion said, 'Let's go for five,' her lucky number. But we had so many great songs coming in that we ended up recording nine. Out of that, we decided to go with seven".[3]

All the Way... A Decade of Song contains nine greatest hits (ten on the Japanese version) with seven new songs in one single-disc package.[5] Collaborators include Max Martin; Robert John "Mutt" Lange; James Horner and Will Jennings, who wrote "My Heart Will Go On"; French songwriter/producer Luc Plamondon; Diane Warren; and David Foster. The Jennings/Horner track "Then You Look at Me" was also placed in December 1999 on the film soundtrack Bicentennial Man, starring Robin Williams; and Plamondon's "Live (for the One I Love)", which has been translated from its original French version "Vivre", appeared in February 2000 on the French stage-show album Notre-Dame de Paris.[3]

The first single, "That's the Way It Is" is an optimistic uptempo song, co-written and co-produced by Max Martin, best known for his work with young pop artists.[5] Other highlights on All the Way... A Decade of Song include a remake of Roberta Flack's "The First Time Ever I Saw Your Face", which Dion has performed acoustically in her Let's Talk About Love World Tour; the Robert John "Mutt" Lange ballad "If Walls Could Talk", with Shania Twain on background vocals; the power ballad "I Want You to Need Me" from Diane Warren; another, orchestrated power ballad "Then You Look at Me;" and a song Dion and Ren Anglil were married to, "All the Way", here in a virtual duet with Frank Sinatra.[3][4]

Chuck Taylor from Billboard also praised "That's the Way It Is". He wrote that Dion at last "ups the tempo with the irresistible" first single. According to Taylor, this new track, a joyful ode to holding the faith but allowing love to take its course when it's ready, matches Dion with a new team of collaborators, consistent hitmakers: Max Martin, Kristian Lundin and Andreas Carlsson. "Replete with a festive mandolin and a midtempo beat to bring new heights to her as-ever splendid vocal," this song is "destined to enrapture" top forty and AC the first time through, at last stripping away mainstream radio's gripe that Dion is "too adult". He said that, youthful and yet elegant, and glowing brightly with warmth, the song also represents a bold step forward for Martin, who is best known for his work with chart-topping youth acts. All in all, "That's the Way It Is" is "one of the most compelling radio releases yet" from "one of the core voices of the decade".[15]

Although Stephen Thomas Erlewine of AllMusic gave the album four out of five stars, he criticized it for including seven new songs and just nine hits. According to him, if it had been a straight hits collection, with "That's the Way It Is" and "If Walls Could Talk" added to the end, it would have been fine, but padding it with nearly a full album worth of new material hurts it. He also noticed that Dion's first American hit, "Where Does My Heart Beat Now", isn't here, nor is her duet with Barbra Streisand, "Tell Him". Erlewine stated that the best of the hits, like the Meat Loaf-ian epic "It's All Coming Back to Me Now" and "My Heart Will Go On", are certainly among the best adult contemporary songs of the decade. In comparison to the new material, he felt that the danceable "That's the Way It Is" and the "pretty" ballad "If Walls Could Talk" work, but he did not like "The First Time Ever I Saw Your Face" and "All the Way". According to him, the remaining three new songs "aren't bad", but they're not particularly memorable, especially compared to the hits.[13]

All editions of All the Way... A Decade of Song include seven new songs and, in order, the previous hits: "The Power of Love", "Beauty and the Beast", "Because You Loved Me", "It's All Coming Back to Me Now", "To Love You More" and "My Heart Will Go On". Other tracks vary by country:

Got the same issue. As a workaround I try to add every loved song to my library as well. Then I edited a smart playlist in iTunes, because I couldn't create a new one, that collects all loved songs that are in my library. This works most of the time, but the strange thing is that the list should sync to my phone instantly. But it doesnt. It's more like random. I've got 42 songs in the playlist on itunes, and 14 on my phone. Some have recently been loved, some are 2 weeks old. I can't find a reason or a pattern here

The heart is not the way to do it. The heart is only for Apple to tailor it's suggestions to your tastes. If you want to keep track of things you like you need to click on the little "3 circle" menu and select "Add to My Music." These tracks will all show up in "My Music" everywhere. In iTunes you can list your music by song and sort by "Date Added" and you'll see the tracks that you've added. There doesn't seem to be a way to view "My Music" by date added in the iPhone app. You need to do it in iTunes as far as I can tell. I much prefer the Spotify "+" system. There's one less step and they are listed in the order in which you added them.

This works for me as well, but the problem with synching this list to my iPad and phone still exists. My "loved" playlist know counts 53 songs. The Same list opened on my ipad or iphone shows only 16 tracks.

Rap as a genre began at block parties in New York City in the early 1970s, when DJs began isolating the percussion breaks of funk, soul, and disco songs and extending them. MCs tasked with introducing the DJs and keeping the crowd energized would talk between songs, joking and generally interacting with the audience. Over time, it became common for the MCs (or rappers, as they soon became known) to talk and rhyme over and in sync with the music. Initially dismissed as a fad, rap music proved its commercial viability in 1979 with the release of The Sugarhill Gang's "Rapper's Delight," and then again in 1980 with Kurtis Blow's "The Breaks," a Top 5 hit that eventually went gold. 17dc91bb1f