Drumfunk [early 00s-present] - while a lot of modern jungle productions use same samples, production techniques and even hardware from 90s, drumfunk producers don't concern themselves with those and aim at pushing the boundries forward. The term is niche and it applies mostly to pieces with much more complex drumwork with less or no focus at all on making them mixable or danceable. The style samples a lot of new breakbeats which weren't used in old jungle tracks. Drumfunk has also slightly faster tempo. // EXAMPLE, EXAMPLE2

Liquid [early 00s-present] - arguably most widespread dnb subgenre, focuses on atmosphere and melodic parts (more mellow and smoother than dancefloor), often features vocals. Influenced by house/jazz/soul, usually uses old jungle breaks as a foundation for drums. It differs from intelligent jungle as it has simpler structure and patterns. The tracks very often contain piano progressions as the main element of the track, althrough that's not requirement for piece to classify as liquid. Apart from higher production value that came with technological advancements, the sound remained pretty much the same for the last two decades. // EXAMPLE, EXAMPLE2


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Darkstep/Skullstep [mid 00s-late 00s] - the term referring to aggressive, dark dnb in 00s that wasn't simply neurofunk. The most common characteristics shared between tracks are universal usage of classic amen break, distorted reese bass progressions (althrough simpler and less processed than in neuro) and distinctive switches between drum patterns and breaks every each few bars. In addition to that, the tracks incorporate characteristics of techstep and technoid to varying degrees depending of the artist. A lot of productions from that era sampled horror movies. The scene transitioned into crossbreed near the end of decade. It shouldn't be confused with breakcore as the pieces have coherent structure, they aren't as random and glitchy as well. // EXAMPLE, EXAMPLE2

Deep [early 10s-present] - noticeably more toned down compared to other subgenres. Generally characterized by accenting sub-bass and showcasing it as core element of the tracks next to drums and avoiding usage of excessive midrange sounds. The emphasis on minimalism varies between labels/producers. Usually has clean, cold aesthetic but artists often merge it with another styles to yield interesting results. Pioneered in UK but quickly picked up by artists from entire Europe. // EXAMPLE, EXAMPLE2

170 [mid 00s-present] - also referred to as "Samurai sound" from the name of the label that popularised it on the scene. The pieces frequently have long, continuous progression without clear division between intro-drop-bridge sections. The drumwork is rich and utilizes many percussion sounds, accompanied by low, deep basslines. Kicks have high presence and dictate pace of the tracks, snares are often placed at the last beat or are completly absent. In some productions there are noticeable nods towards jungle and dub. // EXAMPLE1, EXAMPLE2

I produce drum and bass myself, and I've started noticing a certain recurring sound in, i'm not even kidding, a solid 10% of drum and bass tracks I've heard, which I can tell you, is a lot. It's in these tracks as well, and it's fairly easy to hear once you've noticed it:

Just as the title says, which do you consider it's the first true drum'n'bass track ever created? There are a lot of tracks that started to depart from rave and proto-jungle (if I can call it that) in the very early 90's but they didn't start sounding like proper drum'n'bass until the mid-90's.

I'm a moderator for the liquid drum and bass Soundrop room called: Liquifaction. Over the past year I have attempted to create the most extensive liquid drum and bass playlist to date. With the help of lots of contributors in the Liquifaction channel and digging efforts by myself I have recently reached 3000 tracks! and will continue to add new tracks to further improve the playlist. It containes new and old, known and obscure, funky and atmospheric.

I've been really getting into good vocals on drum and bass tracks recently, and thought it would be interesting to see what this subreddit's favourite sounding vocals are! Whether its the sound of their voice, the words themselves, the melody, all of the above, or something else :)

Initially you hear the 1 downbeat as the first note of the synth lead. But once the drum track comes in at the 1:12 mark, it shifts your perception and the note you THOUGHT was 1, is actually the & of 1 on the drum line.

Recently it seems that tempos have dropped to the low 170s, the beats have become more minimal, and the tracks seem less rhythmic overall. Audiences are standing around, not dancing, and attendance numbers are falling. Is it just the London clubs lately, or is drum and bass becoming avante garde:

Liquid that is on the heavier darker side. Lots of Alix Perez, Enei, Monty, Halogenix, etc. Love that this style of Liquid has been on the rise recently as a middle ground for heavier drum & bass that you can still listen at home while chilling. Always looking for new tracks for this one to add, so any suggestions that are missing from the playlist are more than welcome.

I found out that if this offset delay effect is applied to a simple drum track, and with fine tweaked delay offset, feedback and EQ, the drum loop can be recreated. So I made a demo for this "discovery" of mine. Changing the delay parameters makes this drum loop shift just like the album version.

If you're a fan of liquid drum and bass music, you'll love our expertly curated playlist on Spotify. Our playlist features the best tracks from top artists in the genre, including High Contrast, London Elektricity, and many more.

Our playlist is perfect for anyone who wants to experience the best smooth and melodic liquid drum and bass tracks available on Spotify. Follow our playlist today to stay up-to-date with the latest tracks in the genre and discover new music that you'll love. ff782bc1db

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