Logan Tindell

Kent-based musician Matt Bawtree prepares and performs his first headline gig as a solo-artist at the Music Workshop in the coastal town of Folkestone.

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Friends Danny and Wes, after discovering the dead body of a man floating on the River Thames, exchange cinematic and vibrant theories hoping to lead them to the comfortable truth behind the man's demise; which could furthermore leave themselves to a more beneficial future.

WINNER: BEST STUDENT DRAMA (Royal Television Society Southern Awards 2025)

WINNER: 1st RUNNER UP FOR BEST FILM (Toronto Alternative Film Festival - Winter 2024)

A completed trilogy of documentary feature films which showcase my friends and I enduring and surviving our chaotic years at university; a realistic portrayal of university life and the dynamic university students have with one another.

I filmed and edited the films myself; and would ascertain that every film showcased their respected narratives coherently despite their amateur visuals and absurd titles.

These films can be seen on YouTube.

"Welcome to the World of... the Kitchen Pimps" (2022)

"Return to the World of... the Kitchen Pimps" (2023)

"Anarchy to the World of... the Kitchen Pimps" (2024)

Robert becomes infatuated with a family who live across the road from his house, takes photographs of them, and knows all of their names. Unable to confidently interact with them in-person, trouble brewing one night will force him out of his comfort zone.

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A look towards the UK government's plausible proclamation of making Maths a mandatory subject for kids to learn up until they are 18, and how that in particular would threaten the future of the country's creative arts industry.

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I wrote and performed a segment from the film that satirically elaborates the history of creative arts in the country.

A lonely window cleaner becomes unhealthily infatuated with a large house and wishes to take control of the estate from the lonely rich owner.

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Though my role was not related to film's narrative as I originally would have hoped it would, I approached working as a member of the sound department with keen interest in the role. As I learnt the role's specialty, my excitement grew on the method of mixing sound during the film's post-production stage; in relation to my additional pursuit in song production.

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A man abruptly appears in Death's office. Searching for answers to determine how he found himself at death's door, the man is challenged by the dapper-looking grim reaper to a dastardly game which will eventually lead him to question if he lived his life to the fullest.

A woman investigates her husband's sudden obscure behaviour, unaware that unknown, supernatural forces are at play.

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This black-and-white silent short was filmed with Bolex cameras using 16mm format of physical film.

My submission for the first unit, "Me Myself and I", for my University course.