Embedded Files
The Body Transforms: From Divine Ideal to Human Reality
The Body Transforms: From Divine Ideal to Human Reality
Students: Chan Hoi Ching, Chen Chen, and Liu Shing Chung
Resonance between Divinity and Humanity
Resonance between Divinity and Humanity
Students: Ke Pengzi, Jin Fangyu, and Lee Wing Tung
High Renaissance: Borderless Rivalry of Da Vinci and Michelangelo
High Renaissance: Borderless Rivalry of Da Vinci and Michelangelo
Students: Bang Minji, Wong Minnie, and Chan Chun Yin Theo
Beyond the Glory: How Renaissance Works in the Present
Beyond the Glory: How Renaissance Works in the Present
Students: Chow Pak Hin Lucus, Huang Mingwei Daven, and Hou Anxin
Christianity through out European Art History: Medieval, Renaissance and Baroque
Christianity through out European Art History: Medieval, Renaissance and Baroque
Students: Lin Ka Huen, Fong Yu Yuk, Tsui Sum Sheung, and Cheng Hiu Kwan
Christianity in European Art History
Christianity in European Art History
Students: Liu Ka Wai, Chan Cheuk Kiu, and Cheung Nicholas
Religion and the Masses: Religious Views Over Time
Religion and the Masses: Religious Views Over Time
Students: Yuen Tsz Ching, Yao HongLin, and Wang Haoran
Perception of Life and Death in Religious Myths
Perception of Life and Death in Religious Myths
Students: Chow Man Yan Carey, Chan On Kei Carol, and Jiang Qinyun
Banner image source: The National Gallery.
Joseph Mallord William Turner (1775 - 1851), Ulysses deriding Polyphemus - Homer's Odyssey, 1829. Oil on canvas. Turner Bequest, 1856. The National Gallery.
Page updated
Google Sites
Report abuse