List Of Bob Marley Songs A To Z Download

Rather than reconfiguring the original arrangement, this remix builds upon its structure. This version adds in light electronic beats that remain consistent throughout the track, allowing for a laid-back listen that hits the spot.

The Roots Reggae Library has created an overview of the music released by the Wailers prior to their contract with the Island Records label. This overview lists all the Wailers' songs known to have been released during that period, filled into six ska albums and 11 rocksteady albums.[2]

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Marley became a sensation with recordings of songs like "No Woman, No Cry" and "I Shot the Sheriff," which was later covered by Eric Clapton. In 1976, he survived an assassination attempt, when gunmen entered Marley's home two days before he was slated to perform at "Smile Jamaica," a concert set to take place days before a snap election in the country. Because of rising tensions at the time, some saw the concert as being politically motivated. Marley suffered minor wounds to his chest and arm.

The greatest hits album Legend was released in 1984, and became the best-selling reggae album of all time.[15] Marley also ranks as one of the best-selling music artists of all time, with estimated sales of more than 75 million records worldwide.[16] He was posthumously honoured by Jamaica soon after his death with a designated Order of Merit by his nation. In 1994, he was posthumously inducted into the Rock and Roll Hall of Fame. Rolling Stone ranked him No. 11 on its list of the 100 Greatest Artists of All Time.[17] and No. 98 on its list of the 200 Greatest Singers of All Time.[18] His other achievements include a Grammy Lifetime Achievement Award, a star on the Hollywood Walk of Fame, and induction into the Black Music & Entertainment Walk of Fame.

In February 1962, Marley recorded four songs, "Judge Not", "One Cup of Coffee", "Do You Still Love Me?" and "Terror", at Federal Studios for local music producer Leslie Kong.[40] Three of the songs were released on Beverley's with "One Cup of Coffee" being released under the pseudonym Bobby Martell.[41]

1969 brought another change to Jamaican popular music in which the beat slowed down even further. The new beat was a slow, steady, ticking rhythm that was first heard on The Maytals song "Do the Reggay". Marley approached producer Leslie Kong, who was regarded as one of the major developers of the reggae sound. For the recordings, Kong combined the Wailers with his studio musicians called Beverley's All-Stars, which consisted of the bassists Lloyd Parks and Jackie Jackson, the drummer Paul Douglas, the keyboard players Gladstone Anderson and Winston Wright, and the guitarists Rad Bryan, Lynn Taitt, and Hux Brown.[49] As David Moskowitz writes, "The tracks recorded in this session illustrated the Wailers' earliest efforts in the new reggae style. Gone are the ska trumpets and saxophones of the earlier songs, with instrumental breaks now being played by the electric guitar." The songs recorded would be released as the album The Best of The Wailers, including tracks "Soul Shakedown Party", "Stop That Train", "Caution", "Go Tell It on the Mountain", "Soon Come", "Can't You See", "Soul Captives", "Cheer Up", "Back Out", and "Do It Twice".[49]

Between 1968 and 1972, Bob and Rita Marley, Peter Tosh and Bunny Wailer re-cut some old tracks with JAD Records in Kingston and London in an attempt to commercialise the Wailers' sound. Bunny later asserted that those songs "should never be released on an album ... they were just demos for record companies to listen to". In 1968, Bob and Rita visited songwriter Jimmy Norman at his apartment in the Bronx. Norman had written the extended lyrics for Kai Winding's "Time Is on My Side" (covered by the Rolling Stones) and had also written for Johnny Nash and Jimi Hendrix.[50] A three-day jam session with Norman and others, including Norman's co-writer Al Pyfrom, resulted in a 24-minute tape of Marley performing several of his own and Norman-Pyfrom's compositions. This tape is, according to Reggae archivist Roger Steffens, rare in that it was influenced by pop rather than reggae, as part of an effort to break Marley into the US charts.[50] According to an article in The New York Times, Marley experimented on the tape with different sounds, adopting a doo-wop style on "Stay With Me" and "the slow love song style of 1960s artists" on "Splish for My Splash".[50] An artist yet to establish himself outside his native Jamaica, Marley lived in Ridgmount Gardens, Bloomsbury, during 1972.[51]

"Marley wasn't singing about how peace could come easily to the World but rather how hell on Earth comes too easily to too many. His songs were his memories; he had lived with the wretched, he had seen the downpressers and those whom they pressed down."

Marley was a Pan-Africanist and believed in the unity of African people worldwide. His beliefs were rooted in his Rastafari religious beliefs.[77] He was substantially inspired by Marcus Garvey, and had anti-imperialist and pan-Africanist themes in many of his songs, such as "Zimbabwe", "Exodus", "Survival", "Blackman Redemption", and "Redemption Song". "Redemption Song" draws influence from a speech given by Marcus Garvey in Nova Scotia, 1937.[78] Marley held that independence of African countries from European domination was a victory for all those in the African diaspora. In the song "Africa Unite", he sings of a desire for all peoples of the African diaspora to come together and fight against "Babylon"; similarly, in the song "Zimbabwe", he marks the liberation of the whole continent of Africa, and evokes calls for unity between all Africans, both within and outside Africa.[79]

Marley surrounded himself with people from the sport, and in the 1970s made the Jamaican international footballer Allan "Skill" Cole his tour manager.[86] He told a journalist, "If you want to get to know me, you will have to play football against me and the Wailers."[86]

Legend is a compilation album by Bob Marley and the Wailers. It was released in May 1984 by Island Records. It is a greatest hits collection of singles in its original vinyl format and is the best-selling reggae album of all-time, with over 12 million sold in the US, over 3.3 million in the UK (where it is the 17th best-selling album[2]) and an estimated 25 million copies sold globally.[3][4][5] In 2003, the album was ranked number 46 in Rolling Stone magazine's list of the "500 Greatest Albums of All Time", maintaining the ranking in a 2012 revised list,[6] but dropping to number 48 in the 2020 revised list.[7]

The album contains all ten of Bob Marley's Top 40 hit singles in the UK up to the time,[11] plus three songs from the original Wailers with Peter Tosh and Bunny Livingston in "Stir It Up," "I Shot the Sheriff," and "Get Up, Stand Up," along with the closing song from the album Uprising, "Redemption Song." Of the original tracks, only four date from prior to the Exodus album.

The cassette tape release of the album featured two extra songs, "Punky Reggae Party," the B-side to the "Jamming" single, and "Easy Skanking" from the Kaya album. A second generation compact disc remastered by Barry Diament appeared in 1990 on the Tuff Gong label. Although the disc includes the same 14 songs, the tracks are in their original album lengths rather than the edited versions for single release.[citation needed]

On 12 February 2002, the expanded 14-track edition with songs at album lengths were remastered for compact disc with a bonus disc consisting of 1984-vintage remixes for extended dance club singles and dub versions. In 2004, the Legend double-disc deluxe edition was reissued with the music DVD of the same name in the sound + vision deluxe edition. In 2010, Legend was made available as downloadable content for Rock Band. However, it was released without "Get Up, Stand Up", which was later included on Rock Band 3. In June 2012, a high fidelity audiophile version of the album was released on HDtracks in 96 kHz/24bit and 192 kHz/24bit resolutions. Bruno Tilley was the Art Director & Creative Consultant for the sleeve design work.[12]

In the United Kingdom, Legend has been certified 13 Platinum, and is the 16th best-selling album in that country of all time,[21][22] with sales of over 3,380,000 as of July 2016.[23] As of 27 December 2023, the album has spent 1,113 weeks in the top 100 of the official UK Albums Chart, placing it third on the all-time longevity list.[10]

Exodus contains elements of pulsating bass beats, pianos and funk along with a "liquid-y bass", drumming and guitars with the inclusion of trumpets in the title track.[7] Unlike previous albums Exodus lyrical content moves away from cryptic story-telling and instead is clearer and more straight forward, the lyrics touch upon themes of change, religious politics and sex. Vocally, Marley provides a minimalist approach, trying not to reach his falsettos.[7]

The album's track listing is split over two halves;[6] the first half features songs of religious politics and opens with "Natural Mystic", which is a slow tempo "fade up" song, followed by "So Much Things to Say", which was described by the BBC as being "exuberant" and features a reggae scat.[1] The following two songs "Guiltiness" and "The Heathen" explore darker territory, before ending on the album's title track.[1]

In 1999, Time magazine named Exodus the best album of the 20th century.[12] In 2001, the TV network VH1 named it the 26th greatest album of all time. In 2003, the album was ranked number 169 on Rolling Stone magazine's list of the 500 greatest albums of all time,[13] maintaining the rating in a 2012 revised list,[14] re-ranking at number 71 in a 2020 revised list.[15]

According to Rolling Stone, its new 2021 list of the 500 greatest songs in history was compiled from a poll of more than 250 artists, writers, and industry stakeholders who reviewed over 4,000 songs. Each participant sent in a ranked list of their top 50 songs, and the results were then tabulated. 2351a5e196