Portfolio Figurative Work

A surreal, explosive portrait of a woman no longer holding it together. Surrounded by butterflies, stars, and a coiled snake, she erupts in joy, rage, and release. Her spiraling eyes and exposed, imperfect body declare: I will not be quiet. I will not be perfect. I will be free.

This piece is about reclaiming the parts of ourselves that are too wild, too emotional, too real for polite society — and loving them out loud.

Mixed media on canvas 

36" x 60"

A quiet, contemplative painting where the figure turns toward herself, surrounded by muted tones and symbolic shapes. This piece evokes a moment of deep introspection and personal honesty. 

Acrylic on canvas

18" x 24"

A bold, expressive female figure in a bull-like pose with wide, mocking eyes. Swirls of energy surround her as she spins with power. This piece represents the moment of unleashing a long-hidden identity and daring to live fully and loudly. 

Acrylic on canvas

16" x 20"

Created during the height of the pandemic, this piece reflects the emotional tension and inner chaos of lockdown life. Abstract forms and moody tones capture the strange quiet and subtle strength of that time.  Collaborative piece by Tim & Lisa Carroll

Mixed media on canvas - including rain

60" x 48"

This bold, satirical work combines pop-culture references, symbolism, and raw emotion to explore the theme of censorship and control. A wide-eyed figure stares upward, mouth zippered and chained shut, while bees swarm around, buzzing endlessly. The Monopoly-inspired “Do Not Pass Go” and “Go to Jail” elements highlight the futility of protest in a rigged system, where even speaking carries punishment.

The striped background evokes both prison bars and societal structures, reinforcing the message of oppression. Tears fall as the figure endures harassment and forced silence, reflecting the cost of suppression in both personal and collective contexts.

“Sentenced to Silence” is at once humorous, biting, and deeply unsettling — a commentary on the absurdity of being punished simply for using one’s voice.

Mixed media on canvas

36" x 48"

In this vivid, cubist-inspired composition, two intertwined female figures blur the line between self and other. Their segmented faces and bold colors suggest multiplicity — the many versions of ourselves, or the deep bond shared between women.

The small dog nestled in the foreground anchors the work in warmth and loyalty, a symbol of unconditional love and acceptance. Against a kaleidoscopic, patterned backdrop, the scene radiates both emotional intensity and tenderness.

Whether read as an act of self-embrace or a moment of sisterhood, The Embrace celebrates the universal need for love, comfort, and connection

Acrylic on canvas

48" x 60"

In The Swimmers, three figures glide through an abstract current of color and gesture. Their bodies are simplified and luminous, emerging from energetic marks that suggest water, motion, and the invisible forces that connect us.

Rather than depicting a literal place, the painting explores the sensation of floating between states... between control and surrender, structure and freedom. The swimmers move through the composition like memories or passing thoughts, reminding us of the quiet power and vulnerability of the human form.

Mixed media on Canvas

30" x 40"

Unapologetic radiates boldness, defiance, and unrestrained confidence. A powerful female figure dominates the canvas, her exaggerated features and vibrant body outlined in neon-like energy. Surrounded by smaller versions of herself and set against a backdrop of storm clouds, lightning bolts, and patterned landscapes, she becomes both muse and force of nature.

The word UNAPOLOGETIC emblazoned across the bottom grounds the piece as a declaration — a refusal to shrink, censor, or conform. The playful yet charged imagery, from comic-style motifs to surreal skies, emphasizes her presence as larger than life, fierce, and uncontained.

This work celebrates feminine strength, sexuality, and the freedom of self-expression without apology. It asks viewers to consider their own boundaries and the power of stepping fully into one’s truth.

Mixed Media on canvas

36" x 48"

We Turn the World is a vibrant exploration of partnership, movement, and shared energy. Two abstract figures face one another, their bodies mirrored in bold strokes of red, green, and blue, connected through swirling vortex-like centers that radiate both balance and tension. The textured surface, layered with numbers, symbols, and cosmic references, evokes the rhythm of cycles — time, nature, and human connection.

The composition suggests a dance, a push and pull, and a co-creation — where opposing forces do not collide but instead generate harmony. Geometric elements, spirals, and directional arrows heighten the sense of motion, as if the figures themselves are spinning the world into being.

This foundational work reflects the artist’s desire to create peace and unity through shared movement, connection, and vision. Both timeless and dynamic, We Turn the World celebrates the transformative power of coming together to shape our collective future.

Mixed media on Canvas

60" x 60"

“My Man” is an expressive acrylic painting on canvas, created in 2008 as a bold and intimate study of masculinity and presence. The reclining male figure is rendered in a distinctive sage green, outlined in strong black lines and layered with crosshatch texture to evoke both strength and vulnerability.

Set against a rich red chair with etched spiral patterns and a radiant yellow backdrop, the composition merges graphic structure with emotional resonance. The stylization, reminiscent of vintage poster art or figurative cubism, brings a sense of timeless admiration and personal affection. This piece, titled affectionately and signed L. Bryce 2008, offers a glimpse into the artist’s personal connection with the subject—likely a portrait of the artist’s partner—and reflects themes of love, intimacy, and quiet confidence.

Acrylic on Canvas

24" x 30"

“Alice in Bondageland” is one of Lisa Carroll’s most symbolic and revealing works. This bold, surreal self-portrait features a central female figure seated nude, wearing a painted-on smiley face mask. Her outstretched arms and inviting posture contrast sharply with the artificial expression, suggesting a performance rather than an authentic presence.

Her chest bears peace signs in place of nipples, and a pink bow wraps one ankle — playful yet loaded symbols of cultural expectations placed on women to be sweet, peaceful, and pleasing. Behind her stands a shadowy male figure labeled “PUBLIC SERVANT,” representing the weight of conformity, societal roles, and the invisible structures that govern public life and identity.

This mixed media piece was created in collaboration with Lisa’s husband Tim and evolved organically. Though playful in aesthetic, the work delves into deeper emotional terrain — capturing the artist’s reflection on years spent performing in a professional role while feeling confined and unseen.

“Alice in Bondageland” is both a personal reckoning and a broader commentary on the roles women are asked to play — and what it means to remove the mask.

Mixed Media on Canvas

48" x 60"

“Me and the Girls” is a striking figurative painting by Lisa Carroll featuring four nude female figures set against a starry black background. The composition captures a moment of stillness and strength — a visual tribute to feminine connection, personal freedom, and unapologetic presence.

Each figure appears confident and grounded in her own space, yet unified with the others through shared posture, tone, and energy. The stark contrast between the vibrant, curvaceous forms and the dark celestial backdrop gives the piece a cosmic quality — as if these women exist both in this world and beyond it.

The work evokes themes of sisterhood, identity, and empowerment. With its bold palette, simplified forms, and confident strokes, this painting reflects Lisa Carroll’s signature style — expressive, symbolic, and rooted in emotion.

Mixed Media on Canvas

48" x 48"