Sage's thirteenth birthday was supposed to be about movies and treats, staying up late with her best friend and watching the sunrise together. Instead, it was the day her best friend died. Without the person she had to hold her secrets and dream with, Sage is lost. In a counseling group with other girls who have lost someone close to them, she learns that not all losses are the same, and healing isn't predictable. There is sadness, loneliness, anxiety, guilt, pain, love. And even as Sage grieves, new, good things enter her life-and she just may find a way to know that she can feel it all.
In accessible, engaging verse and prose, this is a story of a girl's journey to heal, grow, and forgive herself. To read it is to see how many shades there are in grief, and to know that someone understands.
Sharon G. Flake’s groundbreaking novel The Skin I’m In ushered in a new voice that lit up the literary landscape and became a modern classic, passed down through generations.
The Life I’m In, its sequel, furthered the power of unmistakable voices, opening the hearts and minds of teens everywhere.
Now The Family I’m In presents John-John and Caleb, friends since childhood who have come face-to-face with the struggles and triumphs of growing into young men. They’re living in a world where many Black boys are up against generational expectations, fears of the future, and how to navigate being “nice” kids who just want to be seen for who they are. Together, Caleb and John-John work through family illness, divorced parents, teachers who ask hard questions, and girls who think they have all the answers.
A girl with a mission. A god with a deal. A story that could change everything.
When 17-year-old Akoma Addo stumbles into a world of ancient gods and modern magic, she'll have to choose between saving her father... or staying true to everything she's ever believed.
Akoma Addo has one rule: don't get too close to the supernatural.
Ever since a blazing orb of light left her father in a coma, she's buried herself in her secret job investigating magical crimes in San Francisco's AfricaTown -- just enough to keep her grief at bay. But when a body turns up in a pool of molten gold and ash, Akoma's pulled into something much bigger -- and far more dangerous. At the center of it all is Anansi, the trickster god of stories, who makes her an impossible offer: help him catch a killer and awaken the ancestral magic buried deep in her blood... and in return, he'll give her a chance to bring her father back. To take the deal, Akoma will have to lie to everyone she loves and embrace the very power she's spent years trying to deny. And as her connection grows with Xander, the new guy in town with secrets of his own, Akoma must decide who she can trust -- especially when she's no longer sure she can even trust herself. Rooted in Ghanaian mythology and packed with mystery, danger, and slow-burning romance, Goldenborn is a gripping fantasy about legacy, lies, and what it really means to rewrite your story.
In the small town of Great Mountain, Mississippi, all eyes are on Henson Blayze, a thirteen-year-old football phenom whose talents seem almost superhuman. The predominately white townsfolk have been waiting for Henson to play high school ball, and now they’re overjoyed to finally possess an elite Black athlete of their own.
Until a horrifying incident forces Henson to speak out about injustice.
Until he says that he might not play football anymore.
Until he quickly learns he isn’t as loved by the people as he thought.
Overnight, Henson’s town is divided into two chaotic sides—those that support his decisions, and those that don’t—when all he wants is justice. Even his best friends and his father can’t see eye to eye. When he is told to play ball again or else, Henson must decide whether he was born to entertain those who may not even see him as human, or if he’s destined for a different kind of greatness.
Written for children ages 10 and up, Derrick Barnes’s groundbreaking novel masterfully combines a modern-day allegory with classic-style tall tales to weave a compelling story of America’s obsession with relegating Black people to labor or entertainment. Spanning the 1800s to today, this exceptional novel shows how much has changed over centuries . . . and, at the same time, how little.
When Calla finds out her favorite teacher has been accused of inappropriate conduct, she decides to take action in this powerful story about growing up and speaking up, about listening to others and learning to listen to yourself. Because the more Calla listens . . . the more she realizes that maybe she has something to say too.
What if the truth really is as powerful as it feels?
Calla has always had smart-girl energy. She’s Josiah the track star’s practical younger sister. Charlee and Jacoby’s problem-solving best friend. Attorney Dionne Howard’s model daughter. So it’s nice when someone seems to see her for her, outside of all that. But what if that person is a grown-up who maybe isn’t as trustworthy as Calla thought? Calla’s mom likes to say “Always do what you know is right.” But what if you don’t know what the right thing is?
These are the questions Calla faces on the last day of seventh grade, when she finds out that her favorite teacher has been accused of inappropriate conduct at his old school. Calla doesn’t know what really happened. She does know that people are saying mean things about the girls who have spoken out—and that can’t be right . . . can it? Inspired by her favorite newsblogger, EboniNews (whose motto is Amplify. Connect. Truth. ACT.), Calla has an idea. Can she find a way to ACT?
"It’s the last few months of eighth grade, and Isaiah feels lost. He thought his summer was going to be him and his boys Drew and Darius, hanging out, doing wheelies, watching martial arts movies, and breaking tons of Guinness World Records before high school. But now, more and more, Drew seems to be fading from their friendship, and though he won’t admit it, Isaiah knows exactly why. Because Darius is…gone."
Dera Edwards knows her life is over when she's shipped off to live with her estranged father in the middle of White Suburbia. To make matters worse, Dera learns that her new school doesn’t have a girls’ track team, shattering her dreams of getting a track scholarship and, one day, competing in the Olympics.
Not one to give up easily, Dera joins the boys’ team instead. But while she has the school administration’s blessing, her new teammates and classmates are less than welcoming. Between that and her frustratingly distant father, Dera is positive her junior year is ruined.
Just as she starts to accept her status as an outsider, Dera’s approached by her classmate Rosalyn, who wants to feature Dera’s story in her blog. Eager to change the narrative and spend more time with Rosalyn's gorgeous cousin Gael—also known as one of the few teammates who will talk to her—Dera agrees.
But when she goes viral and gains attention across the state, Dera’s new notoriety opens the door for trolls both online and at school. Paired with her deteriorating relationship with her father, she soon finds everything to be too much. Will Dera be able to keep outrunning her problems, or will her dream be the very thing that derails her?
Thirteen-year-old Baylor hasn't spent much time with his father, who works across the country as a fire lookout. But when Rob reaches out to invite him for the summer, Baylor jumps at the chance, thinking it will be a great adventure and a way to get to know his father for the first time. Despite the natural beauty of the mountains that surround them, their tight quarters and solitary existence lead to simmering tensions. As wildfire season heats up, Baylor and his father must keep their eyes out for danger--and try to kindle some sort of relationship after a lifetime apart.
Stuy Grey plays the drums, just like his mom, a founding member of the all-black punk band the Bed-Stuy Magic Dusters. He teaches himself by watching videos of tap dancers. Now he’s left home, estranged from his mom and her abusive boyfriend. He’s camping out with his uncle on the Lower East Side. His landlord, Dunks, has chops: He shreds on only five strings. Add Alexis on bass guitar and Keith on horn: These teens are a band, busking in New York City subway stations to scrape enough money to record an album.
As their popularity grows, so do the pressures, from complicated family dynamics to the glare of unexpected public attention. And when the police start looking for their bassist, Stuy faces his toughest decision yet.
Fifteen-year-old Lala Russell is doing a bad job at being a Black girl. She has social justice fatigue, and she doesn't want to join the Black Alliance Club at her school (even though she agrees with them). A gifted cellist, she’s focused on leaving her small town and accomplishing her goals and dreams. But Lala has also inherited another gift, her grandmother Sadie's gift of foresight. She has visions of the future—and they always come true.
In Davey, the Texas sundown town she lives in, there is growing tension, as a Black organization attempts to diversify the nearly all-white part of town. Amidst violent protests, Lala has a vision. In it, a Black teenage boy is shot in the chest by a white homeowner. Now Lala has a mission: find the boy and save him.
But Grandma Sadie has a vision too. After the boy's murder, a wave of protests breaks out. And the outrage over the casual and frequent slaying of unarmed Black children will result in unprecedented change. Change that won’t happen if the vision is altered. Lala is faced with an existential question—can she allow herself to sacrifice one life to, in turn, save many? And if so, whose life will she choose?
When sixteen-year-old Naomi Ward and her family head to a secluded cabin in the Shenandoah Valley for summer vacation they don’t know the small, mountain town of Sparksburg, Virginia has a dark and twisted past. But when they arrive, Naomi can’t shake the feeling that something about Sparksburg just isn’t right—and it smells god awful, but for some reason Naomi is the only who can smell the town’s stench. When she learns Sparksburg had once been a Sundown Town—a town where Black people weren’t allowed after sunset lest they be murdered—Naomi’s unease starts to make sense.
As Naomi digs more into Sparksburg’s violent origins, she finds herself haunted by the ghost of a girl, appearing nightly outside her window. Then she learns of two girls who’ve recently gone missing and suspects the past may still be present in Sparksburg and beneath the quaint façade of this tourist town is a palpable danger.
When Naomi decides to track the disappearance of the two girls herself, she becomes suspicious of a local man who has kindled fear in Naomi more than once. She soon learns he has a connection to one of the missing girls, and Naomi is certain he’s responsible for the disappearances.
When no one believes her, Naomi takes matters into her own hands. But to save the missing girls, she’ll have to finally face her own past trauma as a “missing girl” as she finds herself in a fight for survival.
The gang is fake, but the fear is real.
Rhea’s neighborhood is fading away—the mom-and-pop shops of her childhood forced out to make space for an artisanal kombucha brewery here, a hot yoga studio there. And everywhere, the feeling that this place is no longer meant for her. Because while their little corner of South L.A. isn’t perfect, to Rhea and her two best friends, it’s something even more important—it’s home. And it’s worth protecting.
But as more white people flock to their latest edgy, urban paradise for its cheap rent and sparkling new Whole Foods, more of Rhea’s friends and family are pushed out. Until Rhea decides it’s time to push back. Armed with their cellphones and a bag of firecrackers, the friends manipulate social media to create the illusion of gang violence in their neighborhood. All Rhea wanted to do was protect her community. Her friends. Herself. No one was supposed to get hurt. No one was supposed to die.
But is anyone ever really safe when you’re fighting power with fear?
In an instant, Ossie Brown’s entire future is in jeopardy when a torn ACL ends his promising basketball career. Now that basketball is no longer a major part of his identity, Ossie—a Black teen who doesn’t come from wealth and privilege—must navigate his new place in the social and academic ecosystems of his affluent, predominantly white school. When a Black teacher encourages him to join her highly regarded writing program, Ossie begins to find a new purpose, buoyed by not only the rich works of literature by marginalized authors he’s now reading, but also by new friends who see him as something more than an asset to the sports program. Everything changes when some students’ viral “anti-woke” video puts the teacher’s job, the writing program, and even Ossie’s friends’ safety at risk—and Ossie must find his true voice. This unflinching novel confronts critical issues like racism and classism, the treatment of student athletes, homophobia, and book banning while weaving together a moving testament to family, romance, friendship, and the power of words.
I just want to enjoy being alive. Can’t that be enough?
Tia doesn’t know how much more she can take. Her middle sister Mel is in a coma after a mental health crisis, a global pandemic has stolen her senior year, and racial tension is high across the country, following the murder of another unarmed Black man by a police officer. Her best friend, Drew, seems to think the answer is speaking up and out. But Tia? She's just trying not to fall apart.
So when her oldest sister, the usually calm and collected Alexis, invites Tia to stay at her place, Tia jumps at the chance to escape her house and her despair, if only for a little while. Surrounded by a new city, a new romance with a cute girl, and a new pandemic puppy, Tia starts to feel a glimmer of light in the darkness. But the darkness lingers. Will Mel finally wake up? Is Alexis as steady as she seems? Will Drew forgive Tia for stepping back, instead of stepping up? Is love, in all its forms, enough to sustain her, or will illness and injustice define her life?
Stifled by unrest and uncertainty at every turn, Tia will have to figure out how to keep from losing her mind and losing hope.
Derin’s acceptance into Cambridge University is the end of an era—just not the one she expected.
When she and her ultra-competitive Uni prep group, the Kenfield Set, were first invited to Professor Darnley’s summer ball, they planned on celebrating the group’s success, surrounded by the riches of his historical Kenfield estate—not kicking off the festivities with the professor’s will reading.
But when the Darnleys’ aristocratic children are disinherited, the students are offered the opportunity of a lifetime: compete in a Victorian, literary-inspired inheritance competition to be named the new heir—winner takes all!
For Derin, it’s a chance to help her working-class family. But the remaining Darnleys won’t take losing their stately home and its multimillion-pound inheritance lying down. And added to the mix, a mysterious note is slipped under Derin’s door alluding to a dark family secret lying in wait.
Now Derin must balance the cutthroat games; scheming relatives; and a cute Kenfield intern amid her dawning realization that the history of this inheritance might be soaked in lies . . . and blood.