The Lion King is a 1994 American animated musical coming-of-age drama film[4][5] produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The film was directed by Roger Allers and Rob Minkoff (in their feature directorial debuts) and produced by Don Hahn, from a screenplay written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton. The film features an ensemble voice cast that includes Matthew Broderick, Moira Kelly, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Nathan Lane, Ernie Sabella, Whoopi Goldberg, Cheech Marin, Rowan Atkinson, Niketa Calame, and Robert Guillaume. Its original songs were written by composer Elton John and lyricist Tim Rice, with a score by Hans Zimmer. Inspired by African wildlife, the story is modelled primarily on William Shakespeare's stage play Hamlet with some influence from the Biblical stories of Joseph and Moses, and follows a young heir apparent who is forced to flee after his uncle kills his father and usurps the throne. After growing up in exile, the rightful king returns to challenge the usurper and end his tyrannical rule over the kingdom.
Woolverton, who had just wrapped up work as screenwriter for Beauty and the Beast, wrote the initial draft of the screenplay for this film, but following her departure from the project to write the libretto for the Broadway adaptation of Beauty and the Beast, Mecchi and Roberts were brought on board to finish and revise the script. Six months into production, Scribner left the project due to creative differences with Allers, producer Hahn, and Chapman about changing it into a musical, and Minkoff was hired to replace him in April 1992. Additionally, Beauty and the Beast directors Gary Trousdale and Kirk Wise were hired to perform some additional rewrites to the script and story. Throughout production, Allers, Scribner, Minkoff, Hahn, Chapman, Sanders, and several other animators visited Kenya to observe wildlife and get inspiration for the characters and setting.
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In the Pride Lands of Tanzania, a pride of lions rule over the kingdom from Pride Rock. King Mufasa and Queen Sarabi's newborn son, Simba, is presented to the gathering animals by Rafiki the mandrill, the kingdom's shaman and advisor. Mufasa's younger brother, Scar, covets the throne.
After Simba grows into a cub, Mufasa shows him the Pride Lands and explains the responsibilities of kingship and the "circle of life," which connects all living things. One day, Simba and his best friend Nala explore an elephant graveyard, where the two are chased by three spotted hyenas named Shenzi, Banzai, and Ed. Mufasa is alerted by his majordomo, the hornbill Zazu, and rescues the cubs. Though disappointed with Simba for disobeying him and endangering himself and Nala, Mufasa forgives him and explains that the great kings of the past watch over them from the night sky, from which he will one day watch over Simba. Scar, having planned the attack, visits the hyenas and convinces them to help him kill both Mufasa and Simba in exchange for hunting rights in the Pride Lands.
Scar sets a trap for Simba and Mufasa, luring Simba into a gorge and having the hyenas drive a large herd of wildebeest into a stampede to trample him. Mufasa saves Simba but winds up hanging perilously from the gorge's edge; he begs for Scar's help, but Scar throws Mufasa back into the stampede to his death. Scar tricks Simba into believing that Mufasa's death was his fault and tells him to leave the kingdom and never return. He then orders the hyenas to kill Simba, but he escapes. Unaware of Simba's survival, Scar tells the pride that the stampede killed both Mufasa and Simba and steps forward as the new king, allowing the hyenas into the Pride Lands.
After he collapses in a desert, Simba is rescued by two outcasts, a meerkat and a warthog named Timon and Pumbaa. Simba grows up with his two new friends in their oasis, living a carefree life under their motto "hakuna matata" ("no worries" in Swahili). Years later, an adult Simba rescues Timon and Pumbaa from a hungry lioness, who turns out to be Nala. Simba and Nala fall in love, and she urges him to return home, telling him that the Pride Lands have become drought-stricken under Scar's reign. Still feeling guilty over Mufasa's death, Simba refuses and storms off. He encounters Rafiki, who tells Simba that Mufasa's spirit lives on in him. Simba is visited by the spirit of Mufasa in the night sky, who tells him that he must take his place as king. After Rafiki advises him to learn from the past instead of running from it, Simba decides to return to the Pride Lands.
Aided by his friends, Simba sneaks past the hyenas at Pride Rock and confronts Scar, who taunts Simba over his supposed role in Mufasa's death and backs him to the edge of the rock. Enraged by the revelation that Scar killed Mufasa, Simba retaliates and forces Scar to confess the truth to the rest of the pride. A battle breaks out between Simba and his allies and the hyenas. Scar attempts to escape, but is cornered by Simba at a ledge near the top of Pride Rock. Scar begs for mercy and blames his actions on the hyenas; Simba spares Scar's life but, quoting what Scar told him long ago, orders Scar to leave the Pride Lands forever. Scar refuses and attacks Simba, but following a brief battle, Simba throws Scar off the ledge to the ground below. Scar survives the fall, but the hyenas, who overheard him betraying them, attack and maul him to death.
With Scar and the hyenas gone, Simba takes his place as king and Nala becomes his queen. With the Pride Lands restored, Rafiki presents Simba and Nala's newborn cub to the assembled animals, thus continuing the circle of life.
The origin of the concept for The Lion King is widely disputed.[12][13][14] According to Charlie Fink (then-Walt Disney Feature Animation's vice president for creative affairs), he approached Jeffrey Katzenberg, Roy E. Disney, and Peter Schneider with a "Bambi in Africa" idea with lions. Katzenberg balked at the idea at first, but nevertheless encouraged Fink and his writers to develop a mythos to explain how lions serviced other animals by eating them.[15] Another anecdote states that the idea was conceived during a conversation between Katzenberg, Roy E. Disney, and Schneider on a flight to Europe during a promotional tour.[k] During the conversation, the topic of a story set in Africa came up, and Katzenberg immediately jumped at the idea.[17] Katzenberg decided to add elements involving coming of age and death, and ideas from personal life experiences, such as some of his trials in his career in politics, saying about the film, "It is a little bit about myself."[18]
On October 11, 1988, Thomas Disch (the author of The Brave Little Toaster) had met with Fink and Roy E. Disney to discuss the idea, and within the next month, he had written a nine-paged treatment entitled King of the Kalahari.[19][20] Throughout 1989, several Disney staff writers, including Jenny Tripp, Tim Disney, Valerie West and Miguel Tejada-Flores, had written treatments for the project. Tripp's treatment, dated on March 2, 1989, introduced the name "Simba" for the main character, who gets separated from his pride and is adopted by Kwashi, a baboon, and Mabu, a mongoose. He is later raised in a community of baboons. Simba battles an evil jackal named Ndogo, and reunites with his pride.[21] Later that same year, Fink recruited his friend J. T. Allen, a writer, to develop new story treatments. Fink and Allen had earlier made several trips to a Los Angeles zoo to observe the animal behavior that was to be featured in the script. Allen completed his script, which was titled The Lion King, on January 19, 1990. However, Fink, Katzenberg, and Roy E. Disney felt Allen's script could benefit from a more experienced screenwriter, and turned to Ronald Bass, who had recently won an Academy Award for Best Original Screenplay for Rain Man (1988). At the time, Bass was preoccupied to rewrite the script himself, but agreed to supervise the revisions. The new script, credited to both Allen and Bass, was retitled King of the Beasts and completed on May 23, 1990.[21]
Sometime later, Linda Woolverton, who was also writing Beauty and the Beast (1991), spent a year writing several drafts of the script, which was titled King of the Beasts and then King of the Jungle.[22] The original version of the film was vastly different from the final product. The plot centered on a battle between lions and baboons, with Scar being the leader of the baboons, Rafiki being a cheetah,[18] and Timon and Pumbaa being Simba's childhood friends.[23] Simba would not only leave the kingdom but become a "lazy, slovenly, horrible character" due to manipulations from Scar, so Simba could be overthrown after coming of age.[24] By 1990, producer Thomas Schumacher, who had just completed The Rescuers Down Under (1990), decided to attach himself to the project "because lions are cool".[22] Schumacher likened the King of the Jungle script to "an animated National Geographic special".[25]
George Scribner, who had directed Oliver & Company (1988), was the initial director of the film,[26] being later joined by Roger Allers, who was the lead story man on Beauty and the Beast (1991).[17][12] Allers worked with Scribner and Woolverton on the project, but temporarily left the project to help rewrite Aladdin (1992). Eight months later, Allers returned to the project,[27][28] and brought Brenda Chapman and Chris Sanders with him.[29] In October 1991, several of the lead crew members, including Allers, Scribner, Chapman, Sanders, and Lisa Keene visited Hell's Gate National Park in Kenya, in order to study and gain an appreciation of the environment for the film.[30][31] After six months of story development work, Scribner decided to leave the project upon clashing with Allers and the producers over their decision to turn the film into a musical, since Scribner's intention was of making a documentary-like film more focused on natural aspects.[17][26] By April 1992, Rob Minkoff had replaced Scribner as the new co-director.[10][29] 152ee80cbc
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