Linkin Park was founded by three high school friends: Mike Shinoda, Rob Bourdon, and Brad Delson.[6][7] The three attended Agoura High School in Agoura Hills, California, a suburb of Los Angeles.[6][7] After graduating from high school, the three began to take their musical interests more seriously, recruiting Joe Hahn, Dave "Phoenix" Farrell, and Mark Wakefield to perform in their band, then called Xero. Though limited in resources, the band began recording and producing songs within Shinoda's makeshift bedroom studio in 1996, resulting in a four-track demo album, entitled Xero, released in November 1997.[6][8] Xero performed their first show on November 14, opening for SX-10 and System of a Down at the Whisky a Go Go, a nightclub in West Hollywood.[9] Delson introduced the band to Jeff Blue, the vice president of A&R for Zomba Music, whom he had interned for in college.[10][11] Blue offered the band constructive criticism to catch the attention of record labels. Blue himself was impressed with Xero after watching them play a live show in 1998, but believed the band needed a different vocalist.[10][11] Tensions and frustration within the band grew after they failed to land a record deal.[6] The lack of success and stalemate in progress prompted Wakefield, at that time the band's vocalist, to leave the band in search of other projects.[6][8] Farrell also left to tour with Tasty Snax, a Christian punk and ska band.[12][13]

The band still struggled to sign a record deal. They turned to Jeff Blue for additional help after facing numerous rejections from several major record labels.[14] After failing to catch Warner Bros. Records on three previous reviews, Blue, who was now the vice president of Warner Bros. Records, helped the band sign a deal with the company as a developing artist in 1999.[20][21] However, the label advised the band to change their name to avoid confusion with Hybrid.[22][23] The band considered the names "Plear" and "Platinum Lotus Foundation" before deciding on "Linkin Park",[24] a play on and homage to Santa Monica's Lincoln Park,[6] now called Christine Emerson Reed Park.[25] They initially wanted to use the name "Lincoln Park", however they changed it to "Linkin" to acquire the internet domain "linkinpark.com".[23][26]


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Linkin Park returned to the recording studios in 2006 to work on new material. To produce the album, the band chose producer Rick Rubin. Despite initially stating the album would debut sometime in 2006, the album was delayed until 2007.[57] The band had recorded thirty to fifty songs in August 2006, when Shinoda stated the album was halfway completed.[58] Bennington later added that the new album would stray away from their previous nu metal sound.[59] Warner Bros. Records officially announced that the band's third studio album, titled Minutes to Midnight, would be released on May 15, 2007, in the United States.[60] After spending fourteen months working on the album, the band members opted to further refine their album by removing five of the original seventeen tracks. The album's title, a reference to the Doomsday Clock, foreshadowed the band's new lyrical themes.[61] Minutes to Midnight sold over 625,000 copies in its first week, making it one of the most successful debut week albums in recent years. The album also took the top spot on the Billboard Charts.[62]

A Thousand Suns was released on September 14. The album's first single, "The Catalyst", was released on August 2. The band promoted their new album by launching a concert tour, which started in Los Angeles on September 7.[78][79][80] Linkin Park also relied on MySpace to promote their album, releasing two additional songs, "Waiting for the End" and "Blackout" on September 8.[81][82][83][84] Furthermore, a documentary about the album's production, titled Meeting of A Thousand Suns, was available for streaming on the band's MySpace page. On August 31, 2010, it was announced that the band would perform the single live for the first time at the 2010 MTV Video Music Awards on September 12, 2010.[85] The venue of the debut live performance of the single was Griffith Observatory, an iconic location used in Hollywood movies.[86][87][88] "Waiting for the End" was released as the second single of A Thousand Suns.[89][90]

On August 10, 2013, the band collaborated with American musician Steve Aoki to record the song "A Light That Never Comes" for Linkin Park's online puzzle-action game LP Recharge (short for Linkin Park Recharge), which was launched on Facebook and the official LP Recharge website on September 12, 2013. On the day of the game's release, Linkin Park made a post on their Facebook explaining that the song used to promote the game would be included on a new remix album, entitled Recharged, which was released on October 29, 2013, on CD, vinyl, and digital download. Similar to Reanimation, the album features remixes of ten of the songs from Living Things, with contributions from other artists, such as Ryu of Styles of Beyond, Pusha T, Datsik, KillSonik, Bun B, Money Mark, and Rick Rubin.[115][116] The band also worked on the soundtrack for the film Mall, which was directed by Joe Hahn.[117]

On August 22, Linkin Park announced plans to host a tribute concert in Los Angeles to honor Bennington. The band thanked fans for their support, stating, "The five of us are so grateful for all of your support as we heal and build the future of Linkin Park".[163] The band later confirmed that the concert, titled Linkin Park and Friends: Celebrate Life in Honor of Chester Bennington, would take place on October 27 at the Hollywood Bowl. The event included Linkin Park's first performance following Bennington's death.[164][165] The event featured multiple guests performing Linkin Park songs along with the band.[166] The event was over three hours long and was streamed live via YouTube.[167] It has been streamed 24.7 million times as of December 2023.[168]

On January 11, 2011, an updated version of Download to Donate for Haiti was launched, called Download to Donate for Haiti V2.0, with more songs to download.[190] For the updated compilation, the band released Keaton Hashimoto's remix of "The Catalyst" from the "Linkin Park featuring YOU" contest.[190]

Shinoda designed two T-shirts, in which the proceeds would go to Music for Relief to help the victims of the 2011 Thoku earthquake and tsunami disasters.[191][192] Music for Relief released Download to Donate: Tsunami Relief Japan, another compilation of songs, in which the proceeds would go to Save the Children.[193] The band released the song titled as "Issho Ni", meaning "we're in this together", on March 22, 2011, via Download to Donate: Tsunami Relief Japan.[194]

In Minutes to Midnight the band experimented with their established sound and drew influences from a wider and more varied range of genres and styles, a process Los Angeles Times compares to a stage in U2's work.[226] Only two songs on the album's tracklist feature rap vocals and the majority of the album can be considered alternative rock.[227][228]

The vocal interplay between Chester Bennington and Mike Shinoda plays as a major part within Linkin Park's music, with Bennington being the lead vocalist and Shinoda as the rapping vocalist. On Linkin Park's third album, Minutes to Midnight, Shinoda sings lead vocals on "In Between", "Hands Held High", and on the B-side "No Roads Left". On numerous songs from band's fourth album, A Thousand Suns, such as the album's singles ("The Catalyst", "Burning in the Skies", "Iridescent"), both Shinoda and Bennington sing. The album has been regarded as a turning point in the band's musical career, having a stronger emphasis on electronica.[229][230] James Montgomery, of MTV, compared the record to Radiohead's Kid A,[231] while Jordy Kasko of Review, Rinse, Repeat likened the album to both Kid A and Pink Floyd's landmark album The Dark Side of the Moon.[232] Shinoda stated that he and the other band members were deeply influenced by Chuck D and Public Enemy. He elaborated: "Public Enemy were very three-dimensional with their records because although they seemed political, there was a whole lot of other stuff going on in there too. It made me think how three-dimensional I wanted our record to be without imitating them of course, and show where we were at creatively".[233] One of the record's political elements is its samples of notable speeches by American political figures.[234] A Thousand Suns was described as trip hop,[235] electronic rock,[206][236] ambient,[235] alternative rock,[237] industrial rock,[211] experimental rock,[238] rap rock,[239] and progressive rock.[240]

Linkin Park became the first rock band to achieve more than one billion YouTube hits.[271]Linkin Park also became the fifteenth most liked page on Facebook, tenth most liked artist, and most liked group followed by the Black Eyed Peas.[272] Linkin Park's "Numb" is the third and "In the End" is the sixth "timeless song" on Spotify. The two songs making Linkin Park the only artist to have two timeless songs in top ten.[273]

American rock band Linkin Park has recorded material for seven studio albums, the most recent being One More Light, in 2017. The band was formed in Los Angeles, California in 1996 by high school friends Mike Shinoda, Rob Bourdon and Brad Delson.[1] The group later expanded to a six-piece when they added Joe Hahn, Dave "Phoenix" Farrell and Mark Wakefield to the line-up. Mark Wakefield was later changed to lead vocalist Chester Bennington.[2][3] After facing numerous rejections from several major record labels, Linkin Park turned to Jeff Blue for additional help. After failing to catch Warner Bros. Records attention on three previous attempts, Jeff Blue, now the vice president of Warner Bros. Records, helped the band sign a deal with the company in 1999. The band released its breakthrough album, Hybrid Theory, the following year.[2] The album spawned four singles, "One Step Closer", "Crawling", "Papercut" and "In the End".[4] The album included a total of twelve songs, with two additional special edition tracks available in Japan. Later in 2002, the band released a remix album, Reanimation, which would include works from Hybrid Theory and non-album tracks.[5] Reanimation debuted on July 30, 2002, featuring the likes of Black Thought, Jonathan Davis, Aaron Lewis and many others.[6] Reanimation claimed the second spot on the Billboard 200 and sold nearly 270,000 copies during its debut week.[7] The remix album included twenty remixed songs, mainly hip hop-influenced.[4] ff782bc1db

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